"Harry Potter and the Half-Blood Prince" — The sixth movie in J.K. Rowling's fantasy series about the young wizard is the franchise's best so far, blending rich drama and easy camaraderie among the actors with the visual spectacle that until now has been the real star.
The hocus-pocus of it all nearly takes a back seat to the story and characters this time, and the film is the better for that, brimming with authentic people and honest interaction — hormonal teens bonding with great humor, heartache that will resonate with anyone who remembers the pangs of first love. The movie escalates the peril for Harry (Daniel Radcliffe and his best pals, Hermione Granger (Emma Watson and Ron Weasley (Rupert Grint, while giving the threesome that first collaborated as prepubescent kids their best platform yet to show their maturing acting chops.
Director David Yates, who made the fifth film and is doing the final two, stays true to the Rowling recipe yet infuses it with a freshness and energy that make it seem like a new start, not the stale old chapter six it could have been. Harry's main challenge this time involves an assignment from headmaster Dumbledore (Michael Gambon to retrieve a critical memory that a new teacher (Jim Broadbent possesses about the evil Lord Voldemort.
Along with the splendid visuals, the movie offers stirring support from Alan Rickman, Helena Bonham Carter, Maggie Smith, Robbie Coltrane and other co-stars. PG for scary images, some violence, language and mild sensuality. 153 minutes. Three and a half stars out of four.
Jane Eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl. After we close the covers of the book, after having a long journey of the spirit, Jane Eyre, a marvelous figure, has left us so much to recall and to think:
We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past.
We remember her pursuit of justice. It’s like a companion with the goodness. But still, a virtuous person should promote the goodneon one side and must check the badneon the other side.
We remember her self-respect and the clear situation on equality. In her opinion, everyone is the same at the God’s feet. Though there are differences in status、in property and also in appearance, but all the human being are equal in personality.
We also remember her striving for life, her toughneand her confidence…
When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality.
Actually, she wasn’t pretty, and of course, the ordinary appearance didn’t make others feel good of her, even her own aunt felt disgusted with it. And some others even thought that she was easy to look down on and to tease, so when MiIngram met Jane Eyre, she seemed quite contemptuous, for that she was obviously much more prettier than ‘the plain and ugly governess’. But as the little governehad said: ‘Do you think, because I am poor, obscure, plain, and little, I am soulleand heartless? You think wrong!’ This is the idea of equality in Jane Eyre’s mind. God hadn’t given her beauty and wealth, but instead, God gave her a kind mind and a thinking brain. Her idea of equality and self-respect impreus so much and let us feel the power inside her body.
In my mind, though a person’s beauty on the face can make others once feel that one is attractive and charming, if his or her mind isn’t the same beautiful as the appearance, such as beauty cannot last for, when others find that the beauty which had charmed them was only a falsity, it’s not true, they will like the person no more. For a long time, only a person’s great virtue, a noble soul, a beautiful heart can be called as AN EVERLASTING BEAUTY, just as Kahill Gibran has said, that ‘Beauty is a heart enflamed and a soul enchanted’. I can feel that how beauty really is, as we are all fleshly men, so we can’t distinguish whether a man is of nobleneor humbleness, but fleshly men, so we can’t distinguish whether a man is of nobleneor humbleness, but as there are great differences in our souls, and from that, we can know that whether a man is noble or ordinary, and even obscure, that is, whether he is beautiful or not.
Her story makes us thinking about life and we learn much from her experience, at least, that is a fresh new recognition of the real beauty.
Up a slightly-left-of-center masterpiece. The emotional impact of the beautiful, wordless summation of Carls life that opens the movie the bass note that resonates through the whole film and at least as affecting as the scene in Wall-E when he holds h own hands while watching Hello Dolly. The rest of the movie, of course, breathtaking on just about every level, especially the tactile quality of all the characters and textures and the completely realized weather effects and action scenes. With no "new" technical milestones (fur in Monsters, Inc., water in Finding Nemo, realtic camera effects in Wall- E, the design the main focus, from the hilariously stylized characters to the amazing setting of the tepui.
I know----thats a interesting trip!
还是一贯的梦工场的高水准,画面精致细腻,人物生动传神,故事情节曲折动人,最重要的是它以最简单易解的方式说明白了一个道理,那就是——世界上没有任何捷径和秘籍,唯一的制胜法门就是相信自己。
不想再说更多的剧情,因为它真的很出色。看的过程中,频频出现人们会意的笑声,整个氛围相当的轻松和惬意。这个片子做得非常地道,一点儿也没有是由西方人演绎的感觉,不论是故事还是其中传达的意境,不论是画面还是其中的细节,都是东方式的;唯一特别的可能就是出现的现代的口语,比如ok之类的。
© 2022 xuexicn.net,All Rights Reserved.