用童年读后感写成一篇作文【一】
在我的印象中，我不记得这部动画是怎么开始的，也不记得这部动画是怎么结束的，我也不记得看过多少，我之所以写它的影评，一方面是我的爸爸也爱看这部动漫，另一方面就是我从中感到了快乐。
《猫和老鼠》完全以闹剧为特色，情节十分热烈。汤姆是一只常见的家猫，它有一种强烈的***，总想抓住与它同居一室却难以抓住的老鼠杰瑞，它不断地努力驱赶这些讨厌的房客，但总是遭到失败。而实际上它在追逐中得到的乐趣远远超过了捉住老鼠杰瑞，即使偶尔捉住了杰瑞，结果也不知究竟该怎么处置这只老鼠！
这个机灵老鼠与笨猫的故事，没有动物世界中恃强凌弱的残酷，只有两个邻居之间的日常琐事和纷争，诸如小老鼠杰瑞偷吃了汤姆的奶酪，汤姆把捕鼠器放到了杰里的洞门口等等，中间穿插的无数恶作剧和幽默片断，让人感受到久违的天真快意。它们之间的关系常在一瞬间发生变化——化敌为友或势不两立：为敌时绞尽脑汁，互不相让；为友时亲如兄弟，谁也不记仇。
在短片中，汤姆往往以一只被主人娇坏了的蓝色或灰色家猫形象出现,眼睛里总是闪着机会主义的光芒，弓着腰在一旁等待机会出击，杰瑞是一只常常和汤姆作邻居的棕色小老鼠，总是用挑逗的眼神看着你，并且常常在不经意期间玩弄这只猫。汤姆易怒而敏感，杰瑞则独立且投机。精力过剩而顽固的汤姆通常被拥有聪明大脑的杰瑞算计。在每集动画片的结尾，杰瑞常被表现为洋洋得意的胜利者，汤姆则是悲壮的失败者。但是，也有可能出现别的结局，比如汤姆会获得胜利。有些时候，颇具讽刺意味的是，他们都失败了。甚至有一集中，在圣诞节，汤姆往往救了杰瑞的命，或者与杰瑞分享礼物。
在至少一部动画中，它们每日的追逐被描绘为一种互相享受的例行公事：在某一个情节中，汤姆被一只母猫所吸引，嫉妒的杰瑞不断地破坏他们的浪漫情节，希望汤姆能看清母猫的真面目。汤姆最后感激地与杰瑞握手——然后又开始了他们永无止境的追逐。
《猫和老鼠》系列短片之所以如此地风靡世界，极具破坏效果的过瘾场面或许功不可没：杰瑞把汤姆切成了两半，汤姆用尽了包括斧头、、来福枪、炸药甚至毒药等等来试图干掉杰瑞，杰瑞把猫的尾巴塞进了窝夫烘烤模里面，等等。
音乐在短片里扮演了非常重要的角色，即强调了动作及传达适当的情感。音乐导演斯科特·布拉德利创造出的多元音乐通常融合了古典、爵士和流行音乐；布拉德利经常采用当代的流行歌曲，有时也改编米高梅公司的电影原声诸如《绿野仙踪》（1939年）和《青春乐》。
它采用的哑剧形式，完全依靠滑稽动作而不用对白，与《米老鼠和唐老鸭》相比，后者的故事究竟表述什么，有时并不容易搞清，而《猫和老鼠》的哑剧却明白直观，给观众的印象极其鲜明深刻。《米老鼠和唐老鸭》风靡世界几十年，其造型、配音以及强大的宣传起了重要的作用，但是观看过后仍然记忆犹新，而《猫和老鼠》几乎没有对白，靠的完全是生动的形象与情节曲折、想象丰富的故事。在观看的同时带来了诙谐幽默，在观看过后留下了不是磨灭不了的记忆，而是有趣的记忆。
这部动漫到底是不错的，要不然连我爸爸这个大忙人都会看，也许记忆会随着时间的流逝而消失，但是曾经的快乐就像好酒，越发的浓厚香醇。我们也许会像动漫中的角色一样，拼命的追逐或者巧妙的反击，但是我们最终得到的是过程中的快乐，留下的也是过程中的快乐。也许快乐的剧情，快乐的音乐，快乐的角色，快乐的人成就了这部动漫。
带着这部动漫，我们也会一直快乐着······
用童年读后感写成一篇作文【二】
于老师的课是充满人文关怀的课。记得苏霍姆林斯基曾经说过：“教育——首先是关怀备至地、深思熟虑地、小心翼翼地去触及年轻的心灵。”教与学关系的本质是人与人之间的关系，而一位优秀教师的第一要素就是他对教育对象的爱心，他的民主思想和人文情怀。在《用歇后语编故事》的'教学中，处处体现了他对学生的尊重、赏识、期待、激励。你看，课前几分钟，于老师和气地与学生聊了起来，在不知不觉中，他与学生之间的隔阂消除了，学生的言谈由羞涩、拘谨变得活泼、大方，从而进入了学习必不可少的心理准备。于老师平易近人、对学生热情真诚，具有一定的亲和力。在整堂课中，盛老师始终带着自然而自信的微笑，和学生平等地交流，创设了一种民主和谐的教学氛围。尤其可贵的是，于老师能放下特级教师的架子，在课堂上系上围裙，戴上头巾扮起了“老母鸡”，与学生绘声绘色地演起“老母鸡给黄鼠狼拜年——自投罗网”的故事，这样以“童心”换“童心”，与学生达到情感上的沟通，心理上的认同。在与学生的交流中，他始终带着期待的眼神，鼓励学生发表自己的见解。而他对学生习作的评价方法，更值得我们学习。“好，你的文章该打100分。”，“就凭你这个好词，加20分。”，“就凭你这个大喷嚏，加50分！”课堂上，于老师给了学生高度的评价，他的每一句语言，都充满了对学生的鼓励、赏识，如春风拂面，使人愉悦，使人舒畅，激发潜能，开启心智。在于老师的课中，真正体现了学生是学习的主人的观念。一堂课下来，于老师已成了学生的知心朋友。浓浓的信赖、依恋之情，连听课的老师都感到亲切、温馨，更何况学生呢？
用童年读后感写成一篇作文【三】
初恋50 First Dates
What would it feel if I can wake up everyday forgetting what happened for the last whole year?
Lucy in the movie “50 First Dates” told me this feeling. Every morning when she woke up, she only rememberred the Sunday of last year which was her father’s birthday, also the date she had the car accident which made her only keep memory before Sunday, so she always felt happy living the same habit as what she did on Sunday a year ago with the kind set-up by her father and brother. After meeting Hey, she could only remember who he was on the same day. But after one night, he became a stranger to her. She couldn’t even recognize he was the one she used to date and love everyday. Hey tried his best to give her a new different meeting every day so as to win her smile and regain their “First Date”. Hey made her tapes every morning to help her remember what happened the day before and the last whole year. Lucy thus felt grateful with all she had when she woke up everyday. On the same day, she always had the same deep gratitude to face Hey with her sweet smile. What a beautiful feeling it is to always feel thanksgiving and to always
appreciate each other’s effort. A touching story between a memory lost woman and a devoted man taught all of us, normal people, the essence of love. When two people can thank each other for their devotion everyday like what they did for each other on first date, love can forever be refreshed and energetic. On Lucy’s side, people with memory will ask for more than yesterday and become critical of their partners day by day, while people without memory will feel grateful for their life and the people around them everyday.
In the movie, when one day Lucy decided to break up with Hey to let him rebuild his life by burning all their diaries and tapes, I cried for Hey’s broken heart. For her, it was just one day feeling. For him, it was long-term affection and connection. It was easier for her than him to give up their love. On Hey’s side, people with memory will always remember the past happiness and
treasure it for the rest of their life, while people without memory will easily give up at the end of the same day.
What a ruthless feeling it is to end a relationship just after one minute thought. People with fragile mind would easily ruin a long-term relationship no matter what reason they have. The torture between Lucy and Hey tells us the fatal factor to do harm to intimacy between a couple is their fragile mind of
balancing emotion and reason. Thus most of couple lose their trust for each other after experiencing this weakly testing broke-up.
飓风Taken
What is the right relationship between the father and the daughter? There is no certain answer. But the love of Brain's to his daughter must be one of the best ones.
His daughter, a young pretty 17-year-old girl was kidnapped during a tour in Paris. Brain got the news and hurried to France to take his daughter. He found that the gangsters that kidnapped his daughter were connected with an old friend which made him exetreme angry. He finally found the place where was holding an auction selling young virgins and broke in successfully taking his daughter away.
No matter how hard and stressful the situation was, and how dangerous things he faced, he never went back just because of the greatest love of a simple father. In the movie, we are all moved not only his actions of kindness, but also his insistance and the greatest of all- a father's love.
魔术师THE ILLUSIONIST FACTS
When word of the famed Eisenheim's (Ed Norton illusions reaches Crown Prince Leopold (Rufus Sewell, the ruler attends one of the magician's shows in order to debunk the performance. But when the prince's intended, Sophie von Teschen (Jessica Biel, assists the magician onstage, Eisenheim and Sophie recognize each other from their childhoods, and pretty soon they're totally hot for each other. As the clandestine romance continues, the prince's best cop (Paul Giamatti is charged with exposing Eisenheim, even while the magician gains a devoted and vocal public following. Before long, Sophie turns up dead, and the logical suspect is Eisenheim himself.
一线声机"Cellular" has the setup for a solid straight-ahead thriller: A kidnap victim who does not know where she is being held phones a total stranger who must then stay connected on his cell phone to find her before she is killed. Joel Schumacher scored earlier with a similarly phone-themed Larry Cohen story, "Phone Booth." As executed by tone-deaf director David R. Ellis, however, "Cellular" becomes an unintentionally hilarious cousin to Brian de Palma's "Raising Cain" and "Snake Eyes."
Ellis seems to have unwittingly spliced together two different films with
mismatched tones: Kim Basinger as the kidnapee and Jason Statham as the kidnapper occupy the deadly-serious, straight-to-video thriller half, while Chris Evans as the rescuer and William H. Macy as a police officer seem to be in a "Saturday Night Live"-alum action comedy. Nowhere else is the disjointedness in tone more apparent than when Basinger and Evans's performances are placed side-by-side during their conversations: The scenes keep cutting between an overwrought Basinger wringing out every drop of melodrama, while a blissfully inept Evans seems to be channeling a cross between Chris Kattan/Jimmy Fallon and Ben Affleck/Keanu Reeves.
Meanwhile, Ellis pulls out tricks intended to generate thrills and surprises. He throws in out-of-nowhere "shocks," a la "Final Destination"; he throws in
flashbacks; he throws in a gun-blazing Macy in Jerry Bruckheimer action-hero slo-mo; and yet, Ellis has no handle on staging any of them competently. Case in point: "Cellular" is the proud owner of one of the most ineptly scored chase sequences ever, as if Ellis simply heard a snippet of the song's lyrics ("...where you gonna run to?" literally and paid no attention to the inappropriateness of the accompanying music (which just bop, bop, bops along. (The song is even reprised during the closing credits, which itself is misbegotten in conception.
And yet, for all of its failures as art, "Cellular" is always entertaining for those very same faults
用童年读后感写成一篇作文【四】
假如我变成一朵云，我会去动物园看老虎，狮子，鸽子……自然忘不了最喜欢的“大灰狼”，你看，那狼正在睡觉呢，要不恶作剧一下。于是，我变成了一只超级大的狮子，那狼立刻被惊醒了，吓得连忙后退，一点也没草原大王的威风。
假如我变成一朵云，我要去没有去过的地方，好好的畅游一番，转眼我已经去过世界各地，只剩下非洲﹑威尼斯﹑泰国和德国。我先来到的是德国，刚进德国，就闻到扑鼻的花香，看到大街小巷上的每户人家都把花放到窗台上，那花团锦簇，姹紫嫣红。带着花香，我来到了威尼斯，看一只只小船从楼房之间穿梭，听着圣马可教堂的钟声，看着鸽子在广场前飞上飞下，流连忘返，有点儿不想走了。接下来是去往泰国，在去泰国的路上，我还在留恋着德国的天竺葵。我想着想着就来到了泰国，正赶上泼水节，看到那激情四射的泰国人泼着幸福的'新年水，骑着可爱的大象，真好玩，慢慢的我又飘到了马戏团，看见马戏团里猴子与熊的舞姿，引得我哈哈大笑，。
转眼，已经晌午了飘到了非洲的上空，我还没有看到景色就感到身体被融化一般，此时我才想起来原来我是一朵云。云见到太阳会蒸发成水滴。我无奈的想“嗨，早知道就不来非洲了”。可是许许多多个“我”要落地时，一个个盆子接住了“我”，那些人说：“终于等到比较干净的水了。”我听完立刻改变了想法，我哪也不去了，就在这为非洲人造雨！让土地不再干涸，让粮食不再紧缺，让饥饿的儿童吃饱饭！
假如我变成一朵云该多好啊！
