1。 叙述的人称
英语的记叙文一般是以第一或第三人称的角度来叙述的。用第一称表示的是由叙述者亲眼所见、亲耳所闻的经历。它的优点在于能把故事的情节通过“我”来传达给读者,使人到真实可信,如身临其境。如:
The other day, I was driving along the street。 Suddenly, a car lost its control and ran directly towards me fast。 I was so frightened that I quickly turned to the left side。 But it was too late。 The car hit my bike and I fell off it。
用第三人称叙述,优点在于叙述者不受“我”活动范围以内的人和事物的限制,而是通过作者与读者之外的第三者,直接把故事中的情节展现在读者面前,文章的客观性很强。如:
Little Tom was going to school with an umbrella, for it was raining hard。 On the way, he saw an old woman walking in the rain with nothing to cover。 Tom went up to the old woman and wanted to share the umbrella with her, but he was too short。 What could he do? Then he had a good idea。
2。 动词的时态
在记叙文中,记和叙都离不开动词。所以动词出现率最高,且富于变化。记叙文中用得最多的是动词的过去的',这是英语记叙文区别于汉语记叙文的关键之处。英语写作的优美之处就在于这些动词时态的变化,正是这一点才使得所记、所叙有鲜活的动态感、鲜明的层次感和立体感。
3。 叙述的顺序
记叙一件事要有一定的顺序。无论是顺叙、倒叙、插叙还是补叙,都要让读者能弄清事情的来龙去脉。顺叙最容易操作,较容易给读者提供有关事情的空间和时间线索。但这种方法也容易使文章显得平铺直叙,读起来平淡乏味。倒叙、插叙、补叙等叙述方法能有效地提高文章的结构效果,让所叙之事跌宕起伏,使读者在阅读时思维产生较大的跳跃,从而为文章所吸引,深入其中。但这些方法如果使用不当,则容易弄巧成拙,使文章结构散乱,头绪不清,让读者不知所云。
4。 叙述的过渡
过渡在上下文中起着承上启下、融会贯通的作用。过渡往往用在地点转移或时间、事件转换以及由概括说明到具体叙述时。如:
In my summer holidays, I did a lot of things。 Apart form doing my homework, reading an English novel, watching TV and doing some housework, I went on a trip to Qingdao。 It is really a beautiful city。 There are many places of interest to see。 But what impressed me most was the sunrise。
The next morning I got up early。 I was very happy because it was a fine day。 By the time I got to the beach, the clouds on the horizon were turning red。 In a little while, a small part of the sun was gradually appearing。 The sun was very red, not shining。 It rose slowly。 At last it broke through the red clouds and jumped above the sea, just like a deep-red ball。 At the same time the clouds and the sea water became red and bright。
What a moving and unforgettable scene!
5。 叙述与对话
引用故事情节中主要人物的对话是记叙文提高表现力的一种好方法。适当地用直接引语代替间接的主观叙述,可以客观生动地反映人物的性格、品质和心理状态,使记叙生动、有趣,使文章内容更加充实、具体。试比较下面两段的叙述效果:
I was in the kitchen, and I was cooking something。 Suddenly I heard a loud noise from the front。 I thought maybe someone was knocking the door。 I asked who it was but I heard no reply。 After a while I saw my cat running across the parlor。 I realized it was the cat。 I felt released。
这本来应是一段故事性很强的文字,但经作者这么一写,就不那么吸引人了。原因是文中用的都是叙述模式,没有人物语言,把“悬念”给冲淡了。可作如下调整:
I was in the kitchen cooking something。 "Crash!" a loud noise came from the front。 Thinking someone was knocking at the door, I asked, "Who?" No reply。 After a while, I saw my cat running across the parlor。 "It's you。" I said, quite released。
导入:
第1段:Some people hold the opinion that A is superior to B in many ways. Others, however, argue that B is much better. Personally, I would prefer A because I think A has more advantages.
正文:
第2段:There are many reasons why I prefer A. The main reason is that ... Another reason is that...(赞同A的原因
第3段: Of course, B also has advantages to some extent... (列出1~2个B的优势
结论:
第4段: But if all these factors are considered, A is much better than B. From what has been discussed above, we may finally draw the conclusion that ...(得出结论 オ
相信很多港片迷尤其是银河印象迷看到这个标志出来时都会有所触动,而银河映像出品一直以来都被影迷视作品质的保障,今年恰逢银河映像20年,银河也是推出了两部作品,在院线上映的《三人行》,以及注定在院线上映不了的《树大招风》。
对于《三人行》的评价有高有低,相信看过的都有自己的判断,但是《树大招风》则几乎获得一致的好评。片子在500万港币的预算下达到如今的水准可谓又一次展现了银河团队巨大的创造力。前几天推出的'个人华语2016十佳里忘了这一部确实不应该。今天就详细说说。
没看过的可以按下方的二维码获取资源。
《树大招风》并不是杜琪峰亲自掌镜,而是由许学文、欧文杰、黄伟杰三位导演联合执导,每人分别拍摄一个香港贼王的故事,并使之串联起来,最终在97香港回归之夜三人走向灭亡的故事,至于这背后所包含的寓意和传达的感觉相信看过的人定会懂得。
三大贼王在历史上都有原型,有心狠手辣的季炳雄,有手持AK47与飞虎队对抗的叶继欢,有绑架李嘉诚儿子的张子强,三人分别由林家栋、任贤齐以及陈小春饰演。
可以说三条线除了陈小春扮演的卓子强这一条线稍微较弱之外,其他两人的线都相当完整。任贤齐更是一改往日风格,扮演起悍匪来简直一点都不含糊。他的这条线着重于事件的铺陈,我们可以看到一个悍匪如何放下枪干起了走私又如何忍受不了最终拿起枪的整个清晰的线。
从每次点咸菜扣肉被官员耻笑到低三下四陪吃陪喝,到最终的忍无可忍,可以说任贤齐很好的将一个悍匪的心理起伏表现了出来。
林家栋的这条线毫无疑问是强人物的,而林家栋更是贡献了吊炸天的演技,下次金像奖不拿个影帝都有点说不过去的。把一个贼王的多疑,爱财,阴狠毒辣的形象刻画的入木三分,我们一直吐槽的小鲜肉的演技问题,真是建议他们都来学学,也建议整天说他们演技好的粉丝来看看,什么是演技。
相对于前两个的线来说,陈小春这条线多少就浮夸了很多,行事乖张的很,其实更是以一个古惑仔的形式来展现了这个角色,没有很好的进行发掘这个角色本身所具有的魅力,好在强大的剪辑使得陈小春的这条线虽然较弱但是没出现较大的问题。
同时片子对于内地官员的刻画上显得过于呆板了,我从不觉得我们的官员会那么的蠢,我一直觉得越是坏的可以的越是表面儒雅的不行不行的。而片子在官员嘴脸刻画上显然太过于简单粗暴了点。
而最后伴随着查尔斯王子的演讲一个时代落下了帷幕,三大贼王也落下了帷幕,当一切烟消云散时,当一个接替另一个来对香港实施治理时一切会更好吗?未来会很光明吗?伴随着随着一曲《让一切随风》想起,一切便都消失在了历史的尘埃里,未来走向何方并不由你我决定。
I was born in a beautiful town with high mountains around it.The mountains are covered with all kinds of green bamboo.Through the town runs a small stream.It’s said that a new railway is going to be built to the east of the town and a bamboo factory to the west.All the children of the school age can go to school.If anyone is ill,he can go to see the doctor in the newly-built hospital.People in the town are hard-working and never take the backwardness lying down.Though they are having a richer and better life,they are not satisfied with what they have got.They are working hard to build their town into a modern one.
导入:
第1段:提出一种现象或某种困难作为议论的话题
正文:
第2段:Many ways can help to solve this serious problem, but the following may be most effective. First of all... Another way to solve the problem is ... Finally...(列出2~3个解决此类问题的办法
结论:
第3段:These are not the best but the only two/ three measures we can take. But it should be noted that we should take action to...(强调解决此类问题的根本方法
1。 头绪分明,脉络清楚
写好记叙文,首先要头绪分明,脉络清楚,明确文章要求写什么。要对所写的事件或人物进行分析,弄清事件发生、发展一直到结束的整个过程,然后再收集选取素材。这些素材都应该跟上述五个“ W ”和一个“ H ”有关。尽管不是每篇记叙文里都必须包括这些“ W ”和“ H ”,但动笔之前,围绕五个“ W ”和“ H ”进行构思是必不可少的。
2。 突出中心,详略得当
在文章的框架确定后,对支持故事的素材的选取是很关键的。选材要注意取舍,应该从表现文章主题的需要出发,分清主次,定好详略。要突出重点,详写细述那些能表现文章主题的重要情节,略写粗述那么非关键的次要情节。面面俱到反而使情节罗列化,使人不得要领。这一点是写好记叙文要解决的一个基本问题,也需要一定的技巧。如:
One night a man came to our house and told me, "There is a family with eight children。 They have not eaten for days。" I took some food with me and went。
When I finally came to that family, I saw the faces of those little children disfigured (破坏外貌) by hunger。 There was no sorrow or sadness in their faces, just the deep pain of hunger。
I gave the rice to the mother。 She divided the rice in two, and went out, carrying half the rice。 When she came back, I asked her, "Where did you go?" she gave me this simple answer, "To my neighbors — they are hungry also!"
3。 用活语言,准确生动
记叙文要用具体的事件和生动的语言对人、事、物加以叙述。一篇好的记叙文的语言既要准确、生动,又要表现力强,这样才能把人、事描写得具体生动,其可读性才强。试比较下面一篇例文修改的前后效果。
原文:
One day Xiaoqiang was wandering away。 He was soon lost among people and traffic。 He could not find the way back home and started crying。 Just then, two young students who were passing by found him standing alone in front of a shop and crying。 They went up to Xiaoqiang and asked him what had happened。 Xiaoqiang told them how he got lost and where he lived。 The two students decided to take him home。 Mother was pleased to see Xiaoqiang come back safe and sound。 She invited the two students into the house and gave them some money, but they didn't take it。 She served them with tea but they left。
修改后:
The other day, five-year-old Xiaoqiang left home alone and wandered happily in the street。 After some time, he felt hungry so he wanted to go back home。 But he found he was lost among the crowded people and heavy traffic。 When he could not find the way home, he started and crying。 Just then, two young students who were passing by from school found him sanding crying in front of a shop。 They immediately went up to him。
"Little boy, why are you standing here crying?" they asked。
"I want Mom, I go home。" said the boy, still crying。
"Don't worry, we'll send you home。"
And they spent the next two hours looking for the boy's house。 With the help of a policeman, they finally found it。
When the worried mother saw her son come back safe and sound, she was so thankful and she invited the students into her house。 Gratefully, she offered them some money, saying it was a way to express her thanks, but the young students firmly refused it and left without even a cup of tea。
情节设计不错,演员给力,剧情紧凑。我只是想不通章子强何德何能可以如此嚣张跋扈轻易拿走30亿?!然而,结局必然是不会让如我所愿,见识一番三大贼王的联合大战,想到真实的叶国欢和季正雄还在香港赤柱监狱,而章子强已死,我就想感谢导演,不***我春春之恩!
今年最佳港片,或许没有之一;再现久违的银河映像风格,充斥着黑色幽默和宿命感;三大贼王除陈小春略现浮夸外,林家栋、任贤齐均可圈可点,三人更是将贪、嗔、痴的人性展现得淋漓尽致;对内地官场赤裸裸的讽刺,虽荒诞但又不失真实,生动诠释了“黑吃黑,白吃黑更黑”的官场目睹之怪状……
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