初恋50 First Dates
What would it feel if I can wake up everyday forgetting what happened for the last whole year?
Lucy in the movie “50 First Dates” told me this feeling. Every morning when she woke up, she only rememberred the Sunday of last year which was her father’s birthday, also the date she had the car accident which made her only keep memory before Sunday, so she always felt happy living the same habit as what she did on Sunday a year ago with the kind set-up by her father and brother. After meeting Hey, she could only remember who he was on the same day. But after one night, he became a stranger to her. She couldn’t even recognize he was the one she used to date and love everyday. Hey tried his best to give her a new different meeting every day so as to win her smile and regain their “First Date”. Hey made her tapes every morning to help her remember what happened the day before and the last whole year. Lucy thus felt grateful with all she had when she woke up everyday. On the same day, she always had the same deep gratitude to face Hey with her sweet smile. What a beautiful feeling it is to always feel thanksgiving and to always
appreciate each other’s effort. A touching story between a memory lost woman and a devoted man taught all of us, normal people, the essence of love. When two people can thank each other for their devotion everyday like what they did for each other on first date, love can forever be refreshed and energetic. On Lucy’s side, people with memory will ask for more than yesterday and become critical of their partners day by day, while people without memory will feel grateful for their life and the people around them everyday.
In the movie, when one day Lucy decided to break up with Hey to let him rebuild his life by burning all their diaries and tapes, I cried for Hey’s broken heart. For her, it was just one day feeling. For him, it was long-term affection and connection. It was easier for her than him to give up their love. On Hey’s side, people with memory will always remember the past happiness and
treasure it for the rest of their life, while people without memory will easily give up at the end of the same day.
What a ruthless feeling it is to end a relationship just after one minute thought. People with fragile mind would easily ruin a long-term relationship no matter what reason they have. The torture between Lucy and Hey tells us the fatal factor to do harm to intimacy between a couple is their fragile mind of
balancing emotion and reason. Thus most of couple lose their trust for each other after experiencing this weakly testing broke-up.
飓风Taken
What is the right relationship between the father and the daughter? There is no certain answer. But the love of Brain's to his daughter must be one of the best ones.
His daughter, a young pretty 17-year-old girl was kidnapped during a tour in Paris. Brain got the news and hurried to France to take his daughter. He found that the gangsters that kidnapped his daughter were connected with an old friend which made him exetreme angry. He finally found the place where was holding an auction selling young virgins and broke in successfully taking his daughter away.
No matter how hard and stressful the situation was, and how dangerous things he faced, he never went back just because of the greatest love of a simple father. In the movie, we are all moved not only his actions of kindness, but also his insistance and the greatest of all- a father's love.
魔术师THE ILLUSIONIST FACTS
When word of the famed Eisenheim's (Ed Norton illusions reaches Crown Prince Leopold (Rufus Sewell, the ruler attends one of the magician's shows in order to debunk the performance. But when the prince's intended, Sophie von Teschen (Jessica Biel, assists the magician onstage, Eisenheim and Sophie recognize each other from their childhoods, and pretty soon they're totally hot for each other. As the clandestine romance continues, the prince's best cop (Paul Giamatti is charged with exposing Eisenheim, even while the magician gains a devoted and vocal public following. Before long, Sophie turns up dead, and the logical suspect is Eisenheim himself.
一线声机"Cellular" has the setup for a solid straight-ahead thriller: A kidnap victim who does not know where she is being held phones a total stranger who must then stay connected on his cell phone to find her before she is killed. Joel Schumacher scored earlier with a similarly phone-themed Larry Cohen story, "Phone Booth." As executed by tone-deaf director David R. Ellis, however, "Cellular" becomes an unintentionally hilarious cousin to Brian de Palma's "Raising Cain" and "Snake Eyes."
Ellis seems to have unwittingly spliced together two different films with
mismatched tones: Kim Basinger as the kidnapee and Jason Statham as the kidnapper occupy the deadly-serious, straight-to-video thriller half, while Chris Evans as the rescuer and William H. Macy as a police officer seem to be in a "Saturday Night Live"-alum action comedy. Nowhere else is the disjointedness in tone more apparent than when Basinger and Evans's performances are placed side-by-side during their conversations: The scenes keep cutting between an overwrought Basinger wringing out every drop of melodrama, while a blissfully inept Evans seems to be channeling a cross between Chris Kattan/Jimmy Fallon and Ben Affleck/Keanu Reeves.
Meanwhile, Ellis pulls out tricks intended to generate thrills and surprises. He throws in out-of-nowhere "shocks," a la "Final Destination"; he throws in
flashbacks; he throws in a gun-blazing Macy in Jerry Bruckheimer action-hero slo-mo; and yet, Ellis has no handle on staging any of them competently. Case in point: "Cellular" is the proud owner of one of the most ineptly scored chase sequences ever, as if Ellis simply heard a snippet of the song's lyrics ("...where you gonna run to?" literally and paid no attention to the inappropriateness of the accompanying music (which just bop, bop, bops along. (The song is even reprised during the closing credits, which itself is misbegotten in conception.
And yet, for all of its failures as art, "Cellular" is always entertaining for those very same faults
A review of the Pursuit of Happiness
“The Pursuit of Happyness” was released on the 15th of December 2006. It is a dramatic story based on a biography of Chris Gardner’s nearly one-year struggle with homelessness. Directed by Gabrielle Muccino, the film stars Will Smith as Chris Gardner, and co-stars Jaden Smith playing Chris’ son, Christopher Jr. For Will Smith’s performance in the film, he was nominated for an Academy Award and a Golden Globe for Best Actor. The ‘different’ spelling of the title, ‘Happyness’ is seen by Chris Gardner on the building outside the play centre is son attends, which Chris reminds the owners of the building multiple times that it is spelt with an ‘I’.
The film shows us the struggles Chris Gardner has with homelessness. He is bankrupt because he invested his life savings in portable bone-density scanners, which he thought hospitals would be interested in buying, but in the end hardly any doctors wanted one, as they considered it an ‘expensive luxury’. During the struggles, his wife Linda leaves to go to New York and Chris and his son are left in San Francisco with no income and living in a motel. Chris sees interest in become a stockbroker, but to become one he has to go through an internship. Meanwhile, Chris and his son are evicted because they can’t pay rent, and they are forced to go to a homeless shelter, and even one night had to sleep in the bathroom of the underground rail system. During his internship, he never once mentions his financial struggles and at one point he is asked to give one of his bosses 5 dollars for a cab, a sum that he can’t afford. After an intense six months, Chris is taken into the bosses’ office, and is offered a job as a stockbroker, the final scene shows him being in unbelief of the position he was offered and showing his happiness and gratefulness for the opportunity, Chris realises that his financial struggles are over as he now has a job with a regular income.
Christ was unfortunate, for he got a wife who was not understandable at all (though she has her own difficulties and was in bad luck with his business. But he was very fortunate also, for he got a son who was very thoughtful and, I think, tough life experiences always make a great person. It is said that this movie is inspired by a true story, and I want to say, this movie does inspire me a lot. What impressed me most are: Christ’s wife left him because of life pressure; Christ’s love to his son and Christ’s strong belief towards life. Through these, I know that it is not easy to be a good husband and a good Papa, since in reality, only love cannot only make everything. And I also learn that one has to strongly believe in himself, no matter how difficult the situation is, but of course, hard-working is indispensable.
——题记
我并不是一个影迷,但《肖申克的救赎》这部电影的的确确打动了我。
这部电影主要讲述了一位名叫安迪的银行家被误判谋***了自己的妻子及其情夫来到肖申克监狱终生监禁,在安迪对于法律公正的幻想破灭之后,他开始为自己的自由努力,终于在十九年后成功穿越了自己费尽心力挖成的秘密通道,重获自由。刚开始,我与剧中瑞德的想法一样,安迪看起来体质要比其他犯人都要弱再加上身份落差得太大,他肯定是最难承受监狱第一晚的人。可是,我们都错了,安迪不是最难以忍受监狱的第一个,而且他反倒成为了心中最具有希望的那一个。起初,我根本不明白安迪的希望是什么又来自何处,直到影片慢慢进行,直到结局的到来。
肖申克监狱的高墙隔开了一切,无期的监禁,无望的日子,狱中的人们的精神被一点点腐蚀,灵魂在逐步扭曲,心灵渐渐变得麻木起来。以至于将刑满的布鲁斯放出监狱,他反倒选择了自***。偌大的肖申克摧毁了其他的囚犯,却没有摧毁安迪,安迪改变了肖申克。当他不顾一切到广播室播放了莫扎特的《费加罗的婚礼》时,几乎所有的.犯人都惊呆了。这对于他们来说,简直是天外之音。囚禁了这么多年,却从来没有一位囚犯想到去偷偷播放一首音乐,因为他们已经体制化了。令我难忘的是安迪凭借自己的智慧为狱友们赢来了喝啤酒的机会,所有人在楼顶上喝着啤酒,安迪倚靠在矮墙边,露出了难得的微笑,就好像是划破黑暗的黎明。世界终究是属于聪明人的,当安迪在哪个雷雨交加的夜晚爬出500码的污粪管道,滚到了小溪里,然后朝着自由的方向奔去。他的信念与毅力让我觉得再也没有任何人可以与之相比。
其实,生活中的苦难也如肖申克监狱,失去信心、失去希望的人在苦难中渐渐沉沦堕落,迷失了自我;而少数像安迪一样的人,无论如何也不放弃理想,不放弃那份希望,追逐着自由与幸福。在这样的情况下,得到自由纵然很难,但有了这些屈辱的对比,才更能体现出它原有的炫目光泽不是吗?
看完这部电影,我深深地到了:人类之所以可以忍受那么多难以想象的苦难,就是因为有希望在支撑着他们。美好的希望是永不会磨灭的!
虽然大飞并不是《X战警》系列的粉丝,也不是《金刚狼》系列的粉丝,更不是漫威的粉丝,但无奈整个三月似乎没有什么太吊的起大飞胃口的影片,加之这部最新的金刚狼电影已在国外收获不少好评,所以,看起来如果不去看这部片子的话,整个三月都可以告别电影院了。然而,不看也许会后悔,看了可能更后悔。
去看这部电影的观众里一定会有很多金刚狼或是漫威的粉丝,但像大飞这种对金刚狼甚至对整个漫威电影宇宙都不感冒,而只是纯粹的想看一部制作精良的美国大片的普通观众,或许才是大多数吧。所以,尽管大飞的评论,可能会引来金刚狼粉丝的诧异甚至不满,但既然影片已然看罢,有些话便不吐不快。
之前的两部《金刚狼》电影,大飞虽并没有怎么看过,但对休杰克曼饰演的狼叔却早已如雷贯耳。作为其参演的最后一部金刚狼电影,听说休杰克曼此次也是铆足了劲想来一个完美的收官。只是这一次,且不说休杰克曼的表演是否谈得上完美,至少电影里所呈现出的这位狼叔,一定是不完美的。就算没有看过之前的几部X战警和金刚狼电影,也不会让你对这部金刚狼新作看的一头雾水。但如果你也像大飞一样,期待的是看一场超级英雄的电影的话,那么,你一定会失望了,因为这部电影既不超级,也看不到什么英雄。且听大飞给你一一道来。
首先,在这部电影里面,狼叔并没有足够的英雄。从一出场,狼叔便一副落魄的模样,说得好听点是英雄迟暮,说难听点那叫一个年老色衰啊。当然,这样的造型显然是导演刻意为之,也预示着这一次金刚狼不会如以往那样狼性十足。加之穿插于影片当中略显苍凉的配乐,让人觉得狼叔与对手的每一次对决都显得悲壮与惨烈。你很难想象这样的金刚狼怎么会成为一个英雄人物。随着影片的推进,狼叔并没有展现出太多的过人之处,反倒是一次又一次被对手所击倒,甚至在影片最后,如果不是片中的另外一位小主演给了敌人致命一枪,那狼叔一定会死的更加惨不忍睹。
其次,这部片子的场面一点也谈不上超级。全片能让人有点印象的不过2、3场戏,而这有限的几场对决,打斗虽还算暴力,但也够不上精彩。这几场戏非但看不到什么大场面,更重要的是,每一次对决都显得有点不温不火,不紧不慢,让人看得很不尽兴。虽说为了能在国内上映,全片删除了将近14分钟的血腥场面,但即便是加上这10多分钟的戏码,最多不过是增加一点视觉上的冲击,并不会带给观众什么真正的震撼。相比之下,与这部主题有些类似的来自卖拷贝的《逃出克隆岛》,观看体验就要好上很多。
不可否认,这部影片的整体基调营造的还算不错,导演本就是想展现出一个不一样的金刚狼,一个走向末路的英雄。对于金刚狼的忠实粉丝,可能会有不少动情之处,但是对于大飞这样的普通观众,不好意思,动情有点难,不动气就不错了。因为这样一部所谓的超级英雄电影,在大飞看来,即便算不上平庸,也绝对达不到如某些人所言的能和诺兰的《蝙蝠侠:黑暗骑士》相提并论的地步。
当然,这样的电影或许在某种程度而言,其实也是属于粉丝电影,作为一个局外人,大飞也许不应该去凑这个热闹。如果你不是粉丝的话,观影之前请三思,因为你即便就是想去看个热闹,可能也会很难如愿。
When I was a freshman in college I watched the film Gua Sha Treatment for the first time, now I am a junior student and I come back to review the movie from a multicultural aspect, I have many different feelings after watching the film again.
At the beginning of the film, XuDatong is given an award and later he delivers a speech. What makes me impressed most is in his speech he says “one day I will become one of you, a truly successful American, today this award proved that America is a true land of opportunity and I am the living proof of that.” At that moment Xu thinks he has realized his American Dream totally with his lovingly wife and adorable son. However, I think it is ironical that to make a speech like that and I assume it is made on purpose to hind a clue for the story's development. How many non—American people have such a beautiful American dream? One of my classmate studies in American now and before he went aboard he told me his American dream is he can stand at the top of the New York. To be honest, I also dream that one day I can get the Green Card living there happily and successfully maybe working at the Wall Street. When Xu gets the award he thinks he entirely melted in the melting pot neglecting the multicultural obstruct, later the plot goes against the way he thinks. And later Quinlan asked Xu'why you be the scapegoat of your father?' Xu answers 'because he is Chinese.' Then maybe Xu knows that there is always a wide gap between Chinese and American cultures.
The second scene is Xu hit his son Denis because Denis hit the son of xu's boss, at the middle of the film xu tells his boss that he hit his own son is only to show his respect to his boss John Quinlan, that time Quinlan feels puzzled “what a Chinese logic”,yes, American can never understand such a logic full of Chinese characteristic, because they respect everyone including the children, they won't beat a child to please the boss, and there is no such a conception of degree between employee and employer, they feel everyone is equal, which is quite different from china.
Connected to the second scene, the third difference I want to analyze is the care for the children. In America, people pay more attention to the right of children which can be seen from the law—leaving children alone at home is illegal, while in China it is so common that almost everyone may experience such loneliness. And Children Welfare Agency does work in America which shows the importance Americans attach to children's right. What's more, I remember a line 'No one won the case, especially the child.' In my opinion, it also manifests the universal concern from the American public to the children.
The fourth aspect is following the procedure, in the film, more than there times, the people focus on the rule, the law, the procedure. At the Christmas Eve Xu wants to return back to his home pretending as a Santa Claus, what a pity, the security recognizes him and persuades 'you are always a good tenement, never causes troubles for me.' And another scene is at the end of the film , the judge says 'I have to follow the procedure.' However, in China people always have to ask for a favor to do something, and later you have to pay back the favor,for myself, I prefer the American style, strict to the procedure.
The fifth and the last point is the humors, Quinlan says 'you can't fall, your health security is the company paid.' 'Datong, welcome home, maybe next time, you can come from the front door.' 'dady, why you come from the window' ' because we don't have a chimney.' I really adore this distinguished American humor, especially in dangerous situations, which is quite rare in China.
That's my whole reaction to Gua Sha Treatment.
和很多人一样,刚开始是冲着电影里黄政民和郑雨盛这两块老腊肉去的。老腊肉果然带劲儿!相爱相***的场面总是红通通的血腥,好在我也是看过《行尸走肉》的人,但是看到我们雨盛哥哥被暴揍的时候,还是没忍住,唰唰唰地在那儿心疼。好端端的一张脸,总是这伤,那伤的,就连在陪老婆进手术的时候,都是流着鼻血进去的。到底医生该救的人是谁啊?!
作为检察官和市长之间的受气包,受伤也是在所难免的。但是视如兄弟的手下不顾自己的劝告,一步步走向修罗场,最后还和自己在太平间斗个你死我活。然而小弟最终还是小弟,虽然在搏斗中略赢一筹,但是在六亲不认上还是输得一干二净,至死都还不敢相信自己的“哥哥”会真的朝自己开枪。最后将一双血手搭在“哥哥”的手上,永远地闭上了眼睛。不得不提的是,这个演弟弟的小弟是小的时候很火的韩剧-------《宫》里面的那个忧郁王子,听说之前吸毒被抓了,现在又开始演戏了。虽然是一个小角色,但,还是能看出来王子成长了不少。
第一次为了取得市长的信任,开车***死了两个人,先用车撞他们,再倒车来回碾压,结束后,哆哆嗦嗦又义无反顾的样子,好像一个人在马上就要溺水身亡一样,会死死地抓住眼前的一切。而他眼前的一切,不过是身上穿的这身阿玛尼西装,原来没穿过不知道羡慕,但是穿在身上以后,就很难再脱下来。从此你知道,现在你的人生不是由你自己来决定的了,是***,它会让你有脚踩油门的力量。第二次***人的难度系数比较高,少了车这件保护道具,要活生生地把一个人推下去。然而,他完成得很好,虽然还是会哆哆嗦嗦,但是经过两秒,就恢复了不少。尽管如此,看他演戏的'时候还是会不小心跳戏,尤其是看他挨市长耳光的时候,那一抹假笑和那一口黄牙,嗯?、、、王子变青蛙?
终于说到市长了,前面铺垫了这么久。看完这个戏,我就知道,黄政民的戏,我看得还是太少。稍后去恶补。印象最深的还是他光屁股的一场戏,在会议室和对手谈判的时候,不管不顾,光着腚子就开始吃自助,吵起架来的时候也心无旁骛,就连助手给他递来内裤,停了三次才穿上,还是被唯唯诺诺的助手拉上去的。穿个内裤而已,要不要这么有酷?!还有就是他和郑雨盛之间的对手戏,每次看都觉得很精彩,尤其是两个人眼神对视的时候,感觉像是有说不完的阿西八在里面藏着。
特别是,郑雨盛生吃玻璃杯的那场戏,不是嘎嘣一下就咬了下来,看到他颧骨用力之后,才掰下来一小块,在嘴里慢慢的嚼,然后嘴巴里慢慢地有血液渗出来,嘎嘣嘎嘣脆的声音都是肉疼的声音,果然!郑雨盛验信息很难再让人去关注他的盛世美颜,关注点全在伤口上。最后两人相***的场景也很是决绝,两个人的眼神里照旧还是藏满了话,无数句阿西八,然后“砰”地一声,正重脑门。game over!
这场修罗场里的战争,没有生还者。每一个人都是阿修罗,为自己想要的东西拼死拼活。市长是为了他的市长地位;检察官刚开始是为了他的正义,后来是为了保命;警察是为了生存,在两派的夹缝里求生存;小跟班是为了上位,找回自己丢掉的自尊心。最后,,谁都没有成功,谁都只是修罗场上的斗士而已,战斗结束了,生命也就没有存在的意义了。
爱是突然有了软肋,又有了铠甲。
韩度京的软肋和盔甲都是那个痛苦着在病床上苟延残喘的妻子,他用尽自己所有的力气留住自己的妻子,明知她即将死去,还坚持让她做手术,韩度京想留住的不仅仅是妻子的生命,还有他对这个世界残存的希望以及良知,妻子是他黑暗世界的一丝微弱的光,是沾满血的双手依旧愿意握住的人,是告诉他不高做坏事的人。
所以,用生命、名誉、权力、金钱威胁不了他,但是一段即将发送的视频威胁了他,那是他不堪入目的背叛。即便妻子即将死去,即便那段视频可能在妻子心中翻不起一丝涟漪,但是,他还是不愿意看见妻子有可能的伤心,那是他心中最后的一片洁净,他不愿意污染。所以,他屈服了。
可以说,最后死去的人,都是罪有应得,连主角也是。韩度京的双手,一样沾满鲜血,他死掉了,一点也不可惜,可是,我想所有的观众都一样,愿意把最大的怜悯和宽恕都给他。
有些事,有些人,有些世界,一旦踏足了,便再也摆脱不了,韩度京是,文先模亦是。其实文先模比韩度京更清楚,更清醒,既然摆脱不了,既然回不了头,那就一头走到底,那就疯狂一点,努力取得市长大人的信任,背后的辛酸、辛苦、黑暗、鲜血,看到的人几乎都不在了,所以只剩下光鲜亮丽的外表,那就努力维持好了,笔挺的西装,豪车,还有体面的人生。
只有韩度京这样,手中沾满鲜血,心中却又残存着善良,才会两边都讨不到好,所以都从他那里下手,拿他开刀。有软肋,却没有相应的铠甲,所以,受苦的总是你。
好在,编剧总是善良的,这样的主角,当然要做一个完美的endding,所以韩度京找到了铠甲,***死了所有该死的人,最后倒在血泊里,也算死得其所。
值得一说的是,片中的另外一个角色,金车仁,套路总是来得猝不及防,虽然对于他的阴险和暴力有着毫不掩饰的厌恶,但是在死亡面前,毫不犹豫地投奔自己一直奋力打击的罪恶,甚至拿刀砍向自己的伙伴,那个为自己奋不顾身的同伴。还真的是亮瞎了我的眼啊···
那曾让我感动的一部电影希望是美好的,也许是人间至善,而美好的事物永不消逝。
——题记
我并不是一个影迷,但《肖申克的救赎》这部电影的的确确打动了我。
这部电影主要讲述了一位名叫安迪的银行家被误判谋***了自己的妻子及其情夫来到肖申克监狱终生监禁,在安迪对于法律公正的幻想破灭之后,他开始为自己的自由努力,终于在十九年后成功穿越了自己费尽心力挖成的秘密通道,重获自由。刚开始,我与剧中瑞德的想法一样,安迪看起来体质要比其他犯人都要弱再加上身份落差得太大,他肯定是最难承受监狱第一晚的人。可是,我们都错了,安迪不是最难以忍受监狱的第一个,而且他反倒成为了心中最具有希望的那一个。起初,我根本不明白安迪的希望是什么又来自何处,直到影片慢慢进行,直到结局的到来。
肖申克监狱的高墙隔开了一切,无期的监禁,无望的日子,狱中的人们的精神被一点点腐蚀,灵魂在逐步扭曲,心灵渐渐变得麻木起来。以至于将刑满的布鲁斯放出监狱,他反倒选择了自***。偌大的肖申克摧毁了其他的囚犯,却没有摧毁安迪,安迪改变了肖申克。当他不顾一切到广播室播放了莫扎特的《费加罗的婚礼》时,几乎所有的犯人都惊呆了。这对于他们来说,简直是天外之音。囚禁了这么多年,却从来没有一位囚犯想到去偷偷播放一首音乐,因为他们已经体制化了。令我难忘的是安迪凭借自己的.智慧为狱友们赢来了喝啤酒的机会,所有人在楼顶上喝着啤酒,安迪倚靠在矮墙边,露出了难得的微笑,就好像是划破黑暗的黎明。世界终究是属于聪明人的,当安迪在哪个雷雨交加的夜晚爬出500码的污粪管道,滚到了小溪里,然后朝着自由的方向奔去。他的信念与毅力让我觉得再也没有任何人可以与之相比。
其实,生活中的苦难也如肖申克监狱,失去信心、失去希望的人在苦难中渐渐沉沦堕落,迷失了自我;而少数像安迪一样的人,无论如何也不放弃理想,不放弃那份希望,追逐着自由与幸福。在这样的情况下,得到自由纵然很难,但有了这些屈辱的对比,才更能体现出它原有的炫目光泽不是吗?
看完这部电影,我深深地体会到了:人类之所以可以忍受那么多难以想象的苦难,就是因为有希望在支撑着他们。美好的希望是永不会磨灭的!
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