This "celebrity biography" is about the tribulations and difficulties of the three famous men on the road to fame, from the power of persistence to the disintegration of power even to despair. They abandoned a lot of love and friendship on the way to fame. Finally, they set foot on the road to success.
The first is a belief that, suffering from pain, still does not put down music -- Beethoven. Although he was deaf, he said proudly, "listen to my heart music, you don't understand how I feel! A band can only play music that I expect to write in a minute!" Yeah! His music set of classicism is the beginning of romanticism, and its creation reflects the progressive thoughts of the rising period of the bourgeoisie.
Then a tragic, still sculptural belief - Michelangelo. His pain came from human malice. He was born to fight, to conquer! It is precisely because of this that his artistic creation has been deeply influenced, often with the realism of the civil class at the time of the patriotism and freedom of the struggle of the spirit of the painting. This kind of cup is presented in grand and magnificent form, and his hero is both an ideal symbol and a reflection of reality.
The last is a mirror that Lenin once called "the Russian revolution." Looking around Tolstoy's life, he was not only a literary giant, but also the narrative of life, religion, and society that made him a world-leading thinker. Tolstoy never laid down his obsession with the meaning of life.
"Freedom and progress are the goals of art, just as they are the goal of our whole life," said the great musician Beethoven.
This winter holiday, I read a great book - celebrity biography. The book touched my heart deeply. The author of celebrity biography is French romain rolland. The book is composed of three biographies of Beethoven, Michelangelo and Tolstoy.
Each of these three biographies enlighten me. One of the things that struck me most was Beethoven. Beethoven devoted his life to music, but fate always played a trick on him. He was sickly and sickly in his childhood. At the age of 3, hearing gradually declines, as a musician, this is a fatal blow, and his character, determined, does not bow to fate and continues to advance on the music road. Middle-aged, he hearing has completely recession, can only use to communicate with people, but this does not make him stop writing, but not to abandon all, into the arms of nature, continue to compose the immortal music chapter.
"Symphony of destiny" is one of Beethoven's most familiar and favorite works. The hero of Beethoven's eyes was so brave, so unyielding, so unyielding, as Beethoven himself was to write the music of the struggle with fate. Every time I close my eyes, listen to the music, mind is such a scenario: a brave knight, holding a sword, difficulties, setbacks and pain like the enemy, knight along the way encounter the enemy, knight did not flinch, but cut down all the way, the lost the courage, the triumphant return. When I finally opened my eyes, I found that I had the courage to overcome my courage and courage. After that, whenever I'm discouraged, in my heart silently singing "destiny symphony", encourage myself to like Beethoven don't blindly drown by misery and disaster, throat to do take fate of the strong!
"Man, you must strive for yourself!" This is one of the words Beethoven tells people. Yes, people can't cling to vegetation, create life with tough, bold heart and create art!
在一般的社交信中,信内收信人的地址通常省略,但是在公务信函中不能。将收信人的姓名、地址等写在信头日期下方的左角上,要求与对信头的要求一样,不必再写日期。
指发信人的姓名(单位名称)、地址和日期,一般写在信纸的右上角。一般公函或商业信函的信纸上都印有单位或公司的名称、地址、电话号码等,因此就只需在信头下面的右边写上写信日期就可以了。
英文地址的写法与中文完全不同,地址的名称按从小到大的顺序:第一行写门牌号码和街名;第二行写县、市、省、州、邮编、国名;然后再写日期。标点符号一般在每一行的末尾都不用,但在每一行的之间,该用的还要用,例如在写日期的时候。
日期的写法,如1997年7月30日,英文为:July 30,1997(最为普遍); July 30th,1997;30th July,1997等。1997不可写成97。
在正文下面的`一、二行处,从信纸的中间偏右处开始,第一个词开头要大写,句末用逗号。不同的对象,结束语的写法也不同。
(1)写给家人、亲戚,用Your loving grandfather,Lovingly yours,Lovingly等;
(2)写给熟人、朋友,用Yours cordially,Yours affectionately等;
(3)写业务信函用Truely yours(Yours truely),Faithfully yours(Yours faithfully)等;
(4)对上级、长辈用Yours obediently(Obediently yours),Yours respectfully(Respectfully yours)等。
Dear Peter
How is it going
These days,I am really busy
learning.Because the final exam is coming.I always get nervous befor the exam
.My parents want me to get better grades than before.But now I have problem
learning math.Could you give me some advice?I think you can always come up with
problems.So I am looking forward to your letter.
yours,
****
每一套教材都代表着某一种教学理念和实践方法,教师在使用一套新教材之时,应站在编者的角度钻研全套教材,努力理解和领会教材编写者的教学思想和设计精神,把握教材的特点,使之在我们的教学中得以充分体现。与教材对话,首先要尊重教材,读透教材;与教材对话,更要超越教材,走向生活。我们不妨尝试“一课三案”:钻研教材,独立思考,形成“初案”;博采众长,融会贯通,写出“教案”;课后反思,精益求精,补充“另案”。
江苏版的《牛津小学英语》教材按照话题——功能——结构的体例编写,在备课时,我们可着力于话题生活化,功能结构协调化。在“初案”中,我们应该重点研读教材,明确教学语言与语境语言,把握关键语句与困难语句;在“教案”形成阶段,我们应分析语用因素,结合师情学情,选择设计各环节活动:课后,结合教学实际再回头看自己的教材解读,及时补充“另案”必不可少。“另案”中,可以反思一节课对教材处理的成功之举、败笔之处、学生感受,当然,对教材的“再教设计”是最终目的。我们对教材的研读应该追求从“有它无我”到“有它有我”,最后达到“有我无它”的洒脱境界。
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