初恋50 First Dates
What would it feel if I can wake up everyday forgetting what happened for the last whole year?
Lucy in the movie “50 First Dates” told me this feeling. Every morning when she woke up, she only rememberred the Sunday of last year which was her father’s birthday, also the date she had the car accident which made her only keep memory before Sunday, so she always felt happy living the same habit as what she did on Sunday a year ago with the kind set-up by her father and brother. After meeting Hey, she could only remember who he was on the same day. But after one night, he became a stranger to her. She couldn’t even recognize he was the one she used to date and love everyday. Hey tried his best to give her a new different meeting every day so as to win her smile and regain their “First Date”. Hey made her tapes every morning to help her remember what happened the day before and the last whole year. Lucy thus felt grateful with all she had when she woke up everyday. On the same day, she always had the same deep gratitude to face Hey with her sweet smile. What a beautiful feeling it is to always feel thanksgiving and to always
appreciate each other’s effort. A touching story between a memory lost woman and a devoted man taught all of us, normal people, the essence of love. When two people can thank each other for their devotion everyday like what they did for each other on first date, love can forever be refreshed and energetic. On Lucy’s side, people with memory will ask for more than yesterday and become critical of their partners day by day, while people without memory will feel grateful for their life and the people around them everyday.
In the movie, when one day Lucy decided to break up with Hey to let him rebuild his life by burning all their diaries and tapes, I cried for Hey’s broken heart. For her, it was just one day feeling. For him, it was long-term affection and connection. It was easier for her than him to give up their love. On Hey’s side, people with memory will always remember the past happiness and
treasure it for the rest of their life, while people without memory will easily give up at the end of the same day.
What a ruthless feeling it is to end a relationship just after one minute thought. People with fragile mind would easily ruin a long-term relationship no matter what reason they have. The torture between Lucy and Hey tells us the fatal factor to do harm to intimacy between a couple is their fragile mind of
balancing emotion and reason. Thus most of couple lose their trust for each other after experiencing this weakly testing broke-up.
飓风Taken
What is the right relationship between the father and the daughter? There is no certain answer. But the love of Brain's to his daughter must be one of the best ones.
His daughter, a young pretty 17-year-old girl was kidnapped during a tour in Paris. Brain got the news and hurried to France to take his daughter. He found that the gangsters that kidnapped his daughter were connected with an old friend which made him exetreme angry. He finally found the place where was holding an auction selling young virgins and broke in successfully taking his daughter away.
No matter how hard and stressful the situation was, and how dangerous things he faced, he never went back just because of the greatest love of a simple father. In the movie, we are all moved not only his actions of kindness, but also his insistance and the greatest of all- a father's love.
魔术师THE ILLUSIONIST FACTS
When word of the famed Eisenheim's (Ed Norton illusions reaches Crown Prince Leopold (Rufus Sewell, the ruler attends one of the magician's shows in order to debunk the performance. But when the prince's intended, Sophie von Teschen (Jessica Biel, assists the magician onstage, Eisenheim and Sophie recognize each other from their childhoods, and pretty soon they're totally hot for each other. As the clandestine romance continues, the prince's best cop (Paul Giamatti is charged with exposing Eisenheim, even while the magician gains a devoted and vocal public following. Before long, Sophie turns up dead, and the logical suspect is Eisenheim himself.
一线声机"Cellular" has the setup for a solid straight-ahead thriller: A kidnap victim who does not know where she is being held phones a total stranger who must then stay connected on his cell phone to find her before she is killed. Joel Schumacher scored earlier with a similarly phone-themed Larry Cohen story, "Phone Booth." As executed by tone-deaf director David R. Ellis, however, "Cellular" becomes an unintentionally hilarious cousin to Brian de Palma's "Raising Cain" and "Snake Eyes."
Ellis seems to have unwittingly spliced together two different films with
mismatched tones: Kim Basinger as the kidnapee and Jason Statham as the kidnapper occupy the deadly-serious, straight-to-video thriller half, while Chris Evans as the rescuer and William H. Macy as a police officer seem to be in a "Saturday Night Live"-alum action comedy. Nowhere else is the disjointedness in tone more apparent than when Basinger and Evans's performances are placed side-by-side during their conversations: The scenes keep cutting between an overwrought Basinger wringing out every drop of melodrama, while a blissfully inept Evans seems to be channeling a cross between Chris Kattan/Jimmy Fallon and Ben Affleck/Keanu Reeves.
Meanwhile, Ellis pulls out tricks intended to generate thrills and surprises. He throws in out-of-nowhere "shocks," a la "Final Destination"; he throws in
flashbacks; he throws in a gun-blazing Macy in Jerry Bruckheimer action-hero slo-mo; and yet, Ellis has no handle on staging any of them competently. Case in point: "Cellular" is the proud owner of one of the most ineptly scored chase sequences ever, as if Ellis simply heard a snippet of the song's lyrics ("...where you gonna run to?" literally and paid no attention to the inappropriateness of the accompanying music (which just bop, bop, bops along. (The song is even reprised during the closing credits, which itself is misbegotten in conception.
And yet, for all of its failures as art, "Cellular" is always entertaining for those very same faults
今年国庆节是中华人民共和国成立72周年,我和妈妈去观看了一部爱国教育电影《长津湖》。
这部电影主要讲述抗美援朝时期的战争,美国进攻朝鲜,但是战火立马燃烧到了我们中国,1950年新中国刚成立,美军进攻鸭绿江,因为当时的美军有先进的科学技术,坦克、战斗机、巡逻机等。美国总司令麦克阿瑟说,要在圣诞节攻下中国,这时***命令彭德怀率领英雄连队:“第七穿插连”部队攻打美军,虽然那时中国的武器十分落后,可是他们靠着那颗坚韧不拨的心,说如果不是我们这一代打,就是我们的下一代打。
志愿军在冰雪山谷里,一个能崩掉牙的小土豆都当宝,可是美军在感恩节却大鱼大肉,连盛菜都是毫不吝啬的满满一勺。志愿军在彭德怀,宋司令的指挥决策中,毛岸英争分夺秒抢救大比例地图,伍千里、余从戎的近身肉搏,雷睢生的炮排压制,平河的远程狙击,伍万里从一个新兵蛋子成为合格的战士,七连人没有任何人去教他,是他自己眼见的生与死、血与火,能***20个敌人就是英雄。
最后中国人民志愿军也付出了惨痛的牺牲,在零下三十多度的天气中,很多先烈是以端着枪的姿势被冻僵,体现了志愿军战士服从命令视死如归,冻成冰雕也不退缩的.革命精神。麦克阿瑟看到我们中国人不是被打死,而是被冻死了,说像这样坚韧的敌人我们永远也战胜不了他们。
讲述了一个志愿军连队在严酷环境下坚守阵地奋勇***敌,为长津湖战役胜利作出重要贡献的感人故事。
我们要好好学习,成为祖国有用的人。
在长津湖这部电影中,无论是伍千里、伍万里,还是梅生、等每一位七连的战士脸上都有清晰可见的伤痕,一身军装上破洞累累,连的补给食物土豆都成了奢侈品。
《长津湖》与其他的红色影片不同,片中每一位人物,他们不同的性格以及自己的战争经历,使故事十分曲折。
这部电影以老兵的视角,回顾了以往那些在抗美援朝时发生的许多惨烈的战争。在零下40度的严寒中,有多少战士为了不被发现,将自己埋在白雪之下?又有多少战士在雪中被活活冻死?明明已经冻得心寒,为什么不退或逃走呢?我想其中的原因他们比谁都清楚……
自1804年到1945年,这一百多年中,有多少中国的珍宝被夺走,有多少生灵被涂炭,有多少士兵为了自己,为了百姓,为了父母,为了儿女,为了刚刚诞生的新中国,不顾自己的生命,走上沙场,保国安民!“我们在这里吃雪,正是为了祖国的人民不吃雪,我们在这里蹲防空洞,祖国的人民就可以不蹲防空洞。”
六、七十年已经飞逝,当年爱吃糖的\'小孩子,也已经两鬓花白,老态龙钟。但那些英雄,他们仍旧可爱。
美军打仗冷了可以生火煮咖啡,饿了有鸡腿与巧克力,晚上睡在鸭绒睡套里,受伤了直接抬到直升机里疗伤,而中国的军人们却与他们截然相反。
“不胜,毋宁死!”在抗美援朝做出献身的英雄,还有千千万万,他们的精神令美军都为之肃然起敬,也令我们这些后辈自豪与骄傲。
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