很开心这部电影是我自己一个人去看的,也很开心这是部真正的电影,也是一部艺术品,看完后久久不能平息。这是我看过最好的爱情电影没有之一,他满足了我对爱情电影最好的向往,一起坚持梦想奋斗,一起诗词歌赋,一起谈一场也许不轰轰烈烈但却刻骨铭心的恋爱。
女主角是在洛杉矶中万千追梦者的`一员,她的愿望是当一名演员,于是她扎根在此,参加各种试镜,不愿放弃任何一个小角色。
男主角是在洛杉矶中万千追梦者的一员,他的愿望是开一间爵士俱乐部,用钢琴弹自己喜欢的曲子。
但现实是残酷的,女主角总是试镜失败,只能偶尔在咖啡店打工养活自己,而男主角所喜欢的音乐受众太小,只能违心加入乐队,做着自己不喜欢的音乐。
两个追梦人在此相遇,彼此相爱,互相鼓励。
导演对长镜头和灯光的运用堪称完美,人美画美,我甚至舍不得眨眼。像好莱坞老电影致敬的情怀配上爵士音乐,让这部唯美的现代电影多了一丝复古的味道。
那一眼望穿秋水,星河中的漫步,夜光下两人翩翩起舞,困难中的互相扶持,在现实和梦想的抉择,我当然知道现实中的爱情绝不能像电影中这么美好,但这部电影好看就好看在它让所有人都相信这份爱。
看完后回味无穷想起自己的过去,最爱的人现在和自己不在一起,不爱了但也不恨了,相爱最深的两个人不一定是能走到最后的,可当熟悉的旋律响起时,我还想在音乐的旋律里再吻你一次,因为我把我美好的幻想都放在你身上的那份情是忘不掉的。
不必言谈,一个眼神足矣。而眼神里的不再是爱,是释怀。
虽然本片中无时不刻的手提跟拍和始终响彻耳际的美式军队口令都让人很容易回忆起另一部以小分队为主角从头打到尾的的《黑鹰降落》,但我更愿意称其为官方版的《第九区》。相对于《黑鹰》里多少有点战略与战术结合的主线(无论结果如何),《洛杉矶》的视角起得很低,更多时候花了大力气在营造的是另外一种感觉:生存。
《使命召唤》特别是《世界战争》系列的游戏迷看见片中的部分装备,应该会感觉到有一丝丝亲切,只是电影在有限空间里断然切割开了如游戏一般的爽快打击感,从而让后面那些过分主旋律的台词有了立足之地。服从,冷静,责任,勇敢,坚毅,如上品质被不动声色地落在这些面孔模糊的大兵身上。“让这些家伙看看他们把谁惹毛了”般纯粹耍酷的台词,也居然多少有了点力量。对比当年《壮志凌云》里的帅气拉风,也许征兵广告更是可以这么拍的。
在未可知的强敌面前,猝不及防的人类军队几乎是没有任何准备就进入了这场星际大战的.前线。应该是为了能让这种僵持可以保持得久一点,外星人步兵的进攻力被调节到了与其科技水平看起来极其不符的地步,或者反过来说美军的防护装备强悍到了一定程度,这个在我看来是多少可以理解的一种设计。而结尾那个看来算得上十分草率的逆转式进攻,虽然估计会让科幻迷拍腿大骂,但比起《便缸2》这类教育好了也是个盲流之流,也不算没脸见人。
艾伦哈特这张脸在美国中生里不算有太多特色,炮火的熏染下倒使其变得立体了一些。他气质里有一些很天然正派的东西,但更多是带着近乎于迂的执着感。片中扮演带着一段暧昧不明惨痛回忆的主角,很有说服力。不过更有说服力的是米歇尔罗德格里兹,从《生化危机》《速度与激情》那会到现在十年左右了,她始终是那张漫不经心的表情,加油吧,索性成为女大兵代言人。
如果营救的文戏再多些,也许这将是部如《2012》的灾难片,如果惊骇的内心戏再多点,也许这将是部如《世界大战》的科幻片,但导演决定不,他们就咬着牙,在路易斯安那州搭出一个洛杉矶,拍了一部战争片。
洛杉矶迪士尼乐园,是一个童话的世界;洛杉矶迪士尼乐园,是一片彩色的王国;洛杉矶迪士尼乐园,是一座幻想的天地。没错,洛杉矶迪士尼乐园就是这么乐趣无穷!
今年暑假,我来到了美国的洛杉矶,游览了洛杉矶迪士尼乐园。我看到了乐趣,玩到了乐趣,也学到了乐趣。
漫步乐园,我的脚总是情不自禁地加快节奏,四周的一切都映入眼帘。这里的天中白云淡淡,却也孤零零。两边的建筑五彩斑斓,各式各样。有的房子墨绿的瓦砖挂着花似的图布,黄灿灿的身子,淡棕的柱子,顶端飘扬着一面星条旗;有的紫盈盈一身,只有一个白里带红的阳台映衬着;有的因花边线条柔美,多种多样而受人喜爱。
但在我眼里,论富有创新,水晶商场当属第一。
这个建筑蓝绿结合,半个车轮嵌在中央,直径约7米,轮胎上凸出两个词——CrystalArcade,也就是水晶商场。正门大敞,场内人山人海。我们边走边看,周围源源不断地传来照相机的口述:“好累呀!让我歇会吧。”这是美丽幻彩的乐趣。
我们还乘坐了一辆老爷车,忽然蹦上来四个人——一位身着红条白衣、一位黄条白衣、一位蓝条白衣、一位绿条白衣。他们分别站在四角,开始唱起歌来,忽高忽低,这边呻一下,那边吟一声;时高亢,时低昂,时沉重,时轻飘。这是音乐多变的乐趣。
但我觉得,若论童真童趣,还是“小小世界”令我回味无穷。“小小世界”是由一个大城堡组成,内部为空。城堡是由成千上万的雪白和鹅黄的三角形、正方形和圆形组成。有的图形上旋转着金灿灿的大花、在阳光的扫射下似萤火虫一般闪烁着刺眼的光芒。在城堡的最顶端,高高耸立着两根旗杆,一面旗帜金光灿烂,一面旗帜灰白相间。城堡周围花草繁茂,都是奇形怪树:有的长成方块状,好似一堵墙,守卫着“小小世界”;有一颗盘曲而上,犹如一只蜿蜒的墨绿蛟蛇;城堡前有一条清澈见底的小溪,溪边站着一只“树牛”和一对“树马”,它们的头轻轻向边斜,好像在无忧无虑地吃草。我们乘着小艇,驶进了“小小世界”。里面的一切更是童话动漫的境界。里面是一个隧道,两边有许多纸做的轮船、阁楼、舞台……轮船的船头、船舱上,阁楼的阳台上、舞台上都有小人,他们穿着各式各样,唐装、洋服、日本袄五彩缤纷。一位小姑娘金黄的头发垂到后背,身着蓝白连衣裙,像一个知礼肃静的小女孩。一个小男孩身穿红色的运动服,手中拿着小刀,两只腿劈叉,一看便知是个“淘气包”。一座堡垒上肃立着一位战士,他目视前方,端庄沉稳,显而易见是被千锤百炼过了。这里有雪皑皑的`冰山,有高大坚固的堡垒,有神奇诡异的飞毯,有五彩斑斓的金字塔……万物的颜色都与真实世界的截然不同,果真是个“幻彩王国”!这真是童真离奇的乐趣。
“小小世界”如此壮观,定是付出了许多心血和劳动,我也就此明白了——付出为的是人们,是大众;唯有巨大的付出,才有巨大的收获。我爱洛杉矶迪士尼乐园,爱它美丽壮观的乐趣,也爱它刺激欢快的乐趣,更爱它那富有童年幻想、儿童天真、孩子的那种无尽的想象力的乐趣。
When I was a freshman in college I watched the film Gua Sha Treatment for the first time, now I am a junior student and I come back to review the movie from a multicultural aspect, I have many different feelings after watching the film again.
At the beginning of the film, XuDatong is given an award and later he delivers a speech. What makes me impressed most is in his speech he says “one day I will become one of you, a truly successful American, today this award proved that America is a true land of opportunity and I am the living proof of that.” At that moment Xu thinks he has realized his American Dream totally with his lovingly wife and adorable son. However, I think it is ironical that to make a speech like that and I assume it is made on purpose to hind a clue for the story\'s development. How many non—American people have such a beautiful American dream? One of my classmate studies in American now and before he went aboard he told me his American dream is he can stand at the top of the New York. To be honest, I also dream that one day I can get the Green Card living there happily and successfully maybe working at the Wall Street. When Xu gets the award he thinks he entirely melted in the melting pot neglecting the multicultural obstruct, later the plot goes against the way he thinks. And later Quinlan asked Xu\'why you be the scapegoat of your father?\' Xu answers \'because he is Chinese.\' Then maybe Xu knows that there is always a wide gap between Chinese and American cultures.
The second scene is Xu hit his son Denis because Denis hit the son of xu\'s boss, at the middle of the film xu tells his boss that he hit his own son is only to show his respect to his boss John Quinlan, that time Quinlan feels puzzled “what a Chinese logic”,yes, American can never understand such a logic full of Chinese characteristic, because they respect everyone including the children, they won\'t beat a child to please the boss, and there is no such a conception of degree between employee and employer, they feel everyone is equal, which is quite different from china.
Connected to the second scene, the third difference I want to analyze is the care for the children. In America, people pay more attention to the right of children which can be seen from the law—leaving children alone at home is illegal, while in China it is so common that almost everyone may experience such loneliness. And Children Welfare Agency does work in America which shows the importance Americans attach to children\'s right. What\'s more, I remember a line \'No one won the case, especially the child.\' In my opinion, it also manifests the universal concern from the American public to the children.
The fourth aspect is following the procedure, in the film, more than there times, the people focus on the rule, the law, the procedure. At the Christmas Eve Xu wants to return back to his home pretending as a Santa Claus, what a pity, the security recognizes him and persuades \'you are always a good tenement, never causes troubles for me.\' And another scene is at the end of the film , the judge says \'I have to follow the procedure.\' However, in China people always have to ask for a favor to do something, and later you have to pay back the favor,for myself, I prefer the American style, strict to the procedure.
The fifth and the last point is the humors, Quinlan says \'you can\'t fall, your health security is the company paid.\' \'Datong, welcome home, maybe next time, you can come from the front door.\' \'dady, why you come from the window\' \' because we don\'t have a chimney.\' I really adore this distinguished American humor, especially in dangerous situations, which is quite rare in China.
That\'s my whole reaction to Gua Sha Treatment.
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