鼹鼠大夫有一只神奇的箱子,只要对着它喊出疾病的名字,比如“感冒”、“拉肚子”等,再念上一句魔语“拉拉卡卡咕咕拉”,身体就马上好了,因为疾病被关进了箱子。
鼹鼠大夫居住在树林里,疾病差不多都被关进了箱子,所以他很空闲。这天,“咚咚咚”,有人敲门。
鼹鼠大夫戴上眼镜,开门一看,是兔妈妈。“大夫,我家孩子病了。”“啊,不要着急,慢慢说。”鼹鼠大夫把兔妈妈请进了屋。
“我家孩子,一直不笑。”兔妈妈红通通的眼睛里充满了泪水。“不笑可不是病呀。没什么好笑的事情,那我也不会笑的。”鼹鼠大夫笑着说,让兔妈妈回去了。
过了一会儿,“咚咚咚!”又有人敲门。是老青蛙抱着小青蛙进来了。
“冬眠已经过去了,大夫,可这孩子一点都不笑,该怎么办呢?”鼹鼠大夫瞅了一下小青蛙,说:“那 当然啰,你家孩子还没有睡醒呢。春天到了,他会笑的。”说完,他也让青蛙回去了。
“咚咚咚!”又有人敲门。“啊,狐狸先生,你身体可好?”
“别提了,我家小孩已经有两个月不笑了,给他变戏法,扮小丑,他都不笑。”
鼹鼠大夫有点吃惊了:已经有三个人说不笑的事了,难道真有这种病?“这样吧,您把孩子带来,让我诊断一下。”
狐狸走了。鼹鼠大夫查了书,上面写道:“孩子爱笑,无论什么事情都喜欢笑,不笑的孩子不能算是孩子。”
这时,“乒乒乒!”门响得厉害。原来是乌鸦,乌鸦冲着鼹鼠大夫嚷嚷:“我肚子饿了,想吃你神奇箱子里的东西。”“那不行!里面装满了疾病,请原谅!”
“骗人!”乌鸦用尖尖的嘴撬开了箱子,“什么也没有!你这个小气鬼!”望着空空的箱子,乌鸦气呼呼地走了。
“哎呀,疾病统统要逃走了!”鼹鼠大夫坐在箱子盖上,拼命想压住。可是,各种各样的疾病全从箱子里逃出去了,什么“感冒”啊,“拉肚子”啊,全逃出去了。
这时,神奇的箱子里传出了笑声,那是孩子们的笑声。“噢!对了!”鼹鼠大夫想起来了,去年秋天有一只小田鼠吃了种“笑蘑菇”,一刻不停地笑,念了好几遍“拉拉卡卡咕咕拉”,这样,就把孩子的笑和疾病一起关进神奇的箱子里了。
鼹鼠大夫哈哈哈地大笑起来,他想:“虽然疾病逃出了箱子,可是孩子们又能笑了。”
疾病逃进了树林,鼹鼠大夫又开始忙起来了。
小兔的表姐从城里赶来到小兔家做客,表姐非常富有,他告诉小兔说城里非常繁华漂亮,让小兔跟它一起搬到城里去住,小兔想“换个环境生活也好。”于是便答应了。
这天一大早,小兔就开始打包行李,小兔拿起床边的照片,这是他和好朋友松鼠一起照的,看……照片里的笑容多甜啊!
打开衣柜,一条漂亮的裙子,这是生日的时候,蜘蛛小姐为我连夜赶织的礼物,是那么的漂亮。
走到桌子旁,看到漂亮的餐桌,想起当时小猴、小羊、小狐狸、大家一起努力帮自己做的桌子,桌子上七彩的颜色,是大家一起刷上去的,当时的欢笑声现在还记忆犹新。
拎起行李,走出家门,小兔不舍得回头张望着,平时朋友们在自己家里一起开心的玩耍,吃东西,那是多么的快乐啊!现在想想都会不自觉的笑出声音来,想到这里,小兔发现,既然有这么多的回忆和幸福我为什么还要离开呢!它舍不得离开大家和森林。
小兔决定不走了,这时,伙伴们听说小兔要离开急忙赶来,听到小兔说不走了,大家都非常开心,又像往常一样快乐的玩耍。
A review of the Pursuit of Happiness
“The Pursuit of Happyness” was released on the 15th of December 2006. It is a dramatic story based on a biography of Chris Gardner’s nearly one-year struggle with homelessness. Directed by Gabrielle Muccino, the film stars Will Smith as Chris Gardner, and co-stars Jaden Smith playing Chris’ son, Christopher Jr. For Will Smith’s performance in the film, he was nominated for an Academy Award and a Golden Globe for Best Actor. The ‘different’ spelling of the title, ‘Happyness’ is seen by Chris Gardner on the building outside the play centre is son attends, which Chris reminds the owners of the building multiple times that it is spelt with an ‘I’.
The film shows us the struggles Chris Gardner has with homelessness. He is bankrupt because he invested his life savings in portable bone-density scanners, which he thought hospitals would be interested in buying, but in the end hardly any doctors wanted one, as they considered it an ‘expensive luxury’. During the struggles, his wife Linda leaves to go to New York and Chris and his son are left in San Francisco with no income and living in a motel. Chris sees interest in become a stockbroker, but to become one he has to go through an internship. Meanwhile, Chris and his son are evicted because they can’t pay rent, and they are forced to go to a homeless shelter, and even one night had to sleep in the bathroom of the underground rail system. During his internship, he never once mentions his financial struggles and at one point he is asked to give one of his bosses 5 dollars for a cab, a sum that he can’t afford. After an intense six months, Chris is taken into the bosses’ office, and is offered a job as a stockbroker, the final scene shows him being in unbelief of the position he was offered and showing his happiness and gratefulness for the opportunity, Chris realises that his financial struggles are over as he now has a job with a regular income.
Christ was unfortunate, for he got a wife who was not understandable at all (though she has her own difficulties and was in bad luck with his business. But he was very fortunate also, for he got a son who was very thoughtful and, I think, tough life experiences always make a great person. It is said that this movie is inspired by a true story, and I want to say, this movie does inspire me a lot. What impressed me most are: Christ’s wife left him because of life pressure; Christ’s love to his son and Christ’s strong belief towards life. Through these, I know that it is not easy to be a good husband and a good Papa, since in reality, only love cannot only make everything. And I also learn that one has to strongly believe in himself, no matter how difficult the situation is, but of course, hard-working is indispensable.
课前延伸就是以“大语文”观为理念,立足于课堂,着眼于课外,实行课内外双轨运行,以此来拓展语文学习的空间,提高学生的语文素养。
为了增加学生对纸的感性认识,课前老师要生收集有关纸的知识。学生通过上网或阅读课外书籍,收集到了大量的有关纸的资料。这其中对纸知识的收集和整理的.过程,就是对语文学习空间的拓展。学生在这样的过程中,亲自接触学习材料,除了可以扩大阅读量,获得直接的学习体验和感受,接受纸文化的感染和熏陶外,学生利用信息为自己学习服务的意识和动手实践能力也得以培养。虽然这只是点滴之举,但只要有这种开放的意识,日久天长,积沙成塔,学生的语文素养必然会获得发展。
初恋50 First Dates
What would it feel if I can wake up everyday forgetting what happened for the last whole year?
Lucy in the movie “50 First Dates” told me this feeling. Every morning when she woke up, she only rememberred the Sunday of last year which was her father’s birthday, also the date she had the car accident which made her only keep memory before Sunday, so she always felt happy living the same habit as what she did on Sunday a year ago with the kind set-up by her father and brother. After meeting Hey, she could only remember who he was on the same day. But after one night, he became a stranger to her. She couldn’t even recognize he was the one she used to date and love everyday. Hey tried his best to give her a new different meeting every day so as to win her smile and regain their “First Date”. Hey made her tapes every morning to help her remember what happened the day before and the last whole year. Lucy thus felt grateful with all she had when she woke up everyday. On the same day, she always had the same deep gratitude to face Hey with her sweet smile. What a beautiful feeling it is to always feel thanksgiving and to always
appreciate each other’s effort. A touching story between a memory lost woman and a devoted man taught all of us, normal people, the essence of love. When two people can thank each other for their devotion everyday like what they did for each other on first date, love can forever be refreshed and energetic. On Lucy’s side, people with memory will ask for more than yesterday and become critical of their partners day by day, while people without memory will feel grateful for their life and the people around them everyday.
In the movie, when one day Lucy decided to break up with Hey to let him rebuild his life by burning all their diaries and tapes, I cried for Hey’s broken heart. For her, it was just one day feeling. For him, it was long-term affection and connection. It was easier for her than him to give up their love. On Hey’s side, people with memory will always remember the past happiness and
treasure it for the rest of their life, while people without memory will easily give up at the end of the same day.
What a ruthless feeling it is to end a relationship just after one minute thought. People with fragile mind would easily ruin a long-term relationship no matter what reason they have. The torture between Lucy and Hey tells us the fatal factor to do harm to intimacy between a couple is their fragile mind of
balancing emotion and reason. Thus most of couple lose their trust for each other after experiencing this weakly testing broke-up.
飓风Taken
What is the right relationship between the father and the daughter? There is no certain answer. But the love of Brain's to his daughter must be one of the best ones.
His daughter, a young pretty 17-year-old girl was kidnapped during a tour in Paris. Brain got the news and hurried to France to take his daughter. He found that the gangsters that kidnapped his daughter were connected with an old friend which made him exetreme angry. He finally found the place where was holding an auction selling young virgins and broke in successfully taking his daughter away.
No matter how hard and stressful the situation was, and how dangerous things he faced, he never went back just because of the greatest love of a simple father. In the movie, we are all moved not only his actions of kindness, but also his insistance and the greatest of all- a father's love.
魔术师THE ILLUSIONIST FACTS
When word of the famed Eisenheim's (Ed Norton illusions reaches Crown Prince Leopold (Rufus Sewell, the ruler attends one of the magician's shows in order to debunk the performance. But when the prince's intended, Sophie von Teschen (Jessica Biel, assists the magician onstage, Eisenheim and Sophie recognize each other from their childhoods, and pretty soon they're totally hot for each other. As the clandestine romance continues, the prince's best cop (Paul Giamatti is charged with exposing Eisenheim, even while the magician gains a devoted and vocal public following. Before long, Sophie turns up dead, and the logical suspect is Eisenheim himself.
一线声机"Cellular" has the setup for a solid straight-ahead thriller: A kidnap victim who does not know where she is being held phones a total stranger who must then stay connected on his cell phone to find her before she is killed. Joel Schumacher scored earlier with a similarly phone-themed Larry Cohen story, "Phone Booth." As executed by tone-deaf director David R. Ellis, however, "Cellular" becomes an unintentionally hilarious cousin to Brian de Palma's "Raising Cain" and "Snake Eyes."
Ellis seems to have unwittingly spliced together two different films with
mismatched tones: Kim Basinger as the kidnapee and Jason Statham as the kidnapper occupy the deadly-serious, straight-to-video thriller half, while Chris Evans as the rescuer and William H. Macy as a police officer seem to be in a "Saturday Night Live"-alum action comedy. Nowhere else is the disjointedness in tone more apparent than when Basinger and Evans's performances are placed side-by-side during their conversations: The scenes keep cutting between an overwrought Basinger wringing out every drop of melodrama, while a blissfully inept Evans seems to be channeling a cross between Chris Kattan/Jimmy Fallon and Ben Affleck/Keanu Reeves.
Meanwhile, Ellis pulls out tricks intended to generate thrills and surprises. He throws in out-of-nowhere "shocks," a la "Final Destination"; he throws in
flashbacks; he throws in a gun-blazing Macy in Jerry Bruckheimer action-hero slo-mo; and yet, Ellis has no handle on staging any of them competently. Case in point: "Cellular" is the proud owner of one of the most ineptly scored chase sequences ever, as if Ellis simply heard a snippet of the song's lyrics ("...where you gonna run to?" literally and paid no attention to the inappropriateness of the accompanying music (which just bop, bop, bops along. (The song is even reprised during the closing credits, which itself is misbegotten in conception.
And yet, for all of its failures as art, "Cellular" is always entertaining for those very same faults
我曾经收到过许多礼物,有父母给的、有亲友给的……可我感到最珍贵的,要数张鑫茹送给我的那件礼物——小猪枕头。因为那个小猪枕头寄托着我和张鑫茹的友情。而且,张鑫茹送小猪枕头的情景常常出现在我的眼前,浮现在我的脑海里。
那是我10岁生日的那天,我正在家里玩皮筋,突然我听见有人按门铃,我打开门见是张鑫茹来了,非常高兴。张鑫茹突然把手中的礼物拿了出来,神秘地说:“自己打开看看吧!”我接过礼物轻轻的打开盒子,高兴的一下子跳了起来。原来是小猪枕头,我抱着它,左看看,右看看,真是爱不释手。我把小猪枕头放在床头,因为这样每天都能看见可爱的\'小猪枕头,最重要的是那是我和张鑫茹友谊的见证。
礼物是一丝柔柔的春风,吹走了心中的烦恼;礼物是一缕阳光,温暖了我们的心田;礼物是一条涓涓的溪流,唱响了申请的赞歌;礼物更是一杯芬芳的美酒,陶醉了我们的生活。
每当我晚上要休息时,或早晨起床时,都会看到那只可爱的小猪枕头,于是便会不由自主的想起曾经在迁安一实小的同学——张鑫茹。
晨,小猪唏哩呼噜撕下一页日历。他说:“呀!七月八号,这是个好日子!好像是谁过生日嘛”
可是,到底是谁过生日呢?
唏哩呼噜想了一会儿,高兴地说:“对啦,是妈妈过生日!爸爸过生日,妈妈给他买了一顶皮帽子;妈妈过生日,爸爸给她买了一个大西瓜。买西瓜,当然是夏天。现在就是夏天,当然是妈妈过生日!”
唏哩呼噜过生日的时候,妈妈给他买了一个大蛋糕。现在,他已经长大了,妈妈过生日,他也应该给妈妈买点儿什么当礼物。
“我把礼物摆在桌上,”小猪美滋滋地想,“等妈妈回来一看,哇,谁送我的礼物啊?是小唏哩呼噜?真的呀?啊,我的小儿子真长大了,还想着妈妈的生日!”
唏哩呼噜越想越快活。
后来,他忽然不快活了,他没有钱,怎么’买礼物呢?
“我会干活儿了,”小猪想了想说,“我去干一天活儿,到晚上,用挣来的钱给妈妈买回好多好吃的!
他背上一个兜子,跑到集市上去。
小猪看见一位山羊伯伯面前摆着—副担子,两个大筐里都装着圆圆的绿萝卜。山羊伯伯正在吆喝:“又甜又脆的心里美!一块钱两个,不好吃不要钱!”
唏哩呼噜也会挑担子。他走上去问:“山羊伯伯,我帮您挑担子吧!我很有力气,帮您挑回家去,您给我一个心里美萝卜就行!”
老山羊说:“去去去,别处玩儿去!——我费好大劲儿挑来的,干吗又挑回去?我疯啦?”
唏哩呼噜只好走开。他才走出去几步羊伯伯又把他叫回去,对他说:“对了,你帮我看一会儿摊子吧,我得去方便方便!你好好儿等着,回来我的萝卜一个也没丢,我就送给你一个。”
唏哩呼噜不明白“方便方便”是干什么,不过,看山羊伯伯的样子,肯定是件急事。唏哩呼噜立刻答应了。
山羊伯伯一走,唏哩呼噜就学他的样子吆喝起来:“又甜又又脆的心里美!一块钱两个,不好吃不要钱!”
有两位顾客来买萝卜,一共买去十个。
山羊伯伯回来,小猪把五块钱交到他手里。
“怎么,还替我卖了萝卜?”老山羊羊喜出望外地说,“我看出你是个老实的孩子,可没想到你还这么能干!
老山羊一高兴,给了他两个“心里美”。
唏哩呼噜欢欢喜喜把萝卜装进背兜里,向山羊伯伯道了谢。绿皮红瓤儿,,又这么大,还是两个,他已经有了一件不错的礼物啦!”
天还早。小猪希望妈妈更高兴,就满怀信心,继续往前走。
他看见一家点心铺,里边摆满了各式各样的糕点。狐狸掌柜正坐在柜台里看报,小猪走上去打招呼说:“早上好,狐狸先生!您要不要去方便方便?”
狐狸先生一笑说:“想趁我出去的时候,偷吃我的糕点吧?”
小猪说:“不对。我想替您照看铺子,挣一点儿钱。您应当吆喝。人家听见了,就会来买您的点心!”
狐狸掌柜说:“这主意不错。不过,看你傻乎乎的样子,当店员怕是不行。这么着吧,我后院儿里有一点儿垃圾,你可以替我倒出去,再把院子打扫干净。要是你干得好,我送给你一块大蛋糕!”
唏哩呼噜指着一块有“生日快乐”几个字的漂亮的大蛋糕说:“就是那样子的吗?”
狐狸掌柜点着头说:“对,就是这样子的!”
小猪高兴极了!这礼物可太棒啦!
狸先生找来扫帚、铁锹和一个空木箱,让小猪抱到后院儿去。
小猪跑去一看,哇!
垃圾根本不是“一点儿”!狐狸先生大概把自己的院子当成大垃圾箱啦——整个院子,垃圾堆得满满的,差不多跟墙一般高!
小猪鼓起。勇气,下决心搬掉这座山。要知道,把这件事做完,那块大蛋糕可就归他啦!
他拼命地干起来。
他用铁锹把垃圾装进大木箱,然后丢下铁锹,抱起大木箱,摇摇晃晃走到垃圾站,倒掉。
小猪就这样,一趟、两趟、三趟……
开始的时候,太阳在东边笑嘻嘻地瞧着他,好像对他说:“唏哩呼噜,好样儿的!加油干吧!”
后来,太阳移到了他头顶”,看见他大汗珠子滴滴答客往下掉,不由得自己也急得浑身滚烫。再后来,他瞧见小猪累得直摔跟头,实在不忍心再看,红着脸躲到西山背后去了。
到这时候,小猪可快活得很,因为活儿都干完了!他跑到前边,高兴地告诉狐狸先生说:“都做完啦,给我大蛋糕吧!”
狐狸先生惊讶地睁大眼睛:“大蛋糕?什么大蛋糕啊?”
小猪有些着急地说:“您讲了,我做得好就给我那块大蛋糕!我做得不好吗?”
他把狐狸掌柜拖到后院儿去看。狐狸掌柜说:“思,;你做得很好。可是你的耳朵很不好—一我明明说:要是你做得好,我就送给你一个做蛋糕用的大鸡蛋。”
小猪说:“不对,您不是那么说的!”
狐狸先生说:“对,我是那么说的!”
“不对!”
“对!”
“就不对!”
“就对!”
小猪没有办法了。唉,鸡蛋就鸡蛋吧!
狐狸先生真的从蛋箱里给他挑了—个最大的鸡蛋。
小猪背着两个萝卜,捧着那个鸡蛋往家里走。天已经很黑了。月亮怕小猪摔了鸡蛋,赶,紧跑出来给他照路。
小猪又累又饿,可是他一路上只是想:“说的是大蛋糕嘛,怎么变成了大鸡蛋?要是我拿回去的是个大蛋糕,妈妈该有多开心!”
还好,家里的桌子上,已经摆着一个很大很大的大蛋糕。这一定是爸爸给妈妈买的。
爸爸、妈妈和姐姐们正围着桌子团团坐。大家都在等着他回家吃饭。妈妈叫着说:“哎呀,怎么搞得这样脏?简直是一头泥巴小猪嘛!”
爸爸也摇摇头:“啊,真糟糕!”
唏哩呼噜把鸡蛋放在桌子上,又把背兜里的`两个“心里美”萝卜拿出来摆好,向妈妈说:“这是我送给妈妈的生日礼物。祝妈妈生日快乐!”
爸爸和妈妈都怔住了。后来妈妈看看爸爸,爸爸爸看看妈妈,忽然一齐哈哈大笑。妈妈笑得眼泪都流出来了。
姐姐们也都笑了,还使劲拍手。
唏哩呼噜一点儿都不明白,他们笑什么呀?
妈妈把唏哩呼噜搂在怀里,温柔地说:“真是妈妈的乖孩子!可是你弄错了。妈妈的生日,还要等一个月呢。傻孩子,今天是你的生日啊!你看,这是爸爸给你买的生日大蛋糕!”
爸爸笑着对他说:“祝你生日快乐,唏哩呼噜!走吧,咱们去洗个澡。洗干净了,你好给大家分蛋糕!”
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