用外貌描写老师英语作文(描写英语老师的作文片段英语)

用外貌描写老师英语作文(描写英语老师的作文片段英语)

首页写人更新时间:2023-03-19 12:44:15
用外貌描写老师英语作文(描写英语老师的作文片段英语)

用外貌描写老师英语作文【一】

Dear teacher:

Let me introduce one of my friends to you.

His name is Liming . He graduated from Beijing University and major in English. He started learning English since 12 years old. His parents have a lot of American friends. That’s why he has no problem communicating with Americans or others by speaking English.In his spare time, He like to do anything relating to English such as listening to English songs, watching English movies or TV programs, or even attending the activities held by some English clubs or institutes. He used to go abroad for a short- term English study. During that time, He learned a lot of daily life English and saw a lot of different things.Now he is my best friends .We often communicate in English .I can learn some fresh things from him.

Yours

用外貌描写老师英语作文【二】

Dear Gack

How are you? I am Mike,I am 14 yaars old and my birthday in November ,I can speak Chinese and a little Franch .I am from China. I want to be a doctor , I think it will help many people and it is very cool in a white unifrom ,I live in lin tong.

how about you?can you wrte to me soon?

 Yours,

Li Hua

用外貌描写老师英语作文【三】

每个星期五的晚上,是我兴趣班的第一节课,那就是张老师上的课,张老师可不像是一个文人,倒像是一个粗人,不过看去还是挺帅的!

我们张老师的脸蛋圆圆的,可他偏要称自已是瓜子脸。我的天!还瓜子脸,西瓜子还差不多吧!皮肤黑黑的,细看还能看出几丝淡淡的皱纹。

张老师还有一张红红的嘴唇,远远望去,还以为是涂了大量的口红呢!在他那宽宽的嘴巴下方,长满了一片乱糟糟的胡子。仔细看去,胡子周围还长了一颗颗细小的黑痣,就像长满了一颗颗青春痘。

张老师的头发很短很短,他说还是觉得短头发打理方便一些,四十多岁的张老师,随着时光的流动,又长年为同学们操心备课,已经长出了丝丝银发,看上去有点显老。

还有他那双小小的眼睛跟鸡蛋似的.耳朵之间还架着一副黑色的眼镜,他的鼻梁不高,那镜架子随时要滑下来似的,他的视力还不浅呢!镜片厚厚的,听说已达600多度近视了,让我难以置信。

张老师假如你的皮肤再白点,鼻梁再挺点,眼睛再大点那他肯定算得上是21世纪的“张大帅哥”了。

如果你想更具体地了解我们的张老师,那么可以亲自来张良馆看看哦!

用外貌描写老师英语作文【四】

作为老郑的学生,我不得不承认,他长相平平。 他的整个脸庞犹如一座蜿蜒起伏的山岗。 最引人注目的是山脚下那黑漆漆的大溶洞。洞口夸张地往外凸着,一副随时准备舌战群儒的模样。洞口上下两片厚厚的嘴唇,在大多时候是无法关上洞口闸门的,所以,牙齿总是外露。如果露出的牙齿洁白亮丽也就罢了,可偏偏黑不溜秋,时不时还有一股刺鼻的烟味萦绕齿间,让人怀疑这个山洞就是个烟草加工厂。 山洞的上方,植被稀稀疏疏的,杂乱无章,看上去就像沙漠中的一块毫不起眼的绿洲。植被连着一条被掏空了的山脊,形成两个小溶洞,让你不得不佩服大自然的鬼斧神工。

两个小溶洞里却是多年未修剪的杂草,再往里面,就是一大堆一大堆的垃圾、尘埃、蜘蛛网了。 沿着山脊往上,尽头是这座山岗核心——一对灰色的小眼睛。微微内陷,目光闪烁,在约3毫米的透明玻璃下审视着世间的一切。这对眸子神秘莫测,变化无常。做他的学生,要是你的表现够好,讨他喜欢,那对眼睛便满含粲然笑意,犹如神奇的星光,让你顿生如沐春风,熠熠生辉的感觉。

可要是你不幸被他划定为“后进生”,那对灰色小眼睛就会射出一道黑豹似的目光,冷酷、尖锐、犀利,令你无法动弹,无法躲避,就好像被手术刀、X射线剥离得体无完肤…… 那对灰色的小眼睛上,也种着两块植被,不过显得茂盛了很多,像纠缠不清的树根,朝上倒竖,比这茂盛的是长在山顶的一堆草丛——一头柔软的黑发。

它们有时听话,在头上有规律地排列着,像一个个列队的士兵,井然有序;不听话时,却像一名名舞者,在风“呼呼……”的节奏中跳起了“舞动青春”。只是,每一个舞者的动作都不一样,像在酒吧,跳得随心所欲…… 我常想,这座蜿蜒起伏的山岗,该是经历了怎样的沧海桑田才有了这番风景?该是经历了怎样的风雨侵蚀才有了这番面貌? “像我这么个生着河马嘴、蒜头鼻、鹰凖眼的小个子,带给大家的就是一种视觉污染!”老郑常这么自我解嘲。但是,我不得不承认,就是这么一种视觉污染,却霸道地摄取我们的眼球,植入我们的心灵,侵占我们的生活领域…… 老郑——我的班主任兼语文老师!

用外貌描写老师英语作文【五】

初恋50 First Dates

What would it feel if I can wake up everyday forgetting what happened for the last whole year?

Lucy in the movie “50 First Dates” told me this feeling. Every morning when she woke up, she only rememberred the Sunday of last year which was her father’s birthday, also the date she had the car accident which made her only keep memory before Sunday, so she always felt happy living the same habit as what she did on Sunday a year ago with the kind set-up by her father and brother. After meeting Hey, she could only remember who he was on the same day. But after one night, he became a stranger to her. She couldn’t even recognize he was the one she used to date and love everyday. Hey tried his best to give her a new different meeting every day so as to win her smile and regain their “First Date”. Hey made her tapes every morning to help her remember what happened the day before and the last whole year. Lucy thus felt grateful with all she had when she woke up everyday. On the same day, she always had the same deep gratitude to face Hey with her sweet smile. What a beautiful feeling it is to always feel thanksgiving and to always

appreciate each other’s effort. A touching story between a memory lost woman and a devoted man taught all of us, normal people, the essence of love. When two people can thank each other for their devotion everyday like what they did for each other on first date, love can forever be refreshed and energetic. On Lucy’s side, people with memory will ask for more than yesterday and become critical of their partners day by day, while people without memory will feel grateful for their life and the people around them everyday.

In the movie, when one day Lucy decided to break up with Hey to let him rebuild his life by burning all their diaries and tapes, I cried for Hey’s broken heart. For her, it was just one day feeling. For him, it was long-term affection and connection. It was easier for her than him to give up their love. On Hey’s side, people with memory will always remember the past happiness and

treasure it for the rest of their life, while people without memory will easily give up at the end of the same day.

What a ruthless feeling it is to end a relationship just after one minute thought. People with fragile mind would easily ruin a long-term relationship no matter what reason they have. The torture between Lucy and Hey tells us the fatal factor to do harm to intimacy between a couple is their fragile mind of

balancing emotion and reason. Thus most of couple lose their trust for each other after experiencing this weakly testing broke-up.

飓风Taken

What is the right relationship between the father and the daughter? There is no certain answer. But the love of Brain's to his daughter must be one of the best ones.

His daughter, a young pretty 17-year-old girl was kidnapped during a tour in Paris. Brain got the news and hurried to France to take his daughter. He found that the gangsters that kidnapped his daughter were connected with an old friend which made him exetreme angry. He finally found the place where was holding an auction selling young virgins and broke in successfully taking his daughter away.

No matter how hard and stressful the situation was, and how dangerous things he faced, he never went back just because of the greatest love of a simple father. In the movie, we are all moved not only his actions of kindness, but also his insistance and the greatest of all- a father's love.

魔术师THE ILLUSIONIST FACTS

When word of the famed Eisenheim's (Ed Norton illusions reaches Crown Prince Leopold (Rufus Sewell, the ruler attends one of the magician's shows in order to debunk the performance. But when the prince's intended, Sophie von Teschen (Jessica Biel, assists the magician onstage, Eisenheim and Sophie recognize each other from their childhoods, and pretty soon they're totally hot for each other. As the clandestine romance continues, the prince's best cop (Paul Giamatti is charged with exposing Eisenheim, even while the magician gains a devoted and vocal public following. Before long, Sophie turns up dead, and the logical suspect is Eisenheim himself.

一线声机"Cellular" has the setup for a solid straight-ahead thriller: A kidnap victim who does not know where she is being held phones a total stranger who must then stay connected on his cell phone to find her before she is killed. Joel Schumacher scored earlier with a similarly phone-themed Larry Cohen story, "Phone Booth." As executed by tone-deaf director David R. Ellis, however, "Cellular" becomes an unintentionally hilarious cousin to Brian de Palma's "Raising Cain" and "Snake Eyes."

Ellis seems to have unwittingly spliced together two different films with

mismatched tones: Kim Basinger as the kidnapee and Jason Statham as the kidnapper occupy the deadly-serious, straight-to-video thriller half, while Chris Evans as the rescuer and William H. Macy as a police officer seem to be in a "Saturday Night Live"-alum action comedy. Nowhere else is the disjointedness in tone more apparent than when Basinger and Evans's performances are placed side-by-side during their conversations: The scenes keep cutting between an overwrought Basinger wringing out every drop of melodrama, while a blissfully inept Evans seems to be channeling a cross between Chris Kattan/Jimmy Fallon and Ben Affleck/Keanu Reeves.

Meanwhile, Ellis pulls out tricks intended to generate thrills and surprises. He throws in out-of-nowhere "shocks," a la "Final Destination"; he throws in

flashbacks; he throws in a gun-blazing Macy in Jerry Bruckheimer action-hero slo-mo; and yet, Ellis has no handle on staging any of them competently. Case in point: "Cellular" is the proud owner of one of the most ineptly scored chase sequences ever, as if Ellis simply heard a snippet of the song's lyrics ("...where you gonna run to?" literally and paid no attention to the inappropriateness of the accompanying music (which just bop, bop, bops along. (The song is even reprised during the closing credits, which itself is misbegotten in conception.

And yet, for all of its failures as art, "Cellular" is always entertaining for those very same faults

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