there is a shop at the north gate. when you go into the park through the north gate, you will find a large square on your right and you will see lots of trees and flowers around you. in the west of the park, there is a playground.
sometimes some children fly kites on it and some people sit on the grass and chat. in the middle of the park, there is a lake. there are many boats on it. there is a hill in the east of the park.
the park is very beautiful. i love it very much. will you come to visit it some day?
Little Prince
This is a fairytale whose distribution volume is only second to The Bible. It’s been translated to versions of many other languages. And I gather there must be something special, something really great about it. It’s this conviction that drove me to read it at the first beginning. Well, with due respect to the author, I failed to see how this fairytale be worthy of our attention, despite the fact that many readers claimed this book to be designed for adults.
Anyway, as a well-acknowledged book, it must possess unique feature to maintain it’s position. And it’s reputation and popularity will by no means be destroyed by what an unknown man says. I will talk about the main contents of the book, and the inspiration it renders as usual.
This book mainly tells us the experience of a prince from a tiny planet, who traveled to many other planets and finally came to the earth and met the pilot in a desert. The prince and the pilot became good friends, and the pilot gradually got to know the feeling and experience of his friend. Before he came to the earth, little prince had been to other 6 little planets where he made acquaintance with some strange people. The first man he met was a king on a little planet, yet he claimed to be the king of the space and ridiculously justified his unshakable governance over all. The second person was a man of vanity, who enjoyed compliments of any form without considering whether it’s sincere or not. The third person was an alcoholic who tried to forget the fact that he’s addicted to acohol by drinking like a fish. The fourth person was an abosolute money-oriented businessman, who cared nothing but his fortune. Next came the lamp-lighter who performed his duty blindly. The last one was a geographer who knew too much about geography to solve a real problem related to it. These six people each represented one kind of person like us. The author satirized people’s conceit, emptiness, fakeness, innocence and blindness through the tone of a child.
I see eye to eye with the author in that the cause of people’s loneliness can be concluded to the negligence of the bonds that connects them. People are supposed to care about each other, cherish what’s really important for them, and be grateful for the happiness that they’ve gained. We all believe knowledge and experience enable us to see clearly and make right judgements all the time. But we may sometimes lose the right to speak straighforwardly, think creatively or love courageously resulting from what we’ve experienced. That why in our middle school textbooks, it’s the little kid that breaks the illusion of the emperor by saying ”but mum, he ain’t were anything”.
When I was a child, I was definitely a good boy who went home on time after school and did his homework and never tried anything without mom’s permission. And now I am a grown-up, and still I am a good man, at least, that’s what I heard. Sometimes when I was lonely and I began to think about my childhood, then all the happiness and care-free
life came back to me as it were yesterday. Kids that once accompanied me during my childhood now become fathers and mothers of their kids and I myself am a child no more. Thinking about all these things have made me moody. There’re changes happening in our lives whether we are happy about it or not.
People told me life is a journey which will never stop once it’s started. What’s left behind are happiness and sorrow, pride and shame, success and regret. There’s good old time to reminisce and there’s sad hours that reminds us of the pain. Your feeling makes them real, and you know you lived.
I want to conclude by saying some positive words that each yestersday used to be today, and each today is the future of yesterday, so making the most of today is the best way to cherish your lives. Our mortal beings are doomed to die. It’s not sad, instead, death it’s just a process of our lives. After all, we’ve lived our lives and it’s what we do and how we think that determine who we are.
(when you look at the above passages, don’t regard it as a composition or an article, because if you do, you will be puzzled at the structure. It’s just a few words that come to my mind at the moment and I type them.
Have a nice day!
《绝命航班》以飞机为平台,讲述了舱内连续不断的发生的惊怪故事,<绝命航班>并非真的绝命,只是这个影片是在一个非常敏感的时期,上映了一部敏感的影片。在最近一个时期,国人都非常关注“马航失联客机”的相关消息,22日上午10点,马来西亚空军司令等马方代表在北京丽都饭店召开家属沟通会。马方表示,由于不能排除飞机被劫持的可能,马方必须保留一些信息,因为这些信息有可能涉及到可能成为人质的人的安全。又有消息称:澳大利亚海事安全局20日在“推特”上公布了发现疑似与马航失联客机有关的物体的卫星图像。澳大利亚政府宣布的卫星图像成为马航失联以来的最重要的线索,中国新闻频道大部分时间都在播报“马航失联客机”这一事件的进展情况。但愿马航失联客机好运!
《绝命航班》的故事情节对视觉上,非常具有冲击力,9名乘客上了一架民航747,从太平洋中部飞往在东南亚,飞行期间遇上天气作恶,只能临时转向普吉岛避灾,万万没想到遇见了更可怕的灾难,一位乘客带着的化石竟然奇迹般的“活了”,向大家连续进行致命攻击,舱内瞬间成了战场,大家在生命危难之时,为了保存自己,也为了共同的生存,别无选择,只能自救和战斗。
只是片中有些画面的设计,太脱离现实的想象,只能说,影视来源于生活,却高于生活,不然,就不会吸引人。
i read the book written by luxun .it is called zhaohuaxishi. it includes 10 short articles about the writers stories .they are based on his own experience , when i read this book ,i feel very happy to see luxuns childhood. it was diffrent from ours,so we may find it intersting and exciting. luxuns langange is very great but maybe difficult to understand . but through his words ,we can find his happiness in his heart .
从片名看,《绝命航班》至少集合了惊悚和灾难两大元素。出乎我们意料的是,影片还具备怪兽片的特质。剧组把多国部队的优势发挥得非常充分,令这部影片的技术水准远高于内地同类型影片,符合好莱坞爆米花电影的准入标准,能够在90分钟的时间里,给予观众持续的紧张、压迫、好奇、刺激。第一次用格瓦拉预定的电影,在最中间、最舒服的位置,让3D没有成为负担,尽情地飞翔了一把。
从架构上来看,《绝命航班》更接近于密室惊悚片。整个飞机由于飞到了天上而与外界隔绝,几个乘客和机组人员,变成了这个密闭环境中待宰的羔羊。与林中的小屋、废弃的大楼、山上的别墅,以及孤零的小岛相比,飞机和我们的生活更近,拍摄难度也更高,于是在影视作品领域,其作为密闭环境出现,有相当的新鲜感和代入感。制片方在泰国曼谷耗巨资搭建了亚洲最大的机舱,用于封闭拍摄,才有了华语电影中视觉逼真度最高的飞机密闭环境。在这个架构中,编剧皮特-卡梅隆发挥了其高度工业化的设计力,非常准确地安排着影片中的每一个小段落,牢牢抓着观众的注意力。
虽然乘客数量不太多,令影片有着密室惊悚片的架构,可是制片方显然尽了最大努力,烧掉不菲金钱,打造了几段冲击力强烈的灾难镜头。本片95%的故事都发生在飞机舱内,也就是内景戏。如果没有足够多的外景来实施调度,那么节奏上和视觉上都容易令观众不舒服。而众所周知,飞机飞行时,外景戏基本上很难实拍。每一个外景镜头都意味着电脑特效的海量工作。整部影片穿插着大量的飞机在空中飞行的外景镜头,一开始是平稳的飞行,后来遭遇了恶劣天气,直至最后的迫降场面,特效上都没有瑕疵出现,难能可贵。看来,凭借《寒战》一片获得第32届香港电影金像奖最佳视觉效果奖的郑文政,在后期特效总监这个职位上为影片出力颇多。
令人比较意外的是,《绝命航班》并非像陆地上的那些密闭惊悚片一样设置“内鬼”。因为密闭环境的特点,被困的人当中有一个内鬼的话,会大大增强悬疑性。可是《绝命航班》却偏偏舍弃了这种悬疑性。机舱内最大的威胁,来源于一个外来物。而这个外来物,显然具备怪兽片的特征。它行动迅速,来无影去无踪,伤人致命,无可匹敌。也正是这种怪兽的存在,让影片甩开了那种故弄玄虚的小家子气,而更接近于好莱坞灾难惊悚影片的调子,不吓唬人,却能令人不寒而栗。当怪物的真身终于出现的时候,电脑特效和整体环境的结合也非常用心,更结合了真3D的技术,提升了镜头的表现力。
从华语电影工业来讲,《绝命航班》的锻炼意义更胜于其本身的'经济收益。一来通过与国际团队的合作,锻炼了一批具备综合创作力的电影人。比如本片中的几个年轻演员,虽然脸不是很熟,但是看过其与外国演员毫不露怯的对手戏表现后,觉得他们个个体现出了超大的发展空间。还有就是本片的导演在合作中,也提升了对小格局的掌控力。本片在过于单一的场景中,仍能通过巧妙的剧情设计来抓住观众,是内地中小成本创作者最应该学习的。在内地电影工业中,灾难、怪兽、惊悚,这些元素都并非电影人可以随心所欲来创作的。《绝命航班》总算绕过了重重阻碍,用技术力和让其降临在了内地观众的眼前。
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