用英语写一篇关于妈妈外貌的作文【一】
妈妈今年四十出头，岁月的`风霜却在她脸上刻下了一道道深深的皱纹。妈妈是一名国家干部。兄妹六个，外公家并不富裕，她没上过高中，十七岁那年就在县城的一个工厂里当了工人。妈妈工作很出色，多次被评为劳动模范。一边工作，一边学习，她还通过了成人自修。
后来，妈妈光荣地被录用为正式干部。妈妈自小身体虚弱，一直多病，生活很辛苦。那时，爸爸在乡镇当领导，工作很忙，交通条件差，离家又远。我妈妈既要照顾姐姐上小学，还要帮助爷爷奶奶和外公外婆打理一些家务，自己的工作又脱不开身。妈妈对我说：“工作和生活虽然有点累，但日子过的很充实。”这几年，妈妈终于摆脱了病魔的困扰，但她生活过的并不轻松。
爸爸的工作调到了外县，我和姐姐又在太原上学，家里的老人年龄都大了。她回老家要看望老人，跑太原要照顾我和姐姐，平常在离石还要料理爸爸的生活。自己只好请假，为全家人服务。每当我看到妈妈东奔西跑的样子，哎!我的妈妈好辛苦啊!去年放寒假，妈妈没来接我，我真不知道发生了什么事?后来爸爸告诉我，妈妈做了个小手术。
我和爸爸急急忙忙赶回离石，一路上我的心都快要往出跳了。当我拿着奖状走到妈妈的病床前时，两眼饱含的泪水一下子涌了出来，不知想跟妈妈说什么好!妈妈看着我，掉着眼泪，把我紧紧地抱在怀里，用她那勤劳的双手抚摸着我。我的妈妈勤劳善良。我爱我的妈妈!
用英语写一篇关于妈妈外貌的作文【二】
妈妈的眼睛是圆形的，有眼里有个小豆豆。妈妈的眼睛像葡萄，有像球、桂圆。妈妈笑起来眼睛像弯弯的月亮，真好看。
妈妈的鼻梁不高，鼻孔很大。鼻梁上背着一幅漂亮的小眼镜。
妈妈的嘴巴笑起来有两个小酒窝。
妈妈的手很胖，身子也很胖，脚也很胖。
用英语写一篇关于妈妈外貌的作文【三】
Dear XX,
i am very happy to see you,i think you teach very well,we all love you!
i think your english class is better than our old english teacher's class,i believe you can do better than better!i believe in you!
Best wishes to you!
yours,
XXX
XXXX.X.X
用英语写一篇关于妈妈外貌的作文【四】
我的妈妈不仅长得漂亮，还很勤劳，也非常关心我的学习，是一个称职的妈妈。妈妈人美心更美，为什么这样夸她呢?想知道答案就往下看吧!
一天，我们在公园打完羽毛球后，因为还有一些时间，所以妈妈让我再玩一会儿。
这时，我发现不远处有我的最爱——一个名叫“蹦极”的儿童游乐设备。一次十块，每次可以玩五分钟。由于妈妈没有十块的人民币，只好用二十块的去付。这老板粗心大意，找给妈妈两张十块，两张十块重叠在一起，真的看不出来。
不过，细心而又诚实的妈妈发现了，她问老板：“我刚才付了二十块?”
老板点点头，还说：“是啊，找你十块。”
“可是你给了我两张十块呀!”妈妈说。老板一看，真的多找了。
我笑着夸道：“妈妈，您真诚实!”
看，我的妈妈多可爱啊!我们不要向老板一样粗心，要跟我妈妈一样，又细心又诚实!
用英语写一篇关于妈妈外貌的作文【五】
初恋50 First Dates
What would it feel if I can wake up everyday forgetting what happened for the last whole year?
Lucy in the movie “50 First Dates” told me this feeling. Every morning when she woke up, she only rememberred the Sunday of last year which was her father’s birthday, also the date she had the car accident which made her only keep memory before Sunday, so she always felt happy living the same habit as what she did on Sunday a year ago with the kind set-up by her father and brother. After meeting Hey, she could only remember who he was on the same day. But after one night, he became a stranger to her. She couldn’t even recognize he was the one she used to date and love everyday. Hey tried his best to give her a new different meeting every day so as to win her smile and regain their “First Date”. Hey made her tapes every morning to help her remember what happened the day before and the last whole year. Lucy thus felt grateful with all she had when she woke up everyday. On the same day, she always had the same deep gratitude to face Hey with her sweet smile. What a beautiful feeling it is to always feel thanksgiving and to always
appreciate each other’s effort. A touching story between a memory lost woman and a devoted man taught all of us, normal people, the essence of love. When two people can thank each other for their devotion everyday like what they did for each other on first date, love can forever be refreshed and energetic. On Lucy’s side, people with memory will ask for more than yesterday and become critical of their partners day by day, while people without memory will feel grateful for their life and the people around them everyday.
In the movie, when one day Lucy decided to break up with Hey to let him rebuild his life by burning all their diaries and tapes, I cried for Hey’s broken heart. For her, it was just one day feeling. For him, it was long-term affection and connection. It was easier for her than him to give up their love. On Hey’s side, people with memory will always remember the past happiness and
treasure it for the rest of their life, while people without memory will easily give up at the end of the same day.
What a ruthless feeling it is to end a relationship just after one minute thought. People with fragile mind would easily ruin a long-term relationship no matter what reason they have. The torture between Lucy and Hey tells us the fatal factor to do harm to intimacy between a couple is their fragile mind of
balancing emotion and reason. Thus most of couple lose their trust for each other after experiencing this weakly testing broke-up.
飓风Taken
What is the right relationship between the father and the daughter? There is no certain answer. But the love of Brain's to his daughter must be one of the best ones.
His daughter, a young pretty 17-year-old girl was kidnapped during a tour in Paris. Brain got the news and hurried to France to take his daughter. He found that the gangsters that kidnapped his daughter were connected with an old friend which made him exetreme angry. He finally found the place where was holding an auction selling young virgins and broke in successfully taking his daughter away.
No matter how hard and stressful the situation was, and how dangerous things he faced, he never went back just because of the greatest love of a simple father. In the movie, we are all moved not only his actions of kindness, but also his insistance and the greatest of all- a father's love.
魔术师THE ILLUSIONIST FACTS
When word of the famed Eisenheim's (Ed Norton illusions reaches Crown Prince Leopold (Rufus Sewell, the ruler attends one of the magician's shows in order to debunk the performance. But when the prince's intended, Sophie von Teschen (Jessica Biel, assists the magician onstage, Eisenheim and Sophie recognize each other from their childhoods, and pretty soon they're totally hot for each other. As the clandestine romance continues, the prince's best cop (Paul Giamatti is charged with exposing Eisenheim, even while the magician gains a devoted and vocal public following. Before long, Sophie turns up dead, and the logical suspect is Eisenheim himself.
一线声机"Cellular" has the setup for a solid straight-ahead thriller: A kidnap victim who does not know where she is being held phones a total stranger who must then stay connected on his cell phone to find her before she is killed. Joel Schumacher scored earlier with a similarly phone-themed Larry Cohen story, "Phone Booth." As executed by tone-deaf director David R. Ellis, however, "Cellular" becomes an unintentionally hilarious cousin to Brian de Palma's "Raising Cain" and "Snake Eyes."
Ellis seems to have unwittingly spliced together two different films with
mismatched tones: Kim Basinger as the kidnapee and Jason Statham as the kidnapper occupy the deadly-serious, straight-to-video thriller half, while Chris Evans as the rescuer and William H. Macy as a police officer seem to be in a "Saturday Night Live"-alum action comedy. Nowhere else is the disjointedness in tone more apparent than when Basinger and Evans's performances are placed side-by-side during their conversations: The scenes keep cutting between an overwrought Basinger wringing out every drop of melodrama, while a blissfully inept Evans seems to be channeling a cross between Chris Kattan/Jimmy Fallon and Ben Affleck/Keanu Reeves.
Meanwhile, Ellis pulls out tricks intended to generate thrills and surprises. He throws in out-of-nowhere "shocks," a la "Final Destination"; he throws in
flashbacks; he throws in a gun-blazing Macy in Jerry Bruckheimer action-hero slo-mo; and yet, Ellis has no handle on staging any of them competently. Case in point: "Cellular" is the proud owner of one of the most ineptly scored chase sequences ever, as if Ellis simply heard a snippet of the song's lyrics ("...where you gonna run to?" literally and paid no attention to the inappropriateness of the accompanying music (which just bop, bop, bops along. (The song is even reprised during the closing credits, which itself is misbegotten in conception.
And yet, for all of its failures as art, "Cellular" is always entertaining for those very same faults
