有关电影观后感英语作文【一】
The manner in which TV series in the UK are aired can be highly frustrating at times. Sometimes you only get three episodes of a show and then nothing else for a couple of years.
英剧的播出方式偶尔会令人心情跌到谷底，有时只只播出前，之后便沉寂数年。
While waiting for more episodes is frustrating, it does allow a lot of interesting ideas to make it onto TV screens, thus always offering audiences something exciting to watch.
虽然追剧是件令人抓狂的事，但这样一来，也为荧幕上的一些奇思妙想提供了沃土，从而不断为观众带来惊喜。
One such exciting idea is the mini-series Black Mirror. Aired on Channel 4 in the UK, it’s a series of three unrelated one-hour short movies that all offer a twisted commentary on technology.
迷你剧《黑镜子》便是这样一部令人欣喜的作品。这部在英国第四频道播出的剧集由三个时长一小时的独立短片构成，全部反映出对于科技的一种几近扭曲的注释。
For those not familiar with the series, let’s take a look at some of the intriguing yet strange topics of the previous episodes so that you can get an idea.
有人可能还不熟悉该剧，我们来“科普”一下前几集里妙趣横生，而又匪夷所思的主题。
In one story, an unknown person kidnaps a British princess and posts a ransom video on YT. The video says that the princess will be set free if the British prime minister performs an indecent act with a pig on live TV.
其中一集中，匿名人士绑架了英国公主，接着在视频网站YT上发布勒索视频。视频中，绑匪要求英国首相公开在电视上与一只猪进行一段不雅表演以换取公主的平安归来。
Another story is set in a future where people must pedal bikes in order to generate power for the world and earn money that they can spend only on food, skipping TV ads, other entertainment and to change their online avatar.
另一个故事架构于未来世界，在那里人们必须通过骑车发电来维持世界的运转，同时为自己赚取消费点数。这些“货币”只能用来够买食物、跳过电视广告、参加其他一些文娱活动以及更换自己的虚拟形象。
In the third and final episode of season two, which aired on Feb 27, a computer-generated character from a TV show is jokingly put forward to become a member of Parliament.
作为本季的收官之作，《黑镜子》第二季的第三集于2月27日播出。在这集中，一档电视节目中的\'虚拟人物仿佛开玩笑般地提出要竞选国会议员。
One of the joys of watching Black Mirror is that as an anthology series it changes its setting, characters and theme in each episode, always leaving viewers unsure about what to expect in the next installment.
观看《黑镜子》的乐趣之一就在于：像这样一部多段式剧集故事集，每集都会有着不同的故事背景、人物以及主题，观众永远不知道下一集会是什么内容。
But the series presents a world in which anything is possible thanks to technology — a hard, cold fact that is less joyous to digest.
而该剧却为人们呈现出一个“科技无所不能”的世界，这个严酷而不争的事实一时令人难以接受。
The stories, often through extreme situations, explore the human anxieties that surround technology: when we enjoy science but ignore morality, will we suffer a disaster?
这些故事往往通过极端的状况来探寻被科技包围的人们内心的焦虑：当我们享受科技而忽视道德时，我们是否在自掘坟墓?
Charlie Brooker, creator of the series, described Black Mirror as being about “the way we live now — and the way we might be living in 10 minutes’ time if we’re clumsy”.
该剧的编剧查理布鲁克称《黑镜子》展现的就是“我们现在的生活方式——或者如果我们还是这样继续冥顽不灵的话，这将是我们十分钟后的生活方式。”
I’ve always enjoyed TV series and movies that make people think. Black Mirror is undoubtedly a thought-provoking experiment and a refreshing change from other programs on the schedule.
我一直很对这种发人深省的影视剧情有独钟。《黑镜子》无疑是一次引人深思的尝试，不同于同档的其他一些节目，令观众耳目一新！
有关电影观后感英语作文【二】
迪斯尼于1991年全面收复失地的第一作，虽然剧情还是王子与公主的老套，其中穿***太多的音乐和歌曲，这都是老迪斯尼的特征，不过我们也看到了迪斯尼开创动画长片大片的模式，在一年之后的《阿拉丁》，我们就看到了新时代的全新的迪斯尼作品。
《美女与野兽》是经典的故事，本片人物形象生动可爱，不足之处在于剧情方面还没有完全放开想象的翅膀。《阿拉丁》就颠覆了传说中的灯怪的的形象，开创了1992年的票房最高纪录。
然而本片由Peabo Bryson和Celine Dion对唱的主题曲已然成为永恒的经典。
有关电影观后感英语作文【三】
初恋50 First Dates
What would it feel if I can wake up everyday forgetting what happened for the last whole year?
Lucy in the movie “50 First Dates” told me this feeling. Every morning when she woke up, she only rememberred the Sunday of last year which was her father’s birthday, also the date she had the car accident which made her only keep memory before Sunday, so she always felt happy living the same habit as what she did on Sunday a year ago with the kind set-up by her father and brother. After meeting Hey, she could only remember who he was on the same day. But after one night, he became a stranger to her. She couldn’t even recognize he was the one she used to date and love everyday. Hey tried his best to give her a new different meeting every day so as to win her smile and regain their “First Date”. Hey made her tapes every morning to help her remember what happened the day before and the last whole year. Lucy thus felt grateful with all she had when she woke up everyday. On the same day, she always had the same deep gratitude to face Hey with her sweet smile. What a beautiful feeling it is to always feel thanksgiving and to always
appreciate each other’s effort. A touching story between a memory lost woman and a devoted man taught all of us, normal people, the essence of love. When two people can thank each other for their devotion everyday like what they did for each other on first date, love can forever be refreshed and energetic. On Lucy’s side, people with memory will ask for more than yesterday and become critical of their partners day by day, while people without memory will feel grateful for their life and the people around them everyday.
In the movie, when one day Lucy decided to break up with Hey to let him rebuild his life by burning all their diaries and tapes, I cried for Hey’s broken heart. For her, it was just one day feeling. For him, it was long-term affection and connection. It was easier for her than him to give up their love. On Hey’s side, people with memory will always remember the past happiness and
treasure it for the rest of their life, while people without memory will easily give up at the end of the same day.
What a ruthless feeling it is to end a relationship just after one minute thought. People with fragile mind would easily ruin a long-term relationship no matter what reason they have. The torture between Lucy and Hey tells us the fatal factor to do harm to intimacy between a couple is their fragile mind of
balancing emotion and reason. Thus most of couple lose their trust for each other after experiencing this weakly testing broke-up.
飓风Taken
What is the right relationship between the father and the daughter? There is no certain answer. But the love of Brain's to his daughter must be one of the best ones.
His daughter, a young pretty 17-year-old girl was kidnapped during a tour in Paris. Brain got the news and hurried to France to take his daughter. He found that the gangsters that kidnapped his daughter were connected with an old friend which made him exetreme angry. He finally found the place where was holding an auction selling young virgins and broke in successfully taking his daughter away.
No matter how hard and stressful the situation was, and how dangerous things he faced, he never went back just because of the greatest love of a simple father. In the movie, we are all moved not only his actions of kindness, but also his insistance and the greatest of all- a father's love.
魔术师THE ILLUSIONIST FACTS
When word of the famed Eisenheim's (Ed Norton illusions reaches Crown Prince Leopold (Rufus Sewell, the ruler attends one of the magician's shows in order to debunk the performance. But when the prince's intended, Sophie von Teschen (Jessica Biel, assists the magician onstage, Eisenheim and Sophie recognize each other from their childhoods, and pretty soon they're totally hot for each other. As the clandestine romance continues, the prince's best cop (Paul Giamatti is charged with exposing Eisenheim, even while the magician gains a devoted and vocal public following. Before long, Sophie turns up dead, and the logical suspect is Eisenheim himself.
一线声机"Cellular" has the setup for a solid straight-ahead thriller: A kidnap victim who does not know where she is being held phones a total stranger who must then stay connected on his cell phone to find her before she is killed. Joel Schumacher scored earlier with a similarly phone-themed Larry Cohen story, "Phone Booth." As executed by tone-deaf director David R. Ellis, however, "Cellular" becomes an unintentionally hilarious cousin to Brian de Palma's "Raising Cain" and "Snake Eyes."
Ellis seems to have unwittingly spliced together two different films with
mismatched tones: Kim Basinger as the kidnapee and Jason Statham as the kidnapper occupy the deadly-serious, straight-to-video thriller half, while Chris Evans as the rescuer and William H. Macy as a police officer seem to be in a "Saturday Night Live"-alum action comedy. Nowhere else is the disjointedness in tone more apparent than when Basinger and Evans's performances are placed side-by-side during their conversations: The scenes keep cutting between an overwrought Basinger wringing out every drop of melodrama, while a blissfully inept Evans seems to be channeling a cross between Chris Kattan/Jimmy Fallon and Ben Affleck/Keanu Reeves.
Meanwhile, Ellis pulls out tricks intended to generate thrills and surprises. He throws in out-of-nowhere "shocks," a la "Final Destination"; he throws in
flashbacks; he throws in a gun-blazing Macy in Jerry Bruckheimer action-hero slo-mo; and yet, Ellis has no handle on staging any of them competently. Case in point: "Cellular" is the proud owner of one of the most ineptly scored chase sequences ever, as if Ellis simply heard a snippet of the song's lyrics ("...where you gonna run to?" literally and paid no attention to the inappropriateness of the accompanying music (which just bop, bop, bops along. (The song is even reprised during the closing credits, which itself is misbegotten in conception.
And yet, for all of its failures as art, "Cellular" is always entertaining for those very same faults
