This is a story about a special woman who has been exposed to a hostile
environment but struggling for her ideal life conreattionously and fearlessly.
It seems to me that many readers ‘s English reading experience starts with Jane Eyer.It is not surprising to find some differences because it was filmed and retold in a new way,but the spirit of the novel remains to be an independent person, both physically and mentally.
Jane Eyer was a born orphan,whose parents went off when she was very young,and her aunt,the only relative she had,treated her as badly as she could.At the beginning of Jane’s education in Lowwood Orphanage,she didn’t get what she had been expecting.As a reward of revolting the ruthless oppression,Jane got a chance to be a tutor in Thornfield Garden.There she made the acquaintance of lovely Adele and that garden’s owner,Rochester,a man with warm heart while a cold face outside.After Jane and Rochester fell in love with each other and meant to get marry,Jane came to know Rochester had already got a legal life .And,unfortunately,Rochester seemed under the shadow of his wife.Jane wanted to give him a hand,however,she made her mind to leave,because she didn’t want to betray her own priciples.She is Jane Eyer.
The film has finally got a symbolist end.After finding Rochester’s misfortune brought by his original mad wife,Jane chose to stay with him forever.
Life is ceaselessly changing,but our living priciples remain.Firmly persisting for the rights of being independent gives us enough confidence and courage.In the world of the film,we have found te stories of ourselves, which makes us so concerned about the fate of the dramatis personae.
It’s our spirit that makes the life meaningful.
When it comes to spy thrillers, Tony Gilroy knows the game. The formula for a crackling entry into this genre is simple enough: keep the action moving and the twists coming, then engage in one late innings sleight of hand that pulls the rug out from under everything. Gilroy, with an adroitness Hitchcock might admire, works admirably in this arena, turning in a screenplay that's more diabolical and pulpy than his convoluted directorial debut, Michael Clayton, but no less fun. He maximizes his assets, and considering the wattage of his stars, they are considerable. Although one could not consider the plot for Duplicity to be air-tight, the holes are small enough for things to remain afloat until after the proceedings have ended. A post-movie dissection on the way home in the car will reveal some obvious plotting problems.
只要今天够努力,幸福明天就会来临。
这是一个根据黑人投资专家Chris Gardner的传记性图书《The pursuit of happyness》这一真实的故事改编的电影主人公克里斯·加德纳的成长过程并没有父亲的陪伴,28岁才第一次见到父亲。于是当他也做了父亲的时候,他发誓要做一个称职的好爸爸。然而天不遂愿,这位单身父亲屡遇不顺,遭遇失业等不幸,和年幼的儿子相依为命、流离失所。为了儿子的幸福,加德纳咬紧牙关重新振作,处处向机会敲门,并毛遂自荐进入一家证券公司工作,从最底层的员工做起。终于皇天不负苦心人,他最后成为知名的金融投资家。之后,他慷慨解囊,热心捐助公益活动,成为全美知名的慈善人物。而过程中支持他咬紧牙关的最大动力,除了宝贝儿子外,就是他始终相信:只要今天够努力,幸福明天就会来临。
幸福从那里来?当一个人屡屡遇到不幸的时候,你是否坚持了你的梦想,你是否为了幸福而坚持不懈了呢?
影片开始时克里斯·加德纳在人潮涌动大街上迷失在一张张笑脸中茫然地伫立“为什么人人都快乐,我却不能这样呢”。片尾当克里斯·加德纳通过试用再次来到那里时,他为自己鼓掌振臂。
你要幸福,那就去追求。
今天我们去音乐厅观看了电影《驭龙高手》。
它是讲很久以前龙的部落和维京海盗部落经常互相攻打。一天,一个维京小男孩在林子里发现了一只龙,他本来想刺死它,但是他发现龙受了伤不能飞了,这可怎么办呢?于是他用纸制作了一个东西安装在了他的尾巴上,结果龙飞了起来。后来,小男孩驯服了那条龙,并把那条龙起名叫无牙。他们齐心协力打败了残暴的龙大王,维京人也和龙成了好朋友,那个男孩成了大英雄,他就是小嗝嗝。
我觉得小嗝嗝很勇敢、很善良。他用他的善良之心把凶猛的夜煞驯服成温顺的龙,并帮助了维京人。要是没有残暴的龙大王,人是可以和龙做朋友的,是可以和平共处的。
不管是人还是动物只要有善良之心,就不会有战争存在。
在我看过的所有影片中,《肖申克的救赎》是最能打动我的一部影片。特别是剧中的男主人公在一个风雨交加的黑夜,冲破监狱的围墙越狱成功后,伸出双臂拥抱自由的经典画面,更是深深的震撼着我的心灵。这是对自由的渴望,更是对生命的致敬!
影片《肖申克的救赎》一般被认为是一部片。但是,在我看来,它不仅仅是一部励志片,更是一部探讨生命,自由以及人处于逆境中所迸发出来的超乎想象的潜能的影片。
影片故事集中发生在一个叫肖申克的监狱中,四面都是高墙栅栏,只有抬头仰望天空时,才会发现外面还有另一个世界。主人公因为法庭的的误判而被监禁在这里。或许,许多观众都会认为主人公的后半生都会在这里度过了。对于监狱里的其他犯人来说,这里或许就是他们以后的归宿。他们好像已经接受了命运的安排,整天就是打架,赌钱,丝毫不在意大墙内外的不同世界。在他们的内心深处,已经不存在监狱这堵墙了。他们已经放弃了对生命和自由的渴望,但是,对于主人公来说,他没有放弃……
起初,主人公表现的与其他犯人没有两样,只是一直比较沉默寡言。然而,不再沉默中爆发,就在沉默中灭亡。孰知这长久的沉默是为那最后瞬间的爆发而积蓄着巨大的能量。主人公凭借自己的聪明才智给监狱长洗钱而受到重用,而后又坚持每周给监狱上级写信,要求拨款在监狱建图书馆。在坚持了几年的每周写信后,监狱上级终于同意拨款建图书馆。就这样,主人公一步一步,悄无声息的实施着自己的计划,终于在一个雷雨交加的黑夜,主人公终于冲破了监禁他20年的监狱.。当监狱长看到那幅画底下的那个大窟窿时,一切都真相大白了。观众无不为主人公的聪明智慧所折服,真是大快人心!
20年的时间足以摧毁一个人的意志,消磨一个人的耐心。但是,影片中主人公却没有被时间所摧毁,却显示出了更强的生命斗志。当人处于逆境中时,人的\'潜能到底有多大,谁也不知道。但是,当你对生命和自由有强烈的渴望和追求时,积聚在你内心深处的巨大潜能就会迸发出来,这就是生命的力量,让我们向生命致敬!
Gua Sha is a movie about the differences between American and Chinese culture. Xu datong is a video games designer in St. Louis. When his father visits from China, he performs Gua Sha (a Chinese traditional treatment on his grandson, which leaves bright red marks on the skin and causes a lawsuit of child abuse. In the court, Datong loses his mind so that finally he loses custody of his son.
I think this scene is shocking and thought-provoking to most of the Chinese audiences. But the most impressing scene to me is the ending. Datong wants to see his son in Christmas eve, he has to climb a pipe to the ninth floor which his son lives. I think the pipe is not only a pipe, but also a gap, a deep gap between American and 5000-year Chinese culture. He wants to climb over the gap and he will never succeed, perhaps no Chinese people really could succeed.
刮痧是一部反映中美文化差异的电影。徐大同(孩子的爸爸)是圣路易斯的一位电子游戏师。他父亲从中国到美国看望孙子,并对孙子进行了刮痧(一种中国传统治疗的方法),哪些留在孙子皮肤上的刮痕被认为是虐待儿童的证据,并将大同告上了法庭。在法院上,由于大同没有证据(或无所是从),以至于他最后丢失对儿子的监护权。我觉得这一幕是令人震惊的,令中国观众发人深省的\',但结局给人的印象最深。大同希望在圣诞节前
夕看到他的儿子,他不得不爬钢管到九楼去看他的儿子。我想那钢管,不仅是钢管,而是美国与5000年中华文化的鸿沟。他想爬过这个鸿沟,他是做不到,也许没有中国人民真正能做得到。
还是一贯的梦工场的高水准,画面精致细腻,人物生动传神,故事情节曲折动人,最重要的是它以最简单易解的方式说明白了一个道理,那就是——世界上没有任何捷径和秘籍,唯一的制胜法门就是相信自己。
不想再说更多的剧情,因为它真的很出色。看的过程中,频频出现人们会意的笑声,整个氛围相当的轻松和惬意。这个片子做得非常地道,一点儿也没有是由西方人演绎的感觉,不论是故事还是其中传达的意境,不论是画面还是其中的细节,都是东方式的;唯一特别的可能就是出现的现代的口语,比如ok之类的。
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