英语作文写电影的人物(我喜爱的电影人物英语作文)

英语作文写电影的人物(我喜爱的电影人物英语作文)

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英语作文写电影的人物(我喜爱的电影人物英语作文)

英语作文写电影的人物【一】

这是一部出色的马拉松题材电影,体现了不屈不挠、不断挑战自我极限的体育精神。

周万浩是本片的绝对主角,不论是头戴“黄鸡”头盔跑步送外卖的他,还是被国家队选中参加训练的他;不论是街头,还是运动场;不论是白天,还是晚上......只要出现迈开双脚急速向前奔跑的场面,你都会觉得:这个男人,真强!

万浩家里只有他和弟弟。小学时,他为了赢二等奖的奖品“一箱方便面”,和弟弟有了一个“红伞约定”,万浩如愿得了二等奖,从此,万浩走上了运动员之路,可是,他并没有“一飞冲天”,生命的启承开合才刚刚开始,脚伤让他选择了当“领跑人”,再然后,他当体育老师没成,做生意也没成,欠了高利贷的他,窝囊地寄居在朋友家里。

万浩的生命里只有马拉松。

万浩的弟弟,虽然从小家庭环境不好,但是凭借自己的刻苦努力,考上名牌大学,进入大公司工作,他的生命里把贫穷困难化作了自己的动力,但却不知如何把兄弟之情溶解开来。

相比,万浩具有了小人物的所有特性:内心单纯,容易上当受骗,没有社会地位......他的生命里,仿佛注定只能做好一件事情:跑马拉松。所以,他跑着,不屈不挠地跑着。

他的挣扎、纠结、彷徨,让我们看得如此辛酸。伦敦街头,在马拉松30km的“出发点”,缺席哥哥无数次比赛的弟弟,终于将内心的兄弟情化解开来,带着一把红伞来助威了。红伞在人群中悄然打开时,内心好感动。这是兄弟之间的暗号,是对彼此的信任。然后,这位万浩大叔,重新迈开步伐,抛下“跑完全程可能终生不能再跑步”的恐惧,大步向前冲。让我掉眼泪的场面在随后上演,腿抽筋后的万浩大叔,硬是拿观众的小旗帜在腿上猛扎,这时的“解说员”很给力,说明了这样做的理由“流血可以缓解肌肉的紧张”。在这个马拉松赛场上,流着血的他,俨然像战场上骁勇善战的勇士。勇士最后不仅跑完全程,还拿了第二名的好成绩。

虽然,影片的故事情节都是虚构出来的,但是他想传达给我们的体育精神却如此真真切切;虽然,影片中出来个中国选手阳阳,貌似故意丑化中国人,但整体拍得真的很好!

英语作文写电影的人物【二】

初恋50 First Dates

What would it feel if I can wake up everyday forgetting what happened for the last whole year?

Lucy in the movie “50 First Dates” told me this feeling. Every morning when she woke up, she only rememberred the Sunday of last year which was her father’s birthday, also the date she had the car accident which made her only keep memory before Sunday, so she always felt happy living the same habit as what she did on Sunday a year ago with the kind set-up by her father and brother. After meeting Hey, she could only remember who he was on the same day. But after one night, he became a stranger to her. She couldn’t even recognize he was the one she used to date and love everyday. Hey tried his best to give her a new different meeting every day so as to win her smile and regain their “First Date”. Hey made her tapes every morning to help her remember what happened the day before and the last whole year. Lucy thus felt grateful with all she had when she woke up everyday. On the same day, she always had the same deep gratitude to face Hey with her sweet smile. What a beautiful feeling it is to always feel thanksgiving and to always

appreciate each other’s effort. A touching story between a memory lost woman and a devoted man taught all of us, normal people, the essence of love. When two people can thank each other for their devotion everyday like what they did for each other on first date, love can forever be refreshed and energetic. On Lucy’s side, people with memory will ask for more than yesterday and become critical of their partners day by day, while people without memory will feel grateful for their life and the people around them everyday.

In the movie, when one day Lucy decided to break up with Hey to let him rebuild his life by burning all their diaries and tapes, I cried for Hey’s broken heart. For her, it was just one day feeling. For him, it was long-term affection and connection. It was easier for her than him to give up their love. On Hey’s side, people with memory will always remember the past happiness and

treasure it for the rest of their life, while people without memory will easily give up at the end of the same day.

What a ruthless feeling it is to end a relationship just after one minute thought. People with fragile mind would easily ruin a long-term relationship no matter what reason they have. The torture between Lucy and Hey tells us the fatal factor to do harm to intimacy between a couple is their fragile mind of

balancing emotion and reason. Thus most of couple lose their trust for each other after experiencing this weakly testing broke-up.

飓风Taken

What is the right relationship between the father and the daughter? There is no certain answer. But the love of Brain's to his daughter must be one of the best ones.

His daughter, a young pretty 17-year-old girl was kidnapped during a tour in Paris. Brain got the news and hurried to France to take his daughter. He found that the gangsters that kidnapped his daughter were connected with an old friend which made him exetreme angry. He finally found the place where was holding an auction selling young virgins and broke in successfully taking his daughter away.

No matter how hard and stressful the situation was, and how dangerous things he faced, he never went back just because of the greatest love of a simple father. In the movie, we are all moved not only his actions of kindness, but also his insistance and the greatest of all- a father's love.

魔术师THE ILLUSIONIST FACTS

When word of the famed Eisenheim's (Ed Norton illusions reaches Crown Prince Leopold (Rufus Sewell, the ruler attends one of the magician's shows in order to debunk the performance. But when the prince's intended, Sophie von Teschen (Jessica Biel, assists the magician onstage, Eisenheim and Sophie recognize each other from their childhoods, and pretty soon they're totally hot for each other. As the clandestine romance continues, the prince's best cop (Paul Giamatti is charged with exposing Eisenheim, even while the magician gains a devoted and vocal public following. Before long, Sophie turns up dead, and the logical suspect is Eisenheim himself.

一线声机"Cellular" has the setup for a solid straight-ahead thriller: A kidnap victim who does not know where she is being held phones a total stranger who must then stay connected on his cell phone to find her before she is killed. Joel Schumacher scored earlier with a similarly phone-themed Larry Cohen story, "Phone Booth." As executed by tone-deaf director David R. Ellis, however, "Cellular" becomes an unintentionally hilarious cousin to Brian de Palma's "Raising Cain" and "Snake Eyes."

Ellis seems to have unwittingly spliced together two different films with

mismatched tones: Kim Basinger as the kidnapee and Jason Statham as the kidnapper occupy the deadly-serious, straight-to-video thriller half, while Chris Evans as the rescuer and William H. Macy as a police officer seem to be in a "Saturday Night Live"-alum action comedy. Nowhere else is the disjointedness in tone more apparent than when Basinger and Evans's performances are placed side-by-side during their conversations: The scenes keep cutting between an overwrought Basinger wringing out every drop of melodrama, while a blissfully inept Evans seems to be channeling a cross between Chris Kattan/Jimmy Fallon and Ben Affleck/Keanu Reeves.

Meanwhile, Ellis pulls out tricks intended to generate thrills and surprises. He throws in out-of-nowhere "shocks," a la "Final Destination"; he throws in

flashbacks; he throws in a gun-blazing Macy in Jerry Bruckheimer action-hero slo-mo; and yet, Ellis has no handle on staging any of them competently. Case in point: "Cellular" is the proud owner of one of the most ineptly scored chase sequences ever, as if Ellis simply heard a snippet of the song's lyrics ("...where you gonna run to?" literally and paid no attention to the inappropriateness of the accompanying music (which just bop, bop, bops along. (The song is even reprised during the closing credits, which itself is misbegotten in conception.

And yet, for all of its failures as art, "Cellular" is always entertaining for those very same faults

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