To Wang Lun is written by Li Bai who among other poets stands out in the halls of glory.
One day, Li Bai goes on abroad. He is about to sail when there’s stamping and singing on shore.
Oh! Here comes Wang Lun to see him off, who is Li Bai’s best friend. Li Bai is very excited to see his best friend at this leaving moment. But he is sad, either. So he can’t say a simple sentence. He knows that words can’t express their friendship. Although the Peach Blossom Pool is one thousand feet deep, it can’t match Wang Lun’s love for him.
爸爸,有些话我心里埋藏了许久,想利用这次写作文的机会来劝你戒烟。如果您愿听我的劝说,我相信您的身体一定会得到健康的。
爸爸,您知道到吸烟有多大害处吗?有时您睡觉前的时候抽二、三根,还有时开车的时候边开边抽。说道车这里,我就会想起那次我坐在车里面,您的烟雾弥漫在车中的'每一个角落。使我忍了再忍,最终忍不住了。头开始发痛。接着浑身上下都难受起来。我来告诉你烟中的害处吧!烟中有大量的焦油、尼古丁等许多有害质,特别对身体都会有极大的危害。
爸爸,我从平常的生活中理解到:做一个男子汉是离不开烟酒的,俗话说:“男子汉不抽烟不喝酒的人,不像一位真正的男子汉,没有男子汉的气概。”但是我还要劝你少抽烟一点。您明明知道抽烟有危害,但您却控制不住自己对抽烟的迷恋。我做为您的一名女儿,最让我担心的是您的身体,真希望您改回正规,戒烟、戒酒,做一个好的爸爸!
抽烟、喝酒的人都没有得到完全健康的身体。爸爸,我真想您听我一句劝说:“戒烟吧,爸爸!”
吸烟有害健康,不仅危害自己,而且还危害别人。这个简单的道理谁都懂,可并不是每个人都做得到。
我爸爸就是一个烟民,平均每天要抽一包烟,只要看见他往阳台一站,保准就要吞云吐雾了,我和妈妈都练了特殊功能,隔两间屋都能闻到烟味。因为吸烟,爸爸的牙齿被熏得黄黄的,他只好去洁牙。
前两天,妈妈和我带爸爸到医院去接受教育。胡叔叔因为抽烟太多,咳嗽厉害,吐血住进了医院,他劝爸爸说:“陈平啊。少抽点吧,我就是前车之鉴!”我不希望爸爸躺在医院里,我很担心地对爸爸说:“爸爸,你愿意像胡叔叔那样吐血吗?我求你以后别抽烟了!”爸爸很有感触地回答:“谢谢你,儿子,从今天起我每天最多抽十支烟,决不多出,好吗?”
现在,我爸爸已经减少抽烟量了。我总是觉得“香烟”一点也不香,烟味很难闻,还影响他人,花钱损健康!我长大了一定不吸烟。
This is a story about a special and ueserved woman who has been exposed to a hostile environment but continuously and fearlessly struggling for her ideal life. The story can be interpreted as a symbol of the independent spirit.
It seems to me that many readers’ English reading experience starts with Jane Eyer. I am of no exception. As we refer to the movie “Jane Eyer”, it is not surprising to find some differences because of its being filmized and retold in a new way, but the spirit of the novel remains----to be an independent person, both physically and mentally.
Jane Eyer was a born resister, whose parents went off when she was very young, and her aunt,the only relative she had,treated her as badly as a ragtag. Since Jane’s education in Lomon person, just the same as any other girl around. The suffers from being humiliated and devastated teach Jane to be persevering and prize dignity over anything else.As a reward of revolting the ruthless oppression, Jane got a chance to be a tutor in Thornfield Garden. There she made the acquaintance of lovely Adele and that garden’s owner, Rochester, a man with warm heart despite a cold face outside. Jane expected to change the life from then on, but fate had decided otherwise: After Jane and Rochester fell in love with each other and got down to get marry, she unfortunately came to know in fact Rochester had got a legal wife, who seemed to be the shadow following
Rochester and led to his moodiness all the time ----Rochester was also a despairing person in need of salvation. Jane did want to give him a hand, however, she made up her mind to leave, because she didn’t want to betray her own principles, because she was Jane Eyer. The film has finally got a symbolist end: Jane inherited a large number of legacies and finally returned. After finding Rochester’s misfortune brought by his original mad wife, Jane chose to stay with him forever.
I don’t know what others feel, but frankly speaking, I would rather regard the section that Jane began her teaching job in Thornfield as the film’s end----especially when I heard Jane’s words “Never in my life have I been awaken so happily.” For one thing, this ideal and brand-new beginning of life was what Jane had been imagining for long as a suffering person; for another, this should be what the audiences with my views hoped her to get. But the professional judgment of producing films reminded me to wait for a totally different result: There must be something wrong coming with the excellence----perhaps not only should another section be added to eich the story, but also we may see from the next transition of Jane’s life that “Life is like a box of chocolates, you never know what you would get.” (By Forrest Gump’s mother, in the film “Forrest Gump”
What’s more, this film didn’t end when Jane left Thornfield. For Jane Eyer herself, there should always be somewhere to realize her great ideal of being independent considering her fortitude, but for Rochester, how he can get salvation?
The film gives the answer tentatively: Jane eventually got back to Rochester. In fact, when Jane
met Rochester for the first time, she scared his horse and made his heel strained, to a certain extent, which meant Rochester would get retrieval because of Jane. We can consider Rochester’s experiences as that of religion meaning. The fire by his frantic wife was the punishment for the cynicism early in his life. After it, Rochester got the mercy of the God and the love of the woman whom he loved. Here we can say: human nature and divinity get united perfectly in order to let such a story accord with the requirements of both two sides. The value of this film may be due to its efforts to explore a new way for the development of humanism under the faith of religion.
Life is ceaselessly changing, but our living principles remain. Firmly persisting for the rights of being independent gives us enough confidence and courage, which is like the beacon over the capriccioso sea of life. In the world of the film, we have found the stories of ourselves, which makes us so concerned about the fate of the dramatis personae.
In this era of rapid social and technological change leading to increasing life complexity and psychological displacement, both physical and mental effects on us call for a balance. We are likely to find ourselves bogged down in the Sargasso Sea of information overload and living unconsciousness. It’s our spirit that makes the life meaningful.
Heart is the engine of body, brain is the resource of thought, and great films are the mirrors of life. In
dubitably, “Jane Eyer” is one of them.
Jane Eyre is a first-person narrative of the title character, a small, plain-faced, intelligent and honest English orphan. The novel goes through five distinct stages: Janes childhood at Gateshead, where she is abused by her aunt and cousins; her education at Lowood School, where she acquires friends and role models but also suffers privations; her time as the governess of Thornfield Manor, where she falls in love with her Byronic employer, Edward Rochester; her time with the Rivers family at Marshs End (or Moor House and Morton, where her cold clergyman-cousin St John Rivers proposes to her; and her reunion with and marriage to her beloved Rochester at his house of Ferndean. Partly autobiographical, the novel abounds with social criticism and sinister gothic elements.
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