无论如何,《深海浩劫》是一部检验观众对美国主流价值观认同度的主旋律电影。
马克·沃尔伯格是一个,很接地气,的演员——这个地气自然是美国地气。《深海浩劫》中的马克·沃尔伯格无疑是一个典型的美式个人英雄,兼具智慧、力量和冷静,是天生的领导者。片中与其搭档的库尔特·拉塞尔和约翰·马尔科维奇表现也在意料之中,除了凯特·哈德森显得有些鸡肋——毕竟美国甜妞不可能仅靠甜去甜一辈子。但简言之,主要演员们基本上很好地捕捉和还原了美国南方民众的那种精气神——即使在大部分时间里,他们都在充当人肉背景或者躲避钻井台的惊天大火。
说到火焰,《深海浩劫》的CGI视觉效果着实出众。精心制作的场景涉及到整个钻井平台日常运转的各个方面,从开采石油到泥浆流动再到板块破裂——听起来很无聊,但却提供了足够的代入感,足以引起观众在情感上的共鸣。而大量的爆炸场面令人冷汗直冒,细节更是鲜血淋淋。
但《深海浩劫》最大的问题在于其过于套路的情节设计。既然是真实事件,故事的结局必然是缺少悬念的,只能在情节上下猛料。然而,过于戏剧化的剧情令人感到疲倦,不停呼唤美利坚人民心中的爱国主义精神并不值得鼓励。情节在某些时刻显得太假——用国旗灭火实在是令人无比惆怅。从某个角度来看,这种在创作上的保守是在变相地掩盖事实真相,利用交响乐和特写镜头交织的老掉牙的英雄时刻来传递好莱坞的流水线情感表达,将整个事件的重心从监查和处置失当转移成了人与自然的勇敢斗争,而将漏油事故对整个墨西哥湾生态造成的巨大影响一笔带过。
作为一部商业化的主旋律电影来说,这种处置方法没有什么。但终归并不是什么值得骄傲的事情。
How time flies!I‘m fifteen years the long time,there was one thing that I will never forget.
The Spring Festival is our traditional the Spring Festival,people usually visit their friends and I was 9 years old,my family took the bus to my grandparents‘to say Happy New Year to them.
In the bus,I had a good 7:30,the bus came to a woman got on with a baby in her that time,there was no she must look after her baby had to stand next to wanted to stand up and let her sit down,but I was afraid of hearing the other people sayThat girl want to be praised.I looked people were looking out of the windows and some were ,a little boy behind me,stood up and made room for the said Thank you very much with a big boy smiled, I told my cousin about it after that,he said The child is the father of a man. I very could’t I do the same thing as the little boy did?
From that I learn that we should do our best to help people who need everyone makes a contribution to helping others,the world will become much more beautiful!
A simple dcussion about Up
Pixar Animation Studios a superior about talking story at all times: Toy Story a story about deeply fraternal affection. Finding Nemo a story about a father’s introspection about h education road. The Incredibles a story about middle-aged man and wife’s life cr. Cars a story about moralities in physical education’s world by telling a star’s experiences. Ratatouille a story about a spirit that never gives up and you can realize your dream. Because of those wonderful cartoons, Pixar makes itself become an excellent symbol in cartoon sphere.
Therefore, Up worth being expected. And the truth that it’s a fantastic cartoon. To my mind, dream, commitment and responsibility the key of Up’s successful.
Children’s dreams are the easiest and the most romantic, on account of they always have deeply interest and passion for new things and strange world. But sometimes it’s difficult to realize their dreams by themselves; they usually need adults’ help. And those behaviors are not only their promes, but their commitments and responsibilities.
Russell and Carl’s relationship a key of Up. They have many differences: age, characters and background. And Up explains the relationship between adults and children by them.
Though Carl and Ellie’s love story just a few minutes, it impressive
and affecting. And it’s my favorite part in Up. Every man and wife wants to live a happy life, but true life usually makes it difficult to realize. But it doesn’t mean dream unpractical, prome untrue. Through Carl becomes unsociable and eccentric, he still remember h prome to Ellie. In my opinion, the thing which flies not the house, but a heart which brave and insts on its dream and prome.
And the adventurer, Charles a special role in Up. I think he stands for the people, who just care about their own benefit, totally forget social benefit and their roles in the society. There are so many kinds of dreams, so there are some persons make fame and wealth to be their goals. In fact, it reasonable, but it’s wrong to damage the social benefit. Th way of doing things terrible, shameful and lamentable. In the film, Charles forges sample at first, then kills many innocent men, and tries h best to get the animal, a kind of big bird. Everything he does for h own fame and wealth. The film has hit the right and wrong on the nose. In the final battle, empty-handed Charles fell down into a so deep cliff. It’s not only a punhment to him, but a satire to th kind of people.
Dream likes a check, prome likes an acceptance. Once you prome, you must try your best to make it come true for it your responsibility and duty.
Up a slightly-left-of-center masterpiece. The emotional impact of the beautiful, wordless summation of Carls life that opens the movie the bass note that resonates through the whole film and at least as affecting as the scene in Wall-E when he holds h own hands while watching Hello Dolly. The rest of the movie, of course, breathtaking on just about every level, especially the tactile quality of all the characters and textures and the completely realized weather effects and action scenes. With no "new" technical milestones (fur in Monsters, Inc., water in Finding Nemo, realtic camera effects in Wall- E, the design the main focus, from the hilariously stylized characters to the amazing setting of the tepui.
I know----thats a interesting trip!
在中国电影市场飞速发展的今天,中国动画电影将何去何从?或许未来会出现越来越多的合拍片,大家扬长避短发挥各自的长处,为中国市场创作更多优秀的动画电影,在这个过程中中国动画从业人员也可以在项目的历练过程中快速学到需要的知识与思路,希望大家抱着一颗宽容的心去看待中国动画电影,虽然问题很多,但中国的动画艺术家们在这条布满荆棘的道路上从未停歇过前进的步伐,预祝《深海历险记》票房大卖!
影片取材于真实事件:
2010年4月20日晚,美国南部路易斯安那州沿海一个石油钻井平台起火爆炸,造成7人重伤、11人死亡,以当时油价81美金一桶来计算,一共烧损了3亿9770万美金,是美国历史上最严重的一次漏油事故,堪称“惊世之难”。
把真实的灾难事件改编成电影,如果过分戏剧化,会引发诸如“不尊重事实”、“消费苦难”等争议。
导演彼得·博格为影片设定的写实基调显得非常严谨。
全片采用了手持式摄影,带来强烈的不安定感,身临其境。
他的意图不是要让观众去享受灾难,而是要大家去反思为什么会发生灾难,以及在发生灾难的时候人们能够做些什么。
在登上钻井平台之前,爆涨的可乐瓶、坏掉的汽车、调侃英国石油公司领导的紫色领带会带来厄运,突然撞上直升机的小鸟...这几组镜头对灾难即将发生做了足够的心理暗示。
登上钻井平台之后,影片开始突出美国的石油雇佣工人与资方英国BP石油公司之间的矛盾。
英国石油公司为了利益最大化,决定尽快撤离这口已超期43天的油井,在撤离过程中急于求成,没有按专业的规范流程来操作,结果导致了灾难的发生。
这段内容非常具有批判性,是影片核心主题之一,强调了灾难是人为的,最根本的原因是利益的驱使。
石油作为地球上最重要的能源之一,它就像一头被困在地底的巨兽一般,在被人类利用的同时,也带来了战争、环境污染等严重恶果。
那些利用石油来榨取金钱的利益集团充满着原罪。
《深海浩劫》以最本真的方式还原了石油业的工作现场。
特别是大量的专业术语,一时间有些让人摸不着头脑,会无形中增加了观众的距离感,但同时也将真实性做到了极致。
前半段的叙事铺陈为这部灾难片增加了较强的情节感与批判色彩。
这就是为什么《深海浩劫》的评分会远高于《世界末日》、《2012》、《末日崩塌》等传统好莱坞灾难大片的原因。
当然,影片也绝不缺乏震撼的灾难场景,其场面布景和爆破调度堪称完美,近30分钟里高强度完成了各种超级大破坏。
高速膨胀、倾巢而出的泥浆流十分骇人,瞬间喷涌、连环爆裂的油气团非常壮观。
威力巨大的气浪,随时可以将人冲翻天。
大面积火海也是以前灾难片少有亮相的,一片片倾盆火雨燃烧不停,让观众为主角揪心。
本片的临场感不仅体现在影画上,精心调制的音效使得身临其境成为现实。
在油井爆炸时,低音震颤感环绕其中,如同置身于现场;
当爆炸引起物体到处飞转时,那种微震感和方向性,有种你想躲闪的感觉;
全方位、高密集的狂轰乱炸,令其迅速进入到这场事件中。
这也得益于剧组一比一建造了个水箱式的钻井平台:耗时近1年打造,设施设备非常齐全,还聘请了10几位专家和事件经历者做了相当科学的素材考证,这一切都让影片显得无比真实。
影片在批判反思之外的另一个主题是在逃难过程中传递了强烈的人道主义精神。
不再是传统好莱坞灾难片的个人英雄主义,而是强调团结互助。
其中一幕,起重机工人勇敢爬上吊车用吊臂挡住即将垮塌的井架,最后不幸牺牲的场景,令人肃然起敬,人性中伟大的力量被唤醒。
片尾大高潮,男女主角“You Jump,I Jump”的场面有种穿越到《泰坦尼克号》的即视感。
这种美式主旋律来得真切又感人,确实值得国内影人好好学习下。
导演彼得·博格,拍过一批商业大片,国内影迷十分熟悉的当属《全民超人汉考克》和《超级战舰》,由于过分强调视觉冲击而饱受北美影评人的诟病。
但近年来,博格似乎从《孤独的幸存者》开始找到了自己拍电影的风格和方向,相对克制的纪实性,在商业与艺术价值之间找到一个平衡点。
博格在突显出其作者化的同时,也找到了自己的御用主演—马克·沃尔伯格。
之后的《爱国者日》和2020年的《美国亡命徒》均是两人的合作,也同样取自于真实事件。
《深海浩劫》除了我们熟悉的马克外,还有一干好莱坞大牌。
出演过《成为约翰·马尔科维奇》、《空中监狱》、《赤焰战场》的演技大神约翰·马尔科维奇,此番出演利益熏心的石油公司高管,其唯利是图的本性,事件发生后惊慌失措的状态都是奥斯卡级的表演。
好莱坞黄金硬汉库尔特·拉塞尔和昔日甜姐凯特·哈德森,看见他们都倍感亲切。
《深海浩劫》有一个小遗憾便是没有提及墨西哥湾漏油事故所造成的巨大的生态环境破坏。
该事故一共导致了6104只鸟类,609只海龟,100只海豚的死亡,给生态带来的恶劣影响至今都没有消散。
总的来说,这是一部非常值得一看的灾难电影,北美9月底上映,内地11月15上映,还算及时,没有网络盗版,推荐观看!
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