关于电影分类的英文作文(关于电影的英文作文50词)

关于电影分类的英文作文(关于电影的英文作文50词)

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关于电影分类的英文作文(关于电影的英文作文50词)

关于电影分类的英文作文【一】

还是一贯的梦工场的高水准,画面精致细腻,人物生动传神,故事情节曲折动人,最重要的是它以最简单易解的方式说明白了一个道理,那就是——世界上没有任何捷径和秘籍,唯一的制胜法门就是相信自己。

不想再说更多的剧情,因为它真的很出色。看的过程中,频频出现人们会意的笑声,整个氛围相当的轻松和惬意。这个片子做得非常地道,一点儿也没有是由西方人演绎的感觉,不论是故事还是其中传达的意境,不论是画面还是其中的细节,都是东方式的;唯一特别的可能就是出现的现代的口语,比如ok之类的。

关于电影分类的英文作文【二】

《猩球崛起》这部电影,是讲述人类在动物身上进行药物试验的故事。

在剧中,有一个庞大的药物公司,这个公司为了发明好的药物推销给人们,拿猩猩做实验。

有一次,工作人员要拿一只母猩猩做实验,而母猩猩以为工作人员要伤害自己的孩子,所以到处乱逃,结果被保安人员用枪打死了。

但小猩猩还是保住了,它受母亲遗传,所以很聪明,因为它的母亲受过“GFL-112”药物的试验,这种药物可以让猩猩变得聪明,可会让人类死亡。

在这里工作的男主角,他是要务公司的“明星”。他把猩猩带回家抚养,渐渐地,猩猩长大了。男主角给他它起了一个名字叫凯撒。后来,凯撒被迫送到了猩猩禁闭所那里的管理员对猩猩们很不好,但后来凯撒逃了出来,偷到了“GFL-112”,然后它又回到禁闭所,打开了“GFL-112”,让所有猩猩变得聪明,竟然还说出了话!后来它们向管理员复仇!与警察抗争,有一只巨猿扑向了直升机,救了大家,牺牲了自己,是伙伴们回到了红山森林。

这部电影,使我感到了:人类为了自己的利益,而去伤害性猩猩,拿猩猩做实验,猩猩也有生命,它们也要自由。同时,我也感到了母爱很伟大,母猩猩为了救小猩猩,逃了出来,而且出来时它捂住肚子,而子弹却无情的穿透了它的胸膛。许多猩猩为了就自己的伙伴而牺牲自己,那只巨猿就是这样做的。当我介绍到这,你应该有所了解什么叫“猩球崛起”了吧?这种崛起,就是整个猩族觉醒了,它告诉人们,当受欺负时,不能懦弱,要想自由前进!

这部电影震撼了我的心,让我的心情久久不能平息!

关于电影分类的英文作文【三】

Everyone knows that Meryl Streep is the high priestess of drama, but she never gets enough credit for her comedy skills. That should change with The Devil Wears Prada, a sinfully funny, deliciously glossy take on the 2003 best seller by Lauren Weisberger, who denies writing it as a poison-pen letter to her former boss, Vogue editor Anna Wintour. The names have been changed, of course, to ward off lawsuits. Stepping up to the plate as imperious fashion editor Miranda Priestly, Streep knocks every laugh out of the park. More remarkably, she humanizes a character who was little more than a bitch in Manolos on the page.

Streep teams up hilariously with Anne Hathaway as Andy Sachs, the "smart fat girl" (she's a mere size 6 who applies for the job as Miranda's junior assistant at Runway magazine. Andy, a journalism major at Northwestern, had her eye on The New Yorker, but is told that if she can run the gantlet of Miranda for a year, there is no publishing Everest she can't climb. Before you can say "makeover,"Andy is transformed from a gawky giraffe into a swan who can trade up in lovers -- from sweet chef (Adrian Grenier to literary stud (Simon Baker -- and from cotton blends to chicest of Valentino, Chanel, Donna Karan, Bill Blass, Galliano and Prada. Guys who know squat about labels can take pleasure in the uberbabes wearing the threads.

Director David Frankel makes expert use of the light touch he brought to HBO's Entourage and Sex and the City. And screenwriter Aline Brosh McKenna leeches out the book's malice in favor of wicked sass. Does the movie bite the fashion hand that feeds it? You bet. But it also pays due respect to the artful details turning the wheels of an industry that only seems frivolous. There's no doubt Andy learns much from watching Miranda at work, even with all the insults and fool's errands. The script tries to paint Miranda into a corner -- the lonely careerist who can't keep a husband or find personal happiness -- but Streep won't wallow in the cliches of victimhood. In a party of a movie, her performance is a comic and dramatic tour de force. comic and dramatic tour de force.

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