电影的价值英文作文【一】
Oliver Twist, one of the most famous works of Charles Dickens, is a novel reflecting the tragic fact of the life in Britain in 18th century.
The author who himself was born in a poor family wrote this novel in his twenties with a view to reveal the ugly masks of those cruel criminals and to expose the horror and violence hidden underneath the narrow and dirty streets in London.
The hero of this novel was Oliver Twist, an orphan, who was thrown into a world full of poverty and crime. He suffered enormous pain, such as hunger, thirst, beating and abuse. While reading the tragic experiences of the little Oliver, I was shocked by his sufferings. I felt for the poor boy, but at the same time I detested the evil Fagin and the brutal Bill. To my relief, as was written in all the best stories, the goodness eventually conquered devil and Oliver lived a happy life in the end. One of the plots that attracted me most is that after the theft, little Oliver was allowed to recover in the kind care of Mrs. Maylie and Rose and began a new life. He went for walks with them, or Rose read to him, and he worked hard at his lessons. He felt as if he had left behind forever the world of crime and hardship and poverty.
How can such a little boy who had already suffered oppressive affliction remain pure in body and mind? The reason is the nature of goodness. I think it is the most important information implied in the novel by Dickens-he believed that goodness could conquer every difficulty. Although I dont think goodness is omnipotent, yet I do believe that those who are kind-hearted live more happily than those who are evil-minded.
For me, the nature of goodness is one of the most necessary character for a person. Goodness is to humans what water is to fish. He who is without goodness is an utterly worthless person. On the contrary, as the famous saying goes, The fragrance always stays in the hand that gives the rose, he who is with goodness undoubtedly is a happy and useful person. People receiving his help are grateful to him and he also gets gratified from what he has done, and thus he can do good to both the people he has helped and himself.
To my disappointment, nowadays some people seem to doubt the existence of the goodness in humanity. They look down on peoples honesty and kindness, thinking it foolish of people to be warm-hearted. As a result, they show no sympathy to those who are in trouble and seldom offer to help others. On the other hand, they attach importance to money and benefit. In their opinion, money is the only real object while emotions and morality are nihility. If they cannot get profit from showing their kindness, they draw back when others are faced with trouble and even hit a man when he is down. They are one of the sorts that I really detest.
Francis Bacon said in his essay, Goodness, of all virtues and dignities of the mind, is the greatest, being the character of the Deity, and without it, man is a busy, mischievous, wretched thing, no better than a kind of vermin.
That is to say a person without goodness is destined to lose everything. Therefore, I, a kind person, want to tell those vermin-to-beto learn from the kind Oliver and regain the nature of goodness.
电影的价值英文作文【二】
爱情是一张票根，凭它我们乘上时光机器，穿过长长短短的岁月，寻找那么一些些曾经让我们怦然心动的回忆。爱情也是一张船票，它曾漂荡在大西洋的无垠碧海，沉入海底几万英尺的寂寞深渊。爱情还是一张电影票，它见证了十五年光阴似水，历久弥新，再次击中我们怅然若失的心。有些事，无法启齿，终是冷暖自知，仿佛自己私密于心的那些恋爱琐事，尘封在记忆的底端，却时不时情不自禁，想拿出来回味一番。
说到爱情，最美不过天长地久、海枯石烂，大抵脱不出一个“永恒”。与时间赛跑，我们永远都只会输，不论你爱得有多轰轰烈烈、惊天动地，最终不过是历史车轮碾过的一抔黄土、一缕尘埃。《泰坦尼克号》的动人之处，或许就在于那穿越时光，永远不变的爱情。当老得不能再老的罗丝爬上船头，将价值连城的“海洋之心”扔向大海，以纪念她的爱情以及她于海底长眠的爱人时，我们又有多少人能不动容呢？
当杰克在平静冰冷的海面和罗斯说着那些临终的嘱托，那不是什么海誓山盟，不是什么甜言蜜语，只是一些很小很小的对生活和生命的期许，杰克给罗斯的温暖从相遇到生命的终结，狠狠戳中泪点。很多时候，爱情之所以让我们觉得值得铭记，就在于这些细小的温暖，给了我们勇敢走下去的力量。
电影的价值英文作文【三】
本影片在没有冰河时代那种有搞笑和赏心悦目也没有那种惊奇的搞怪夸张幻想在里面，只是很似人的故事情感的塑造了一个人物的思想和被改变到最后的为了救罗素和kevin和查尔斯的战斗让故事有了一个很好的体现人的性情和理想愿望等。他在为了完成心爱人的愿望将他们的房子放到天堂瀑布不懈努力坚强执着一定要将这件事做完而放弃了kevin被查尔斯抓走而为了房子放弃营救，看出他心里情绪是多么在乎他妻子的愿望不为过之后，看了妻子留给他的……而想通。之后他在回想到与罗素、kevin和狗的生活，这些让他感受到了朋友的重要。他就马上行动去救罗素。他就把所有房子里的东西让自己……在有失去房子他那时的心里和最后罗素坐在房子旁数车的色彩，说明人物已经从过去的悲伤中走了出来，这里可以体现整部片子的人物生活性情的改变，说明我们现实也许要……
电影的价值英文作文【四】
Everyone knows that Meryl Streep is the high priestess of drama, but she never gets enough credit for her comedy skills. That should change with The Devil Wears Prada, a sinfully funny, deliciously glossy take on the 2003 best seller by Lauren Weisberger, who denies writing it as a poison-pen letter to her former boss, Vogue editor Anna Wintour. The names have been changed, of course, to ward off lawsuits. Stepping up to the plate as imperious fashion editor Miranda Priestly, Streep knocks every laugh out of the park. More remarkably, she humanizes a character who was little more than a bitch in Manolos on the page.
Streep teams up hilariously with Anne Hathaway as Andy Sachs, the "smart fat girl" (she's a mere size 6 who applies for the job as Miranda's junior assistant at Runway magazine. Andy, a journalism major at Northwestern, had her eye on The New Yorker, but is told that if she can run the gantlet of Miranda for a year, there is no publishing Everest she can't climb. Before you can say "makeover,"Andy is transformed from a gawky giraffe into a swan who can trade up in lovers -- from sweet chef (Adrian Grenier to literary stud (Simon Baker -- and from cotton blends to chicest of Valentino, Chanel, Donna Karan, Bill Blass, Galliano and Prada. Guys who know squat about labels can take pleasure in the uberbabes wearing the threads.
Director David Frankel makes expert use of the light touch he brought to HBO's Entourage and Sex and the City. And screenwriter Aline Brosh McKenna leeches out the book's malice in favor of wicked sass. Does the movie bite the fashion hand that feeds it? You bet. But it also pays due respect to the artful details turning the wheels of an industry that only seems frivolous. There's no doubt Andy learns much from watching Miranda at work, even with all the insults and fool's errands. The script tries to paint Miranda into a corner -- the lonely careerist who can't keep a husband or find personal happiness -- but Streep won't wallow in the cliches of victimhood. In a party of a movie, her performance is a comic and dramatic tour de force. comic and dramatic tour de force.
电影的价值英文作文【五】
Gua Sha is a movie about the differences between American and Chinese culture. Xu datong is a video games designer in St. Louis. When his father visits from China, he performs Gua Sha (a Chinese traditional treatment on his grandson, which leaves bright red marks on the skin and causes a lawsuit of child abuse. In the court, Datong loses his mind so that finally he loses custody of his son.
I think this scene is shocking and thought-provoking to most of the Chinese audiences. But the most impressing scene to me is the ending. Datong wants to see his son in Christmas eve, he has to climb a pipe to the ninth floor which his son lives. I think the pipe is not only a pipe, but also a gap, a deep gap between American and 5000-year Chinese culture. He wants to climb over the gap and he will never succeed, perhaps no Chinese people really could succeed.
刮痧是一部反映中美文化差异的电影。徐大同（孩子的爸爸）是圣路易斯的一位电子游戏师。他父亲从中国到美国看望孙子，并对孙子进行了刮痧（一种中国传统治疗的方法），哪些留在孙子皮肤上的刮痕被认为是虐待儿童的证据，并将大同告上了法庭。在法院上，由于大同没有证据（或无所是从），以至于他最后丢失对儿子的监护权。我觉得这一幕是令人震惊的，令中国观众发人深省的'，但结局给人的印象最深。大同希望在圣诞节前
夕看到他的儿子，他不得不爬钢管到九楼去看他的儿子。我想那钢管，不仅是钢管，而是美国与5000年中华文化的鸿沟。他想爬过这个鸿沟，他是做不到，也许没有中国人民真正能做得到。
电影的价值英文作文【六】
Today, we watched a movie, the name of this movie was called:The day after tomorrow.What this movie speaks BE:A world happened to become cold affairs in the world,What to broadcast it is an etc. the region temperature nasty play in New York to descend in the movie, is almost each to descend more than ten degree.The sky still descends terrible hail, also having more afraid of of
Tornado, city in New York became to break city for an instant after being cut through by tornado, making the whole city become more without results one.
This really lets the person touch eyes shocking, make the person's heart can't fall calm once in a very long while, although exaggerate very in the movie, but we now not just so:world become warm...So ask the classmates to rise from the do-it-yourself, environmental protection, make our environments more beautiful!
电影的价值英文作文【七】
When it comes to spy thrillers, Tony Gilroy knows the game. The formula for a crackling entry into this genre is simple enough: keep the action moving and the twists coming, then engage in one late innings sleight of hand that pulls the rug out from under everything. Gilroy, with an adroitness Hitchcock might admire, works admirably in this arena, turning in a screenplay that's more diabolical and pulpy than his convoluted directorial debut, Michael Clayton, but no less fun. He maximizes his assets, and considering the wattage of his stars, they are considerable. Although one could not consider the plot for Duplicity to be air-tight, the holes are small enough for things to remain afloat until after the proceedings have ended. A post-movie dissection on the way home in the car will reveal some obvious plotting problems.
