A review of the Pursuit of Happiness
“The Pursuit of Happyness” was released on the 15th of December 2006. It is a dramatic story based on a biography of Chris Gardner’s nearly one-year struggle with homelessness. Directed by Gabrielle Muccino, the film stars Will Smith as Chris Gardner, and co-stars Jaden Smith playing Chris’ son, Christopher Jr. For Will Smith’s performance in the film, he was nominated for an Academy Award and a Golden Globe for Best Actor. The ‘different’ spelling of the title, ‘Happyness’ is seen by Chris Gardner on the building outside the play centre is son attends, which Chris reminds the owners of the building multiple times that it is spelt with an ‘I’.
The film shows us the struggles Chris Gardner has with homelessness. He is bankrupt because he invested his life savings in portable bone-density scanners, which he thought hospitals would be interested in buying, but in the end hardly any doctors wanted one, as they considered it an ‘expensive luxury’. During the struggles, his wife Linda leaves to go to New York and Chris and his son are left in San Francisco with no income and living in a motel. Chris sees interest in become a stockbroker, but to become one he has to go through an internship. Meanwhile, Chris and his son are evicted because they can’t pay rent, and they are forced to go to a homeless shelter, and even one night had to sleep in the bathroom of the underground rail system. During his internship, he never once mentions his financial struggles and at one point he is asked to give one of his bosses 5 dollars for a cab, a sum that he can’t afford. After an intense six months, Chris is taken into the bosses’ office, and is offered a job as a stockbroker, the final scene shows him being in unbelief of the position he was offered and showing his happiness and gratefulness for the opportunity, Chris realises that his financial struggles are over as he now has a job with a regular income.
Christ was unfortunate, for he got a wife who was not understandable at all (though she has her own difficulties and was in bad luck with his business. But he was very fortunate also, for he got a son who was very thoughtful and, I think, tough life experiences always make a great person. It is said that this movie is inspired by a true story, and I want to say, this movie does inspire me a lot. What impressed me most are: Christ’s wife left him because of life pressure; Christ’s love to his son and Christ’s strong belief towards life. Through these, I know that it is not easy to be a good husband and a good Papa, since in reality, only love cannot only make everything. And I also learn that one has to strongly believe in himself, no matter how difficult the situation is, but of course, hard-working is indispensable.
——题记
我并不是一个影迷,但《肖申克的救赎》这部电影的的确确打动了我。
这部电影主要讲述了一位名叫安迪的银行家被误判谋***了自己的妻子及其情夫来到肖申克监狱终生监禁,在安迪对于法律公正的幻想破灭之后,他开始为自己的自由努力,终于在十九年后成功穿越了自己费尽心力挖成的秘密通道,重获自由。刚开始,我与剧中瑞德的想法一样,安迪看起来体质要比其他犯人都要弱再加上身份落差得太大,他肯定是最难承受监狱第一晚的人。可是,我们都错了,安迪不是最难以忍受监狱的第一个,而且他反倒成为了心中最具有希望的那一个。起初,我根本不明白安迪的希望是什么又来自何处,直到影片慢慢进行,直到结局的到来。
肖申克监狱的高墙隔开了一切,无期的监禁,无望的日子,狱中的人们的精神被一点点腐蚀,灵魂在逐步扭曲,心灵渐渐变得麻木起来。以至于将刑满的布鲁斯放出监狱,他反倒选择了自***。偌大的肖申克摧毁了其他的囚犯,却没有摧毁安迪,安迪改变了肖申克。当他不顾一切到广播室播放了莫扎特的《费加罗的婚礼》时,几乎所有的.犯人都惊呆了。这对于他们来说,简直是天外之音。囚禁了这么多年,却从来没有一位囚犯想到去偷偷播放一首音乐,因为他们已经体制化了。令我难忘的是安迪凭借自己的智慧为狱友们赢来了喝啤酒的机会,所有人在楼顶上喝着啤酒,安迪倚靠在矮墙边,露出了难得的微笑,就好像是划破黑暗的黎明。世界终究是属于聪明人的,当安迪在哪个雷雨交加的夜晚爬出500码的污粪管道,滚到了小溪里,然后朝着自由的方向奔去。他的信念与毅力让我觉得再也没有任何人可以与之相比。
其实,生活中的苦难也如肖申克监狱,失去信心、失去希望的人在苦难中渐渐沉沦堕落,迷失了自我;而少数像安迪一样的人,无论如何也不放弃理想,不放弃那份希望,追逐着自由与幸福。在这样的情况下,得到自由纵然很难,但有了这些屈辱的对比,才更能体现出它原有的炫目光泽不是吗?
看完这部电影,我深深地到了:人类之所以可以忍受那么多难以想象的苦难,就是因为有希望在支撑着他们。美好的希望是永不会磨灭的!
初恋50 First Dates
What would it feel if I can wake up everyday forgetting what happened for the last whole year?
Lucy in the movie “50 First Dates” told me this feeling. Every morning when she woke up, she only rememberred the Sunday of last year which was her father’s birthday, also the date she had the car accident which made her only keep memory before Sunday, so she always felt happy living the same habit as what she did on Sunday a year ago with the kind set-up by her father and brother. After meeting Hey, she could only remember who he was on the same day. But after one night, he became a stranger to her. She couldn’t even recognize he was the one she used to date and love everyday. Hey tried his best to give her a new different meeting every day so as to win her smile and regain their “First Date”. Hey made her tapes every morning to help her remember what happened the day before and the last whole year. Lucy thus felt grateful with all she had when she woke up everyday. On the same day, she always had the same deep gratitude to face Hey with her sweet smile. What a beautiful feeling it is to always feel thanksgiving and to always
appreciate each other’s effort. A touching story between a memory lost woman and a devoted man taught all of us, normal people, the essence of love. When two people can thank each other for their devotion everyday like what they did for each other on first date, love can forever be refreshed and energetic. On Lucy’s side, people with memory will ask for more than yesterday and become critical of their partners day by day, while people without memory will feel grateful for their life and the people around them everyday.
In the movie, when one day Lucy decided to break up with Hey to let him rebuild his life by burning all their diaries and tapes, I cried for Hey’s broken heart. For her, it was just one day feeling. For him, it was long-term affection and connection. It was easier for her than him to give up their love. On Hey’s side, people with memory will always remember the past happiness and
treasure it for the rest of their life, while people without memory will easily give up at the end of the same day.
What a ruthless feeling it is to end a relationship just after one minute thought. People with fragile mind would easily ruin a long-term relationship no matter what reason they have. The torture between Lucy and Hey tells us the fatal factor to do harm to intimacy between a couple is their fragile mind of
balancing emotion and reason. Thus most of couple lose their trust for each other after experiencing this weakly testing broke-up.
飓风Taken
What is the right relationship between the father and the daughter? There is no certain answer. But the love of Brain's to his daughter must be one of the best ones.
His daughter, a young pretty 17-year-old girl was kidnapped during a tour in Paris. Brain got the news and hurried to France to take his daughter. He found that the gangsters that kidnapped his daughter were connected with an old friend which made him exetreme angry. He finally found the place where was holding an auction selling young virgins and broke in successfully taking his daughter away.
No matter how hard and stressful the situation was, and how dangerous things he faced, he never went back just because of the greatest love of a simple father. In the movie, we are all moved not only his actions of kindness, but also his insistance and the greatest of all- a father's love.
魔术师THE ILLUSIONIST FACTS
When word of the famed Eisenheim's (Ed Norton illusions reaches Crown Prince Leopold (Rufus Sewell, the ruler attends one of the magician's shows in order to debunk the performance. But when the prince's intended, Sophie von Teschen (Jessica Biel, assists the magician onstage, Eisenheim and Sophie recognize each other from their childhoods, and pretty soon they're totally hot for each other. As the clandestine romance continues, the prince's best cop (Paul Giamatti is charged with exposing Eisenheim, even while the magician gains a devoted and vocal public following. Before long, Sophie turns up dead, and the logical suspect is Eisenheim himself.
一线声机"Cellular" has the setup for a solid straight-ahead thriller: A kidnap victim who does not know where she is being held phones a total stranger who must then stay connected on his cell phone to find her before she is killed. Joel Schumacher scored earlier with a similarly phone-themed Larry Cohen story, "Phone Booth." As executed by tone-deaf director David R. Ellis, however, "Cellular" becomes an unintentionally hilarious cousin to Brian de Palma's "Raising Cain" and "Snake Eyes."
Ellis seems to have unwittingly spliced together two different films with
mismatched tones: Kim Basinger as the kidnapee and Jason Statham as the kidnapper occupy the deadly-serious, straight-to-video thriller half, while Chris Evans as the rescuer and William H. Macy as a police officer seem to be in a "Saturday Night Live"-alum action comedy. Nowhere else is the disjointedness in tone more apparent than when Basinger and Evans's performances are placed side-by-side during their conversations: The scenes keep cutting between an overwrought Basinger wringing out every drop of melodrama, while a blissfully inept Evans seems to be channeling a cross between Chris Kattan/Jimmy Fallon and Ben Affleck/Keanu Reeves.
Meanwhile, Ellis pulls out tricks intended to generate thrills and surprises. He throws in out-of-nowhere "shocks," a la "Final Destination"; he throws in
flashbacks; he throws in a gun-blazing Macy in Jerry Bruckheimer action-hero slo-mo; and yet, Ellis has no handle on staging any of them competently. Case in point: "Cellular" is the proud owner of one of the most ineptly scored chase sequences ever, as if Ellis simply heard a snippet of the song's lyrics ("...where you gonna run to?" literally and paid no attention to the inappropriateness of the accompanying music (which just bop, bop, bops along. (The song is even reprised during the closing credits, which itself is misbegotten in conception.
And yet, for all of its failures as art, "Cellular" is always entertaining for those very same faults
那曾让我感动的一部电影希望是美好的,也许是人间至善,而美好的事物永不消逝。
——题记
我并不是一个影迷,但《肖申克的救赎》这部电影的的确确打动了我。
这部电影主要讲述了一位名叫安迪的银行家被误判谋***了自己的妻子及其情夫来到肖申克监狱终生监禁,在安迪对于法律公正的幻想破灭之后,他开始为自己的自由努力,终于在十九年后成功穿越了自己费尽心力挖成的秘密通道,重获自由。刚开始,我与剧中瑞德的想法一样,安迪看起来体质要比其他犯人都要弱再加上身份落差得太大,他肯定是最难承受监狱第一晚的人。可是,我们都错了,安迪不是最难以忍受监狱的第一个,而且他反倒成为了心中最具有希望的那一个。起初,我根本不明白安迪的希望是什么又来自何处,直到影片慢慢进行,直到结局的到来。
肖申克监狱的高墙隔开了一切,无期的监禁,无望的日子,狱中的人们的精神被一点点腐蚀,灵魂在逐步扭曲,心灵渐渐变得麻木起来。以至于将刑满的布鲁斯放出监狱,他反倒选择了自***。偌大的肖申克摧毁了其他的囚犯,却没有摧毁安迪,安迪改变了肖申克。当他不顾一切到广播室播放了莫扎特的《费加罗的婚礼》时,几乎所有的犯人都惊呆了。这对于他们来说,简直是天外之音。囚禁了这么多年,却从来没有一位囚犯想到去偷偷播放一首音乐,因为他们已经体制化了。令我难忘的是安迪凭借自己的.智慧为狱友们赢来了喝啤酒的机会,所有人在楼顶上喝着啤酒,安迪倚靠在矮墙边,露出了难得的微笑,就好像是划破黑暗的黎明。世界终究是属于聪明人的,当安迪在哪个雷雨交加的夜晚爬出500码的污粪管道,滚到了小溪里,然后朝着自由的方向奔去。他的信念与毅力让我觉得再也没有任何人可以与之相比。
其实,生活中的苦难也如肖申克监狱,失去信心、失去希望的人在苦难中渐渐沉沦堕落,迷失了自我;而少数像安迪一样的人,无论如何也不放弃理想,不放弃那份希望,追逐着自由与幸福。在这样的情况下,得到自由纵然很难,但有了这些屈辱的对比,才更能体现出它原有的炫目光泽不是吗?
看完这部电影,我深深地体会到了:人类之所以可以忍受那么多难以想象的苦难,就是因为有希望在支撑着他们。美好的希望是永不会磨灭的!
1
我必须先表达敬意,据悉《金刚狼3:殊死一战》开拍前36个小时,狼叔没有喝水,因此他的身体得以进入脱水状态,所以在荧幕上,我们看到了一个肌肉纤维丝毫毕现的金刚狼。
2
本片英文原名为《Logan》,国内的译名为《金刚狼3:殊死一战》。
显然,无论如何都不能这样翻译,但为了搏眼球搞营销他们搞出了这个看上去急中生智的名字…… 不过也得感谢营销方,幸亏没叫:《金刚狼大冒险》,《金刚狼总动员》,《金刚狼行动》。
3
休·杰克曼饰演的金刚狼已经跨越18年,在这18年,大概蝙蝠侠有9位,超人有10位,蜘蛛侠3位,就连007都有6位……但是,金刚狼仅此一位:休·杰克曼。
4
本片是三个人的孤独旅程,老的站不起来,小的不会说话,狼叔还瘸着腿。
本片也没有拯救世界,没有惊天动地,没有毁灭再生……有的,只是在美国与加拿大边境线上,狼叔找到了自我归属。
5
这部电影跟你是不是漫威粉丝没有任何关系,因为他的完成度极高。
也因为他的文艺气质,你会感受并理解到电影传递给你的感情信号,你会双手接过他递来的感动,然后和英雄迟暮的金刚狼拥抱,以热泪盈眶来完成这次告别。
6
看上去是和英雄迟暮的告别,和铁血柔情的告别,实际上,是我们和成人童话的告别。
7
又是英雄迟暮,又是热泪盈眶,又是告别又是童话的'……笔者也太爱煽情了,用一句话总结就是:金刚狼过了保修期。
8
国内上映的版本大概剪掉了13分钟画面,即满屏的断头断腿断胳膊场面没有了,但并不是特别影响剧情,我通过对年老体衰的金刚狼自行脑补,惊奇的发现,该电影有种金刚狼在海边的曼彻斯特之感。
9
这是超级英雄的最后一搏,最后一搏之后,没有发生逆转,没有出现奇迹,超级英雄也有生老病死,也会流泪。但这一次,金刚狼永远不会再回来了。
因此,他的超级符号:“ X ”旋转45°,就是他的墓碑:十。
这一切早就在我们所不知道的冥冥中悄悄注定了。
10
当我看完这部完成度极高的作品,是的,笔者使用了“作品”俩字,我认为,称得上“作品”。同时,这也是我看过最好的超级英雄片,即使没有18年金刚狼的记忆铺垫。
11
感谢导演感谢制片人,没有做成3D。
12
18年来,休·杰克曼始终饰演金刚狼,而从此以后,他靠这部上乘佳作《金刚狼3》彻底退役…… 金刚狼以后也许还会出现在屏幕上,但以后所有的金刚狼,都将是在扮演休·杰克曼。
13
这部电影不能错过,看完你会回来打赏的。
愿你看后能有好梦,梦到意气风发的当年,赤手空拳,一无所有,要去打下全世界……
虽然大飞并不是《X战警》系列的粉丝,也不是《金刚狼》系列的粉丝,更不是漫威的粉丝,但无奈整个三月似乎没有什么太吊的起大飞胃口的影片,加之这部最新的金刚狼电影已在国外收获不少好评,所以,看起来如果不去看这部片子的话,整个三月都可以告别电影院了。然而,不看也许会后悔,看了可能更后悔。
去看这部电影的观众里一定会有很多金刚狼或是漫威的粉丝,但像大飞这种对金刚狼甚至对整个漫威电影宇宙都不感冒,而只是纯粹的想看一部制作精良的美国大片的普通观众,或许才是大多数吧。所以,尽管大飞的评论,可能会引来金刚狼粉丝的诧异甚至不满,但既然影片已然看罢,有些话便不吐不快。
之前的两部《金刚狼》电影,大飞虽并没有怎么看过,但对休杰克曼饰演的狼叔却早已如雷贯耳。作为其参演的最后一部金刚狼电影,听说休杰克曼此次也是铆足了劲想来一个完美的收官。只是这一次,且不说休杰克曼的表演是否谈得上完美,至少电影里所呈现出的这位狼叔,一定是不完美的。就算没有看过之前的几部X战警和金刚狼电影,也不会让你对这部金刚狼新作看的一头雾水。但如果你也像大飞一样,期待的是看一场超级英雄的电影的话,那么,你一定会失望了,因为这部电影既不超级,也看不到什么英雄。且听大飞给你一一道来。
首先,在这部电影里面,狼叔并没有足够的英雄。从一出场,狼叔便一副落魄的模样,说得好听点是英雄迟暮,说难听点那叫一个年老色衰啊。当然,这样的造型显然是导演刻意为之,也预示着这一次金刚狼不会如以往那样狼性十足。加之穿插于影片当中略显苍凉的配乐,让人觉得狼叔与对手的每一次对决都显得悲壮与惨烈。你很难想象这样的金刚狼怎么会成为一个英雄人物。随着影片的推进,狼叔并没有展现出太多的过人之处,反倒是一次又一次被对手所击倒,甚至在影片最后,如果不是片中的另外一位小主演给了敌人致命一枪,那狼叔一定会死的更加惨不忍睹。
其次,这部片子的场面一点也谈不上超级。全片能让人有点印象的不过2、3场戏,而这有限的几场对决,打斗虽还算暴力,但也够不上精彩。这几场戏非但看不到什么大场面,更重要的是,每一次对决都显得有点不温不火,不紧不慢,让人看得很不尽兴。虽说为了能在国内上映,全片删除了将近14分钟的血腥场面,但即便是加上这10多分钟的戏码,最多不过是增加一点视觉上的冲击,并不会带给观众什么真正的震撼。相比之下,与这部主题有些类似的来自卖拷贝的《逃出克隆岛》,观看体验就要好上很多。
不可否认,这部影片的整体基调营造的还算不错,导演本就是想展现出一个不一样的金刚狼,一个走向末路的英雄。对于金刚狼的忠实粉丝,可能会有不少动情之处,但是对于大飞这样的普通观众,不好意思,动情有点难,不动气就不错了。因为这样一部所谓的超级英雄电影,在大飞看来,即便算不上平庸,也绝对达不到如某些人所言的能和诺兰的《蝙蝠侠:黑暗骑士》相提并论的地步。
当然,这样的电影或许在某种程度而言,其实也是属于粉丝电影,作为一个局外人,大飞也许不应该去凑这个热闹。如果你不是粉丝的话,观影之前请三思,因为你即便就是想去看个热闹,可能也会很难如愿。
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