This is a story about a special woman who has been exposed to a hostile
environment but struggling for her ideal life conreattionously and fearlessly.
It seems to me that many readers ‘s English reading experience starts with Jane Eyer.It is not surprising to find some differences because it was filmed and retold in a new way,but the spirit of the novel remains to be an independent person, both physically and mentally.
Jane Eyer was a born orphan,whose parents went off when she was very young,and her aunt,the only relative she had,treated her as badly as she could.At the beginning of Jane’s education in Lowwood Orphanage,she didn’t get what she had been expecting.As a reward of revolting the ruthless oppression,Jane got a chance to be a tutor in Thornfield Garden.There she made the acquaintance of lovely Adele and that garden’s owner,Rochester,a man with warm heart while a cold face outside.After Jane and Rochester fell in love with each other and meant to get marry,Jane came to know Rochester had already got a legal life .And,unfortunately,Rochester seemed under the shadow of his wife.Jane wanted to give him a hand,however,she made her mind to leave,because she didn’t want to betray her own priciples.She is Jane Eyer.
The film has finally got a symbolist end.After finding Rochester’s misfortune brought by his original mad wife,Jane chose to stay with him forever.
Life is ceaselessly changing,but our living priciples remain.Firmly persisting for the rights of being independent gives us enough confidence and courage.In the world of the film,we have found te stories of ourselves, which makes us so concerned about the fate of the dramatis personae.
It’s our spirit that makes the life meaningful.
上个星期六,我和爸爸一起去看电影:少年派的奇幻漂流。为了能买到票,我们早早地先去买半价票,然后我们再到肯德基去吃早餐。吃完早餐,电影始的时间刚刚好到了,我们快速上楼进了放映厅,坐下来,开始看电影。
这部电影讲的是一个少年人的冒险故事,它是以一种回忆的方式来进行拍摄的。有一个叫派的印度少年人,从小生活在一个温暖的家庭里,他爸爸开了一个动物园。但是随着派的慢慢长大,环境也在改变,他家的动物园无法经营下去了。派的爸爸决定全家移到加拿大去,同时把动物也运到那边去卖掉。登船日期到了,派和他的家人上了船出发了。路途中,他们遇到了暴风雨,派在这次灾难中失去了家人,他自己却被船员送到了救生艇上,但是几只动物也到了救生艇上,特别是孟加拉虎,派非常害怕。老虎吃掉了船上的所有动物,派必须冷静地面对危险,勇敢机智地与老虎一起生存下来。最后派得救了,老虎也回到了树林。
电影放完了,我慢慢走出了电影院。通过这部电影,我懂得了遇到危险要冷静,不要慌张,再想办法脱离危险。或者一开始就用聪明机智的办法尽量避免危险。
《猩球崛起》这部电影,是讲述人类在动物身上进行药物试验的故事。
在剧中,有一个庞大的药物公司,这个公司为了发明好的药物推销给人们,拿猩猩做实验。
有一次,工作人员要拿一只母猩猩做实验,而母猩猩以为工作人员要伤害自己的孩子,所以到处乱逃,结果被保安人员用枪打死了。
但小猩猩还是保住了,它受母亲遗传,所以很聪明,因为它的母亲受过“GFL-112”药物的试验,这种药物可以让猩猩变得聪明,可会让人类死亡。
在这里工作的男主角,他是要务公司的“明星”。他把猩猩带回家抚养,渐渐地,猩猩长大了。男主角给他它起了一个名字叫凯撒。后来,凯撒被迫送到了猩猩禁闭所那里的管理员对猩猩们很不好,但后来凯撒逃了出来,偷到了“GFL-112”,然后它又回到禁闭所,打开了“GFL-112”,让所有猩猩变得聪明,竟然还说出了话!后来它们向管理员复仇!与警察抗争,有一只巨猿扑向了直升机,救了大家,牺牲了自己,是伙伴们回到了红山森林。
这部电影,使我感到了:人类为了自己的利益,而去伤害性猩猩,拿猩猩做实验,猩猩也有生命,它们也要自由。同时,我也感到了母爱很伟大,母猩猩为了救小猩猩,逃了出来,而且出来时它捂住肚子,而子弹却无情的穿透了它的胸膛。许多猩猩为了就自己的伙伴而牺牲自己,那只巨猿就是这样做的。当我介绍到这,你应该有所了解什么叫“猩球崛起”了吧?这种崛起,就是整个猩族觉醒了,它告诉人们,当受欺负时,不能懦弱,要想自由前进!
这部电影震撼了我的心,让我的心情久久不能平息!
Everyone knows that Meryl Streep is the high priestess of drama, but she never gets enough credit for her comedy skills. That should change with The Devil Wears Prada, a sinfully funny, deliciously glossy take on the 2003 best seller by Lauren Weisberger, who denies writing it as a poison-pen letter to her former boss, Vogue editor Anna Wintour. The names have been changed, of course, to ward off lawsuits. Stepping up to the plate as imperious fashion editor Miranda Priestly, Streep knocks every laugh out of the park. More remarkably, she humanizes a character who was little more than a bitch in Manolos on the page.
Streep teams up hilariously with Anne Hathaway as Andy Sachs, the "smart fat girl" (she's a mere size 6 who applies for the job as Miranda's junior assistant at Runway magazine. Andy, a journalism major at Northwestern, had her eye on The New Yorker, but is told that if she can run the gantlet of Miranda for a year, there is no publishing Everest she can't climb. Before you can say "makeover,"Andy is transformed from a gawky giraffe into a swan who can trade up in lovers -- from sweet chef (Adrian Grenier to literary stud (Simon Baker -- and from cotton blends to chicest of Valentino, Chanel, Donna Karan, Bill Blass, Galliano and Prada. Guys who know squat about labels can take pleasure in the uberbabes wearing the threads.
Director David Frankel makes expert use of the light touch he brought to HBO's Entourage and Sex and the City. And screenwriter Aline Brosh McKenna leeches out the book's malice in favor of wicked sass. Does the movie bite the fashion hand that feeds it? You bet. But it also pays due respect to the artful details turning the wheels of an industry that only seems frivolous. There's no doubt Andy learns much from watching Miranda at work, even with all the insults and fool's errands. The script tries to paint Miranda into a corner -- the lonely careerist who can't keep a husband or find personal happiness -- but Streep won't wallow in the cliches of victimhood. In a party of a movie, her performance is a comic and dramatic tour de force. comic and dramatic tour de force.
When it comes to spy thrillers, Tony Gilroy knows the game. The formula for a crackling entry into this genre is simple enough: keep the action moving and the twists coming, then engage in one late innings sleight of hand that pulls the rug out from under everything. Gilroy, with an adroitness Hitchcock might admire, works admirably in this arena, turning in a screenplay that's more diabolical and pulpy than his convoluted directorial debut, Michael Clayton, but no less fun. He maximizes his assets, and considering the wattage of his stars, they are considerable. Although one could not consider the plot for Duplicity to be air-tight, the holes are small enough for things to remain afloat until after the proceedings have ended. A post-movie dissection on the way home in the car will reveal some obvious plotting problems.
Oliver Twist, one of the most famous works of Charles Dickens, is a novel reflecting the tragic fact of the life in Britain in 18th century.
The author who himself was born in a poor family wrote this novel in his twenties with a view to reveal the ugly masks of those cruel criminals and to expose the horror and violence hidden underneath the narrow and dirty streets in London.
The hero of this novel was Oliver Twist, an orphan, who was thrown into a world full of poverty and crime. He suffered enormous pain, such as hunger, thirst, beating and abuse. While reading the tragic experiences of the little Oliver, I was shocked by his sufferings. I felt for the poor boy, but at the same time I detested the evil Fagin and the brutal Bill. To my relief, as was written in all the best stories, the goodness eventually conquered devil and Oliver lived a happy life in the end. One of the plots that attracted me most is that after the theft, little Oliver was allowed to recover in the kind care of Mrs. Maylie and Rose and began a new life. He went for walks with them, or Rose read to him, and he worked hard at his lessons. He felt as if he had left behind forever the world of crime and hardship and poverty.
How can such a little boy who had already suffered oppressive affliction remain pure in body and mind? The reason is the nature of goodness. I think it is the most important information implied in the novel by Dickens-he believed that goodness could conquer every difficulty. Although I dont think goodness is omnipotent, yet I do believe that those who are kind-hearted live more happily than those who are evil-minded.
For me, the nature of goodness is one of the most necessary character for a person. Goodness is to humans what water is to fish. He who is without goodness is an utterly worthless person. On the contrary, as the famous saying goes, The fragrance always stays in the hand that gives the rose, he who is with goodness undoubtedly is a happy and useful person. People receiving his help are grateful to him and he also gets gratified from what he has done, and thus he can do good to both the people he has helped and himself.
To my disappointment, nowadays some people seem to doubt the existence of the goodness in humanity. They look down on peoples honesty and kindness, thinking it foolish of people to be warm-hearted. As a result, they show no sympathy to those who are in trouble and seldom offer to help others. On the other hand, they attach importance to money and benefit. In their opinion, money is the only real object while emotions and morality are nihility. If they cannot get profit from showing their kindness, they draw back when others are faced with trouble and even hit a man when he is down. They are one of the sorts that I really detest.
Francis Bacon said in his essay, Goodness, of all virtues and dignities of the mind, is the greatest, being the character of the Deity, and without it, man is a busy, mischievous, wretched thing, no better than a kind of vermin.
That is to say a person without goodness is destined to lose everything. Therefore, I, a kind person, want to tell those vermin-to-beto learn from the kind Oliver and regain the nature of goodness.
1967年,“新好莱坞电影”的出现,使更多贴近现实生活和年轻人思想感情的电影出现。在这个变革中,达斯廷·霍夫曼的成名作《毕业生》是一部举足轻重的代表作。这部大胆揭露六十年代年轻人迷失方向,揭开美式中产阶级虚伪面具的电影,向我们表露了新的一代人,新的一代的价值观,成为“新好莱坞电影”的先锋之作。
本片描述了一个刚步出大学校门的社会新鲜人本恩,面对众人口中所谓的美好前程,自己却对未来生活感到茫然。而父母对本恩的一生充满了期望,一切都似乎已经安排好了:入读大学、进入研究所、成为中产阶级、和一个家境相当的女人结婚。最要命的是,这种期望已经无可厚非。作为孩子,他明白父母是善意的,这些期望都是为了他好,对于一些人来说这或许是最完美的人生规划,但对于他来说,只能让他更为困惑与悲哀。在家庭晚会来客中的鲁宾逊太太对这个小伙子很感兴趣,并让本恩开车送她回家。风流的夫人不断挑逗本恩,但被拒绝。可是接下来无聊的日子加之自己对未来的迷茫,不久后他便开始了同鲁宾逊太太约会,不知不觉中他也爱上了鲁宾逊太太的女儿伊莱恩。 鲁宾逊太太知道真相后坚决反对,并想尽办法拆散两人的交往。本恩终于找到机会向伊莱恩表白了爱意,并坦诚了自己曾经的堕落,只是没说出那个夫人的名字。 伊莱恩原谅了他,但鲁宾逊太太的震怒使伊莱恩猜到了一切。伤心的她在父母的精心设计下与一个叫卡尔的人仓促结婚。本恩得知这一消息,不顾一切,费尽千辛万苦奔向了教堂,他要尽最后力量挽回心爱的人。最后镜头停止跟随在车后,静静地看着汽车远离,给人很微妙的感觉,为观众留下了无限的想象与憧憬。
作为观众,我们可以无限的想象,也许是对青春的伤逝吧,导演为表现毕业生的迷茫与无助,特意插入让本恩穿上潜水服一步一步的往游泳池走去的镜头。从潜水服里只能看到外面的人在欢笑却听不到他们的声音。在本恩的世界里,只能听见自己急促的呼吸声,迷茫麻木的内心使得所有人的脸都是缓慢的,扭曲的,静止的。这可以是本恩的内心独白,或是本恩对外界极其厌恶的一种表现。在每一个刚刚踏入社会的人的眼中,所有恶意或善意的忠告与借鉴,都将被隔离出他们的世界。潜水服似乎是本恩的保护罩,匆匆潜入水中,就是他急切想摆脱一切世俗的反应。呼吸声,遮盖住世间喧哗,但是抵挡不住外界对他的影响与制约。父亲一次又一次把他按入水中,似乎在暗示着你应该按着我给你规划好的一切走每一步,你永远是我手中的一颗小小的旗子!无奈的.他似乎也只有默默的沉入水底,等待着一切。当本恩在酒店为嬉闹喧哗的各类上流人士开门,看着他们漠视的只顾自己沉迷的脸,他才明白自己的未来在何处。本恩虽然优秀,然而走出学校依然对未来充满了迷茫,还为此成为了父亲合伙人的老婆的情人。直到他遇见了伊莱恩,才看到了自己盼望已久的生活,他才不再为此迷茫下去,不顾别人的冷嘲热讽,甚至是爱的人的父母的威逼,依然不放弃,最终赢得了自己的爱情。可以说这部电影介于悲剧与喜剧结局之间,表现的不仅是美国迷茫的一代人的生活,还有通过自己的努力而换来成功的喜悦。
影片里有太多关于大人们和本恩的矛盾与冲突,但本恩开始只是想要逃避。对于他来说,逃避这一切,也许就能远离那些虚假的微笑和不现实的世界,可是难道我们就必须现实,现实得没有自我、没有反抗、没有自己的世界吗?在该拒绝的时候为什么要接受,在该反抗的时候为什么要忍受。大部分的我们已经在岁月里丧失了对童话的幻想,已经丢失了对未来美好的憧憬。但是我们偶尔还会留有对现实的反抗与一丝丝幻想。本恩从温文尔雅,到出言不逊;从西装革履,到衣衫褴褛;从乖巧听话,到我行我素。他打破了一切父辈们引以为傲的形式主义的生活标准,而去追求心灵交会的巅峰体验。伊莱恩是他在爱情中的转折,同时也
是他整个命运的转折。在她这里,他找到了前进的方向与动力。其实这也告诫了我们,对于所有将要踏上社会的年轻人来说,在迷茫阶段的指引忠告往往是起不到作用的,关键是要让我们自己揭开社会神秘的面纱,自己寻找生命的真谛,发现生活的奥秘。我们可以迷茫,但是不要迷失了自己。不要成为生活的傀儡,学会发现生活,感受生活,那么才能让自己的舞台更加绚丽!
今天我们去音乐厅观看了电影《驭龙高手》。
它是讲很久以前龙的部落和维京海盗部落经常互相攻打。一天,一个维京小男孩在林子里发现了一只龙,他本来想刺死它,但是他发现龙受了伤不能飞了,这可怎么办呢?于是他用纸制作了一个东西安装在了他的尾巴上,结果龙飞了起来。后来,小男孩驯服了那条龙,并把那条龙起名叫无牙。他们齐心协力打败了残暴的龙大王,维京人也和龙成了好朋友,那个男孩成了大英雄,他就是小嗝嗝。
我觉得小嗝嗝很勇敢、很善良。他用他的善良之心把凶猛的夜煞驯服成温顺的龙,并帮助了维京人。要是没有残暴的龙大王,人是可以和龙做朋友的,是可以和平共处的。
不管是人还是动物只要有善良之心,就不会有战争存在。
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