用英语介绍你喜欢的电影作文【一】
因为吃了河豚，中毒产生幻觉，打着雨伞坐在公交车上，她拿着拽掉的伞柄当吹风机给他温柔吹头发，已然清醒的他没有阻断她而是宠溺喜欢有一丝感动地看着她，近镜头，两人的眼睛都是那么的干净、清透，我的泪点一下子被戳中，眼泪骨碌碌地滑下来。
这是一部好看的爱情喜剧片，金城武与周冬雨这样的大叔与萝莉的组合，含糖量超标。
周冬雨扮演的酒店厨师顾胜男喜欢酒店经理，悄悄私下为他做好吃的，却被他“表白”要明确关系，分手!傻眼的纯纯可爱的胜男被这个貌似耍帅的经理搪搡了一大堆可笑的理由，他喜欢肉肉的丰满的，譬如茄子，南瓜，节瓜等，可她在他眼里就是一根韭菜，还是一根没有上过化肥的韭菜，刻薄尖酸没有涵养的一个渣男，明白真相的胜男痛苦之后却在关键时刻用一道“女巫汤”留住了前来收购酒店的金城武扮演的跨国企业总裁路晋。
路晋是一个对吃很挑剔的吃货。对吃的要求极高，极致到煮一包方便面都要卡时间，刚刚好，前一秒钟与后一秒钟就是截然不同的两碗面。面的劲道弹性要在最准确的那一秒钟塞到嘴里，否则，不吃也罢。人都要有自己的独特的癖好，似乎只有这样，才能更美妙的享受生活。
爱情最美妙的过程大约就是你讨厌一个人讨厌到了极致，但最后却又喜欢的难以自拔。为了给闺蜜报仇，仗义豪爽的胜男用刀子错划了路晋的车，“狗男女”变成了“狗男好”，让人啼笑皆非。紧接着，失恋失眠的她掉到他的阳台上，有洁癖的他把她装到皮箱里被误会，警局前面他又一脚踩到她的狗狗，“老板”拉的粑粑上。上树为小朋友拿伞戳了马蜂窝，他偏又赶上被蛰的成了“独眼龙”，总之，每次碰到她，他都要倒霉的不得了，但就是这个让他讨厌至极的“她”，却是让他深深迷醉的美食的制作者。
在这个世界上，能找到一位懂你欣赏你的人不容易。每个人身上都有一个密码，就看能否找到打开它的那个人。喜好一样，又旗鼓相当，你的每一处好，他都懂，并挑剔地欣赏着，赞美着，享受着。这，很难得。
一位精彩的厨师与一位挑剔的食客，他们在某种意义上是心有灵犀的，惺惺相惜。他懂她做的食物，鸡蛋里面的墨鱼汁代表着“逃跑”，意即结束的意思，今天就到此为止吧，于是，他不再点餐。她会意，笑了。
就像他说的，吃饭是一件很私密的事情，就像洗澡一样。但最后，他却愿意，为她留出一个位置，他要与她一起吃饭。当她再傻傻地追问你喜不喜欢我时，隔着玻璃门，他瞪大眼睛懊恼又无可奈何地大声朝她吼，“我已经没有办法选择我到底喜欢不喜欢你!”傻子都明白了，他喜欢她到了他自己都无法选择不喜欢她的地步。
他，有身份，有地位，有头脑，有money,他说，这个世界上无外乎有三种人，卖猪的，买猪的，猪。他无疑是最聪明的那一个，而她，是猪一样的笨蛋。但，爱情来了，那又有什么办法呢?她对于他来说，就是最特别的那一个，他们身份悬殊巨大，她是最不可能出现在他生命里的那一个，但那又有什么关系呢?
最后，和父亲的一餐饭，一席话，使他明白不是他不愿意和别人一起吃饭，而是没有一个爱他的人愿意和他这样一个“讨厌”的人一起吃饭。明白了父亲的“可怜”之后，他的眉宇间露出了一丝幸福的欣喜，他已经知道自己该怎么做了。
最后的最后，俩人一起坐在阳台上看夕阳的画面又一次戳中了我的泪点。赖上她，在她家吃饭、沙发上睡觉时，他说，“你家的窗帘遮光性可不好。”“是吗，嗨，我喜欢太阳，喜欢每天看着夕阳落下去的'画面，但每天的这个时候我却是最忙的。”她之前无意中说过的一句话，他记得。并找到了这个看夕阳绝佳的位置，愿意不惜一切代价带她来这里看夕阳。
真心爱一个人，就是她(他说的每一句话你都会记得，并在有机会的情况下，努力去实现。
笑了，又哭了，哭了又笑了，一部好看的喜剧爱情片。
从影院出来，时间尚早，月光尚好，眼角的泪痕尚在，甜甜蜜蜜的感觉盈绕指尖，于是，与爱人去街心小花园一坐。树影婆娑的月光下，拾阶而下，我的高跟鞋，细细的小腿，裙裾投射的影子，一晃一晃，如晕开的湖水给人一种温馨美好的感觉，而这影子的旁边始终有另外一个影子的陪伴，生活，就这样平淡从容美好着。
用英语介绍你喜欢的电影作文【二】
近日，周冬雨主演的一部电影吸引了我的注意，没错，就是《喜欢你》这部电影。其实这部《喜欢你》看完之后还是有点失望的。刚开始我觉得电影应该是那种特别高甜的剧情，可是看完才发现电影其实很简单，也没有那么多的高甜。故事就是一个厨师做菜特别好，让一位霸道总裁喜欢，最后两人喜欢上了各自，就是这样的。
查了一下，《喜欢你》这部电影在豆瓣的评分是6.8分，这个分在很多电影里算中上等水平，但是我看来《喜欢你》这部电影应该在中等水平吧。《喜欢你》里有特别多的类似缺点的缺点，就是让人觉得莫名有些难受的地方。例如，为什么一个霸道总裁会为了好吃的菜而喜欢上一个人，这剧情本身就很不合理。不过好在这是爱情片，逻辑不合也就算了。但是周冬雨搭上金城武，这样的搭配我实在是忍不了了。这两个人有CP感吗?反正我是觉得没有，看的时候特别尴尬，我也不知道为什么要选这两人来挑大梁，难道不能换别人吗?作为一部爱情片，至少也要看到一对好点的情侣吧，光是这点上我就要给差评。(只是自己的观点，不喜勿喷不过《喜欢你》这部电影还是有优点的，比如说电影里面的画面会有一种史诗级的美感，也是让我觉得很舒服的一个方面，毕竟看电影看的就是一个美好的东西嘛。如果连美感都没有了，谈何电影?然后电影里面折射出的哲理还是有的。然后《喜欢你》的故事线还是很紧凑的，不像有的电影，全程就像是在注水一样，男二来抢男一的戏份，这样的电影我接受不了。
所以《喜欢你》这部电影我觉得中规中矩吧，不能说好，也不能说不好，只能说一般。其实对于周冬雨来讲，《喜欢你》算是烂片了。因为她主演的很多电影，评分一般也高，这次的发挥有点令人失望了。《喜欢你》这部电影算不上狗血电影，但也算不上优秀爱情片，感觉更像是厨艺和爱情结合在一起，反而两者都变了味一样，让我觉得很是奇怪。不过我还是要推荐给你看这部电影《喜欢你》，如果你春节在家闲得没事干，看看电影也是很好的，放松一下心情嘛。《喜欢你》，虽艰难，但爱一场很简单。
用英语介绍你喜欢的电影作文【三】
Dear teacher,
We'll have a class meeting this afternoon. All of us students hope that you can attend it. Please accept our sincere invitation.
In the class meeting, we will make some plans about all the subjects, including English. We do have some puzzles and we need your help. So we hope you can set some time aside to be with us in the class meeting. We will feel honored if you can come to attend our class meeting.
Looking forward to your coming.
Yours
XXX
用英语介绍你喜欢的电影作文【四】
电影《喜欢你》有个桥段，是关于路晋与他爸的对话：
“爸，好久没有跟你一起吃饭了，一起吃个饭吧”
“这段时间没有见到你，身体有没有好一点？”
他爸边吃边翻着报纸，没有理会路晋的话，“这些媒体就是专门收集蠢货，把他们集中起来让大家来看。我跟你说过多少次了，不要随便接受采访，看，成笑话了吧。”
“一定要在吃饭的时候说这些吗？”
“谁让你在吃饭上浪费这么多时间！食物是人的初级本能，你被他控制，表示你的意志力薄弱。”
吃饭是为了填饱肚子，这么一想，确实是没什么毛病。可是往深一层想，当在饭桌上不是只有一个人，吃饭的目的就不仅仅为了简单的填饱肚子，而是又多出了一层含义。
有人的地方就有江湖，有江湖就有情。很多关系，都跟吃饭有很大的联系。两个陌生的人可能会因为一顿饭而认识，成为朋友； 两个互有好感的人可能因为一顿饭而确定了关系，成为恋人。
那些很久才见一次的人，把两人之间难得能一起吃饭看的非常重要。填饱肚子已不是吃饭的主要目的了，人与人之间感情的交流才是。因为，吃什么已经不重要了，重要的是能一起吃。这个时候，吃饭更多的是一种陪伴。
大多数在外读书的人，一个月才回家那么两三次。但每次回家，家里人总会烧一桌好菜，熬一锅靓汤。而且不论你瘦了还是没瘦，他们都会说你瘦了，叫你使劲吃。以前，我并不是很理解。明明我说吃饱了，他们还问我吃不吃。有时候我在外吃过东西了，他们还会问，要不要试试这个，这个要不要试试。后来，我大概明白。
中国人都比较含蓄，其实很多父母都不知道如何跟孩子们表达他们的爱意。他们知道的，可能就是给孩子们烧一桌好吃的饭菜。所以，父母对孩子表达爱的方式，其实都蕴含在“多吃点！”这三个字。
用英语介绍你喜欢的电影作文【五】
初恋50 First Dates
What would it feel if I can wake up everyday forgetting what happened for the last whole year?
Lucy in the movie “50 First Dates” told me this feeling. Every morning when she woke up, she only rememberred the Sunday of last year which was her father’s birthday, also the date she had the car accident which made her only keep memory before Sunday, so she always felt happy living the same habit as what she did on Sunday a year ago with the kind set-up by her father and brother. After meeting Hey, she could only remember who he was on the same day. But after one night, he became a stranger to her. She couldn’t even recognize he was the one she used to date and love everyday. Hey tried his best to give her a new different meeting every day so as to win her smile and regain their “First Date”. Hey made her tapes every morning to help her remember what happened the day before and the last whole year. Lucy thus felt grateful with all she had when she woke up everyday. On the same day, she always had the same deep gratitude to face Hey with her sweet smile. What a beautiful feeling it is to always feel thanksgiving and to always
appreciate each other’s effort. A touching story between a memory lost woman and a devoted man taught all of us, normal people, the essence of love. When two people can thank each other for their devotion everyday like what they did for each other on first date, love can forever be refreshed and energetic. On Lucy’s side, people with memory will ask for more than yesterday and become critical of their partners day by day, while people without memory will feel grateful for their life and the people around them everyday.
In the movie, when one day Lucy decided to break up with Hey to let him rebuild his life by burning all their diaries and tapes, I cried for Hey’s broken heart. For her, it was just one day feeling. For him, it was long-term affection and connection. It was easier for her than him to give up their love. On Hey’s side, people with memory will always remember the past happiness and
treasure it for the rest of their life, while people without memory will easily give up at the end of the same day.
What a ruthless feeling it is to end a relationship just after one minute thought. People with fragile mind would easily ruin a long-term relationship no matter what reason they have. The torture between Lucy and Hey tells us the fatal factor to do harm to intimacy between a couple is their fragile mind of
balancing emotion and reason. Thus most of couple lose their trust for each other after experiencing this weakly testing broke-up.
飓风Taken
What is the right relationship between the father and the daughter? There is no certain answer. But the love of Brain's to his daughter must be one of the best ones.
His daughter, a young pretty 17-year-old girl was kidnapped during a tour in Paris. Brain got the news and hurried to France to take his daughter. He found that the gangsters that kidnapped his daughter were connected with an old friend which made him exetreme angry. He finally found the place where was holding an auction selling young virgins and broke in successfully taking his daughter away.
No matter how hard and stressful the situation was, and how dangerous things he faced, he never went back just because of the greatest love of a simple father. In the movie, we are all moved not only his actions of kindness, but also his insistance and the greatest of all- a father's love.
魔术师THE ILLUSIONIST FACTS
When word of the famed Eisenheim's (Ed Norton illusions reaches Crown Prince Leopold (Rufus Sewell, the ruler attends one of the magician's shows in order to debunk the performance. But when the prince's intended, Sophie von Teschen (Jessica Biel, assists the magician onstage, Eisenheim and Sophie recognize each other from their childhoods, and pretty soon they're totally hot for each other. As the clandestine romance continues, the prince's best cop (Paul Giamatti is charged with exposing Eisenheim, even while the magician gains a devoted and vocal public following. Before long, Sophie turns up dead, and the logical suspect is Eisenheim himself.
一线声机"Cellular" has the setup for a solid straight-ahead thriller: A kidnap victim who does not know where she is being held phones a total stranger who must then stay connected on his cell phone to find her before she is killed. Joel Schumacher scored earlier with a similarly phone-themed Larry Cohen story, "Phone Booth." As executed by tone-deaf director David R. Ellis, however, "Cellular" becomes an unintentionally hilarious cousin to Brian de Palma's "Raising Cain" and "Snake Eyes."
Ellis seems to have unwittingly spliced together two different films with
mismatched tones: Kim Basinger as the kidnapee and Jason Statham as the kidnapper occupy the deadly-serious, straight-to-video thriller half, while Chris Evans as the rescuer and William H. Macy as a police officer seem to be in a "Saturday Night Live"-alum action comedy. Nowhere else is the disjointedness in tone more apparent than when Basinger and Evans's performances are placed side-by-side during their conversations: The scenes keep cutting between an overwrought Basinger wringing out every drop of melodrama, while a blissfully inept Evans seems to be channeling a cross between Chris Kattan/Jimmy Fallon and Ben Affleck/Keanu Reeves.
Meanwhile, Ellis pulls out tricks intended to generate thrills and surprises. He throws in out-of-nowhere "shocks," a la "Final Destination"; he throws in
flashbacks; he throws in a gun-blazing Macy in Jerry Bruckheimer action-hero slo-mo; and yet, Ellis has no handle on staging any of them competently. Case in point: "Cellular" is the proud owner of one of the most ineptly scored chase sequences ever, as if Ellis simply heard a snippet of the song's lyrics ("...where you gonna run to?" literally and paid no attention to the inappropriateness of the accompanying music (which just bop, bop, bops along. (The song is even reprised during the closing credits, which itself is misbegotten in conception.
And yet, for all of its failures as art, "Cellular" is always entertaining for those very same faults
