《notre dame cathedral》 is one known far and wide romantic faction strength which victor hugo writes . i take advantage of this summer vacation free time, read this great work.
notre dame cathedral's story, actually was one at that time social epic poem, since brimmed with really. friendly. beautiful, also the flow selfish desire and is false. regardless of is good beautiful asmelada ,or has the ugly semblance, cacimodo with one pure mind, they represent the great amount the lower level populace which suppresses; perhaps is sinister coloud, he is appears by the theocracy face, all load bearing one kind of author's ponder.the author in this work, for with the clown, was beautifully friendly and wickedly does the best annotation, or take above three people as the example, the rebel asmelada has the beautiful semblance and the chaste good mind, as well as pitiful destiny, but cacimodo, he withstood destiny deceive nicely, the innermost feelings is his misery is graver, but coloud maintained the benighted social rights and interests, he had brutally. void mind and evil passion. good person physique hateful, but the evil person actually says the appearance shore however, bright set off, social unfair manifest.
but the article result also is when the opposition society until criticism: all beautiful is good all swallows by the might and the evil, the lower level people's weak strength in under the king power rule, in the benighted society, only can be reduced to ashes. was palatial notre dame cathedral, how many world tragedy testimony once, in hugo the novel, he as if had the life breath, he sheltered asmelada ,exposed coloud the crime, regret the populace attack the magnificent feat which dark actually heroically devoted...
another the question which is worth pondering is: who is the hero? asmelada or cacimodo? i think all is not, but is in the article by the louis 11 rank smell of blood suppression rather for sacreficed the populace gate, asmelada with cacimodo is not in them the representative, asmelada is loves with the beautiful symbol, cacimodo not many represents is unfortunate and the pain. but they, all suffer a tragic middle ages ignorant evil forces devastate, one each one painful soul is bleeding, flows the tear. merely is notre dame cathedral's above engraves " the destiny "? they are in middle ages france, despotism sacrificial victim.
the entire story rich tragic color, the plot intense is moving, exciting. author hugo through " notre dame cathedral " this story, but also disclosed at that time the dark society's essence to the people. this fascinating story likes that ccimodo clocks sound equally shocks several generation of readers' minds.
是写信人对收信人的称呼用语。位置在信内地址下方一、二行的地方,从该行的顶格写起,在称呼后面一般用逗号(英国式,也可以用冒号(美国式。
(1写给亲人、亲戚和关系密切的朋友时,用dear或my dear再加上表示亲属关系的称呼或直称其名(这里指名字,不是姓氏。例如:my dear father,dear tom等。
(2写给公务上的信函用dear madam,dear sir或gentleman(gentlemen。注意:dear纯属公务上往来的客气形式。gentlemen总是以复数形式出现,前不加dear,是dear sir的复数形式。
(3写给收信人的信,也可用头衔、职位、职称、学位等再加姓氏或姓氏和名字。例如:dear prof. tim scales, dear dr.john smith。
一个人,虚荣风光的时候,灵魂一定在受难。
胆魄、智慧、激情以及耐力,原本是生命的线条中最灵动最曼妙的部分,我们拿出来,追逐的,却是背离生命需要的东西。谁都知道,快乐的心灵,愉悦的精神,比什么都尊贵,比什么都重要,但我们恰恰丢弃了这些尊贵,去追逐别人廉价的'艳羡与虚妄的尊重。
有时候,我们说服不了自己,是因为我们活得太在乎别人了。我们干什么不干什么,我们说什么不说什么,总考虑别人怎么看,总在意别人怎么想。
更可怕的情形是,有的人,只有他人艳羡与仰慕才快乐,只有他人奉承与恭维才幸福,只有他人敬畏与膜拜才满足,当价值观严重扭曲,当虚荣心甚嚣尘上,理性的光辉便荡然无存了。无论是谁,心若着了魔,便再难从生活的梦魇中醒来。
历史上,一定有人说服过自己。采薇而歌,义不食周粟,最终饿死于首阳山的伯夷叔齐,说服过自己;辞去彭泽县令,怡然种豆南山下的陶渊明,说服过自己;拒绝朋友山涛出仕邀请,并愤怒写下《与山居源绝交书》的嵇康,说服过自己;结庐杭州西山,终生不仕不娶,梅妻鹤子,写下“暗香浮动月黄昏”的林逋,说服过自己。
当一颗心摆脱了俗世的滋扰,当安妥了的灵魂回到精神的故乡,那一刻,一个生命,一定优雅地说服了自己。
a tale of two cities occupies a central place in the canon of charles dickens's works. this novel of the french revolution was originally serialized in the author's own periodical all the year round. weekly publication of chapters 1-3 of book 1 began on april 30, 1859. in an innovative move, dickens simultaneously released installments of the novel on a monthly basis, beginning with all of book 1 in june and concluding with the last eight chapters of book 3 in december. dickens took advantage of the novel's serial publication to experiment with characterization, plot, and theme. he described the work in a letter to his friend john forster, cited in rudi glancy's a tale of two cities: dickens's revolutionary novel, as "a picturesque story rising in every chapter, with characters true to nature, but whom the story should express more than they should express themselves by dialogue." the novel that emerged from his experimentation is now regarded as one of dickens's most popular and most innovative works.
dickens's work was very popular with the reading public when it was first published. one review in the magazine athenaeum stated that a tale of two cities had attracted the praise of a hundred thousand readers. on the other hand, a whole set of critics, most notably sir james fitzjames stephen writing in saturday review, criticized the novel precisely for its popularity. "most of the critics writing in the intellectual and literary journals of the day considered popular success a good reason to condemn a work," explains glancy. "if the public liked it, they certainly could not be seen to approve of it at all." modern critical opinion, however, has given the novel an important place among dickens's most mature works of fiction.
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