还是一贯的梦工场的高水准,画面精致细腻,人物生动传神,故事情节曲折动人,最重要的是它以最简单易解的方式说明白了一个道理,那就是——世界上没有任何捷径和秘籍,唯一的制胜法门就是相信自己。
不想再说更多的剧情,因为它真的很出色。看的过程中,频频出现人们会意的笑声,整个氛围相当的轻松和惬意。这个片子做得非常地道,一点儿也没有是由西方人演绎的感觉,不论是故事还是其中传达的意境,不论是画面还是其中的细节,都是东方式的;唯一特别的可能就是出现的现代的口语,比如ok之类的。
上个星期六,我和爸爸一起去看电影:少年派的奇幻漂流。为了能买到票,我们早早地先去买半价票,然后我们再到肯德基去吃早餐。吃完早餐,电影始的时间刚刚好到了,我们快速上楼进了放映厅,坐下来,开始看电影。
这部电影讲的是一个少年人的冒险故事,它是以一种回忆的方式来进行拍摄的。有一个叫派的印度少年人,从小生活在一个温暖的家庭里,他爸爸开了一个动物园。但是随着派的慢慢长大,环境也在改变,他家的动物园无法经营下去了。派的爸爸决定全家移到加拿大去,同时把动物也运到那边去卖掉。登船日期到了,派和他的家人上了船出发了。路途中,他们遇到了暴风雨,派在这次灾难中失去了家人,他自己却被船员送到了救生艇上,但是几只动物也到了救生艇上,特别是孟加拉虎,派非常害怕。老虎吃掉了船上的所有动物,派必须冷静地面对危险,勇敢机智地与老虎一起生存下来。最后派得救了,老虎也回到了树林。
电影放完了,我慢慢走出了电影院。通过这部电影,我懂得了遇到危险要冷静,不要慌张,再想办法脱离危险。或者一开始就用聪明机智的办法尽量避免危险。
Mike O'Donnell's wife wants a divorce, his kids are remote, he didn't get the job promotion he expected, and everything else in his life has gone wrong since that magic year when he was 17, a basketball star, in love, and looked like Zac Efron instead of Matthew Perry. He's obviously a case for treatment by a Body Swap Movie.Revisiting the trophy case at his old high school, Mike encounters a janitor who, from the way he smiles at the camera, knows things beyond this mortal coil. If only Mike could go back to 17 and not make all the same mistakes. In "17 Again," he can. He falls into a Twilight Zone vortex and emerges as Zac Efron. They say be careful what you wish for, because you might get it. Mike should have been more specific. Instead of wishing to be 17 again, he should have wished to go back 20 years in time.Yes, he becomes himself trapped inside his own 17-year-old body.
I attended a screening held by a radio station, which attracted mainly teenage girls who left their boyfriends behind. When Zac Efron took off his T-shirt, the four in front of me squealed as if there were buzzers in their seats. Now that he's a little older, Efron has a Tom Cruiseish charm, and a lot of confidence. Why Matthew Perry was cast as his adult self is hard to figure; does your head change its shape in 20 years?
After the appreciation of the film “Titanic”, I have noticed some meaningful details behind the peoples’ general impression of simply an affectional film. The wreck of the Titanic occurred in 1912, in which the great recession started from the end of the 19th Century still hasn’t ended. Most critics pointed out that the sinking of the Titanic represents the collapse of the Capitalism in the end of the 19th Century. However, I would like to say that, in this movie, the director had not only foreran the crisis of the Capitalism, but also showed some of the human nature, from both gloomy and brilliant aspects, like selfish, mammonish, vainglorious, and love, hope, bravery, faith, and so on. In this essay, I will first reveal this film’s indication of the social context of that age, then I will analyse the two contrary aspects of human nature indicated in this film through some impressive shots.
Under the development of industrial technology, the economy in the Capitalism countries took off. People lived a rich, luxury and expensive life, and this rapid economic development lasted for almost 20 years. People had got used to this kind of life. The huge development in machinery changed people’s life greatly. Innovations of transportation, such as vehicles and tankers, allowed people to travel around. The appearance of these modern transportations was an important milestone of the industrialization. People thus became very confident on human intellectual capabilities. They believed their power of conquering the nature is inapproachable. While the Titanic is also called “The Ship of Dreamers”, in this film, when it bearing in with the ocean in the darkness, the mysterious ocean represents the unknown nature and the ship itself represents the advanced material capabilities people owned. In a shot that Mr Bruce explains his design of the Titanic, he said “the ship possesses huge size, stability, luxury, and strength”, and that” the supremacy will never be challenged”. In fact, all these words can be thought of the symbols of the Capitalism of that time in many people’s eyes. They thought the Capitalism is just like the Titanic, which should be “unsinkable”. The wonderful way of developing economy would stay in good condition eternally. However, things do not always follow the way people wish to be. The economic recession suddenly attacked the Capitalism countries at the end of the 19th Century. It was not until then that people did not realize the impracticality of their idealized “unsinkable” Capitalism. Capitalism will sink. And unfortunately it did sink. Just like the
我看见了一个庞大的机器,上面写着“长江8号”。“它是‘长江七号’的后代,它不是一部电视,是从古至今世界上最伟大的航天机器。”博士向我解释道。“你真了不起!”我说。说完后,我禁不住机器的诱惑走上了机器。博士嘱咐我一些注意事项后就发动了机器。我带着一颗好奇的心飞呀飞,飞到了月亮上。我看见了一棵巨大的桂树。哟,这不是吴刚吗?我明白了,这就是吴刚伐桂。这时,吴刚对我说:“你去月亮背面看看吧!”我听后喜出往外,便去了。我发现月亮背面有一个奇怪的门,我敲了敲门后,里面走出了一个奇怪的人。我上下打量了一番,才明白他是外星人。那个人对我说:“欢迎你,外星朋友。”这时,我竟紧张得有点结巴地说:“你,你好。”我才发现,他们的衣服都没有接缝,真是“天衣无缝”呀!“你们的科技真发达,我们的衣服都有接缝,而你们的衣服没有接缝。”那个人告诉我说:“这是我们的宇航服,都是没有接缝的。”噢,我点了点头,明白了。突然我想起来,月亮是外星人的飞船吧?我们又相互交谈了一会儿,我问他们是怎样把月亮挖空的,他告诉我说:“我们先把月亮弄坏,使里面的尘土都倒出去,接着再往里面安些装置,然后再在外而安一个门,就大功告成了。”我想,哦,也许这就是月亮为何不让我们看背面的原因吧?这时,我突然听见有人说:“地球一号准备完毕。”我问他地球一号是什么,他对我解释说:“地球一号是一个储蓄魔力的.大魔炮,至今已储蓄完毕,正要向地球发出攻击呢。”我忙问:“打出去会怎样?”他回答:“足以让整个地球粉碎!”我一听忙阻止,对他说:“地球上虽然有坏人,可还是好人多呀,如果你们把地球上那么多好人打死了,那么,坏的不就是你们了吗?”他转念一想说:“也对呀。”于是就决定撤销了这次攻击,所以才有今天的一个有草、有木、有花、有动物、有人类、有爱……的这么一个大家族-----地球。
通过此事,我们不但没有成为敌人,反而成为了好朋友。我们还成立了地球宇宙友谊联合会了呢,地点就是月球。为此,我还得到了地月二球的诺贝尔友谊奖呢!
一切结束了,可我觉得这并没有结束,因为友谊的种子撒在了我们的心中,总有一天,它会发芽,开花,结出友谊的果实。我确信这一天并不会离我们太久,因为,我深深地记住了那位外星朋友的话,-------“欢迎你,外星朋友”。
When it comes to spy thrillers, Tony Gilroy knows the game. The formula for a crackling entry into this genre is simple enough: keep the action moving and the twists coming, then engage in one late innings sleight of hand that pulls the rug out from under everything. Gilroy, with an adroitness Hitchcock might admire, works admirably in this arena, turning in a screenplay that's more diabolical and pulpy than his convoluted directorial debut, Michael Clayton, but no less fun. He maximizes his assets, and considering the wattage of his stars, they are considerable. Although one could not consider the plot for Duplicity to be air-tight, the holes are small enough for things to remain afloat until after the proceedings have ended. A post-movie dissection on the way home in the car will reveal some obvious plotting problems.
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