a tale of two cities occupies a central place in the canon of charles dickens\'s works. this novel of the french revolution was originally serialized in the author\'s own periodical all the year round. weekly publication of chapters 1-3 of book 1 began on april 30, 1859. in an innovative move, dickens simultaneously released installments of the novel on a monthly basis, beginning with all of book 1 in june and concluding with the last eight chapters of book 3 in december. dickens took advantage of the novel\'s serial publication to experiment with characterization, plot, and theme. he described the work in a letter to his friend john forster, cited in rudi glancy\'s a tale of two cities: dickens\'s revolutionary novel, as \"a picturesque story rising in every chapter, with characters true to nature, but whom the story should express more than they should express themselves by dialogue.\" the novel that emerged from his experimentation is now regarded as one of dickens\'s most popular and most innovative works.
dickens\'s work was very popular with the reading public when it was first published. one review in the magazine athenaeum stated that a tale of two cities had attracted the praise of a hundred thousand readers. on the other hand, a whole set of critics, most notably sir james fitzjames stephen writing in saturday review, criticized the novel precisely for its popularity. \"most of the critics writing in the intellectual and literary journals of the day considered popular success a good reason to condemn a work,\" explains glancy. \"if the public liked it, they certainly could not be seen to approve of it at all.\" modern critical opinion, however, has given the novel an important place among dickens\'s most mature works of fiction.
《notre dame cathedral》 is one known far and wide romantic faction strength which victor hugo writes . i take advantage of this summer vacation free time, read this great work.
notre dame cathedral\'s story, actually was one at that time social epic poem, since brimmed with really. friendly. beautiful, also the flow selfish desire and is false. regardless of is good beautiful asmelada ,or has the ugly semblance, cacimodo with one pure mind, they represent the great amount the lower level populace which suppresses; perhaps is sinister coloud, he is appears by the theocracy face, all load bearing one kind of author\'s ponder.the author in this work, for with the clown, was beautifully friendly and wickedly does the best annotation, or take above three people as the example, the rebel asmelada has the beautiful semblance and the chaste good mind, as well as pitiful destiny, but cacimodo, he withstood destiny deceive nicely, the innermost feelings is his misery is graver, but coloud maintained the benighted social rights and interests, he had brutally. void mind and evil passion. good person physique hateful, but the evil person actually says the appearance shore however, bright set off, social unfair manifest.
but the article result also is when the opposition society until criticism: all beautiful is good all swallows by the might and the evil, the lower level people\'s weak strength in under the king power rule, in the benighted society, only can be reduced to ashes. was palatial notre dame cathedral, how many world tragedy testimony once, in hugo the novel, he as if had the life breath, he sheltered asmelada ,exposed coloud the crime, regret the populace attack the magnificent feat which dark actually heroically devoted...
another the question which is worth pondering is: who is the hero? asmelada or cacimodo? i think all is not, but is in the article by the louis 11 rank smell of blood suppression rather for sacreficed the populace gate, asmelada with cacimodo is not in them the representative, asmelada is loves with the beautiful symbol, cacimodo not many represents is unfortunate and the pain. but they, all suffer a tragic middle ages ignorant evil forces devastate, one each one painful soul is bleeding, flows the tear. merely is notre dame cathedral\'s above engraves \" the destiny \"? they are in middle ages france, despotism sacrificial victim.
the entire story rich tragic color, the plot intense is moving, exciting. author hugo through \" notre dame cathedral \" this story, but also disclosed at that time the dark society\'s essence to the people. this fascinating story likes that ccimodo clocks sound equally shocks several generation of readers\' minds.
This is my first week in ** Senior Middle School.Everything here is new for me.Our school is an old school but it`s very beautiful.I have 50 new classmates in my class.They`re all very excellent, I think, and I felt a little sad.Because I`m too common.But come to think of it,it`s a very good thing.I believe I can also be very excellent if I study with such excellent classmates.I didn`t know why Ms *** chose me to be the committee of study.But I know it`s a good chance for me to raise my ability.All I can do is do my best in the future.I am sure that Ms *** and my classmates can help me when I do something wrong. Because they`re all very kind.It`s a pleasure to work and study with them.I`m really very happy.I`m not an outstanding student in this class,but I can do the same thing like others.I believe I won`t make anyone disappointed.
位置在下面称呼语隔一行,是信的核心部分。因此要求正文层次分明、简单易懂。和中文信不同的\'是,正文中一般不用hello!(你好!
正文有缩进式和齐头式两种。每段书信第一行的第一个字母稍微向右缩进些,通常以五个字母为宜,每段第二行从左面顶格写起,这就是缩进式。
但美国人写信各段落往往不用缩进式,用齐头式,即每一行都从左面顶格写起。商务信件大都采用齐头式的写法。
如果信件里面有附件,可在信纸的左下角,注上encl:或enc:,例如:encl:2 photos(内附两张照片。如果福建附件不止一项,应写成encl:或encs。
我们有时可看到在称呼与正文之间有re:或subject:(事由字样。一般在信纸的中间,也可与“称呼”对齐。还应在底下加横线,以引起读信人的注意,使收信人便于在读信之前就可了解信中的主要内容。事由一般在公务信函中使用,也可以省略。
低于结束语一至二行,从信纸中间偏右的地方开始,在结束语的正下方,在签完名字的下面还要有用打字机打出的名字,以便识别。职务、职称可打在名字的下面。当然,写给亲朋好友的信,就不必再打了。
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