用英语介绍中国文化作文初一 - 学习作文网

用英语介绍中国文化作文初一【一】

今天我来为大家介绍一下梧桐树。

梧桐树，即“中国梧桐”，是梧桐科梧桐属的植物，别名青桐、桐麻，也属落叶大乔木，一般高达15米；树干挺直，树皮绿色，平滑。原产中国，南北各省都有栽培，也为普通的行道树及庭园绿化观赏树。我们所说的法国梧桐其实是悬铃木中的一种。

梧桐树的叶子极似枫树叶，甚至连脉络都一样。梧桐树的叶子会变色哦！春天的时候，叶子是嫩绿嫩绿的；一到秋天，叶子就会慢慢变黄。这是为什么了呢？原来在夏天时，树叶工作得很努力，可是，天气转凉后，它就停止了工作。树叶所制造的营养也就不能送到树枝和树干上，而沉淀在叶子里。树叶的叶绿素也会遭破坏，就和留在叶子里的养分或枯萎了的茶褐色混合，这样就变成各种美丽的颜色了所有的树叶中都含有绿色的叶绿素，树木利用叶绿素捕获光能并且在叶子中其他物质的帮助下把光能以糖等化学物质的形式存储起来。除叶绿素外，很多树叶中还含有黄色、橙色以及红色等其他一些色素。虽然这些色素不能像叶绿素一样进行光合作用，但是其中有一些能够把捕获的光能传递给叶绿素。在春天和夏天，叶绿素在叶子中的含量比其他色素要丰富得多，所以叶子呈现出叶绿素的绿色，而看不出其他色素的颜色。当秋天到来时，白天缩短而夜晚延长，这使树木开始落叶。在落叶之前，树木不再像春天和夏天寻样制造大量的叶绿素，并且已有的色素，比如叶绿素，也会逐渐分解。这样，随着叶绿素含量的逐渐减少，其他色素的颜色就会在叶面上渐渐显现出来，于是树叶就呈现出黄、红等颜色。

梧桐树的价值也很大哟。梧桐树为栽培于庭园的.观赏树木。木材轻软，为制木匣和乐器的良材。种子炒熟可食用或榨油，油为不干性油。根皮、茎、叶、花、果和种子均可药用，治腹泻、疝气、须发早白，有清热解毒的功效。树皮的纤维洁白，可用以造纸和编绳等。木材刨片可浸出粘液，称刨花，润发。

梧桐子是梧桐树的种子。秋末至冬初采收，除去杂质，晒干。干燥种子，圆球形或类圆形，径6～8mm，黄棕色至深棕色，表面皱缩成网纹状。外层种皮较脆，易破裂，内层种皮坚韧。除去后，内有肥厚的淡黄色胚乳；子叶两片薄而大，紧贴在胚乳上，胚根位于较狭的一端。气、味均微。以个大、饱满、棕色、无杂质者为佳。陶隐居云：“桐树有四种，青桐叶皮青似梧而无子。梧桐色白，叶似青桐而有子，子肥亦可食。”李时珍说：“梧桐处处有之。树似桐而皮青不皵，其木无节直生，理细而性紧。叶似桐而稍小，光滑有尖。其花细蕊，坠下如醭。其荚长三寸许，五片合成，老则裂开如箕，谓之藁鄂。其子缀于藁鄂上，多者五六，少或二三。子大如胡椒，其皮皱。其子，甘平无毒。”

梧桐树就是这样的哟。

用英语介绍中国文化作文初一【二】

现在社会进步得飞快，各式各样的钟表更是多得数不胜数，而在那么多钟表中，我还是最喜欢摆在我床头的那个小闹钟。

那个小闹钟的外形是个可爱的丁当猫，圆圆的脸像个大面饼，雪白雪白的。大大的脸上长着一对绿豆般大的眼睛，黑得透亮，和脸形成了鲜明的对比。在脸蛋的两旁，立着两只小巧玲珑的耳朵，看它的神情好像在认真地听着主人的述说。最漂亮的还要数它耳朵上的那个粉红色蝴蝶结。你可不要小看了这个蝴蝶结，它可不是单单用来装饰的。只要按一下这个蝴蝶结，这个丁当猫就会亮起来，像一盏小灯，每天晚上我都会和它说悄悄话，所以它也是我的“知心朋友”。这个丁当猫的下半身就是一个可爱的小闹钟，所以它最大的特点就是上身大下身小。

其实，我以前也不怎么喜欢这个小闹钟，总觉得它太普通了，并没有给我多大的帮助。我对这个小闹钟的看法是在一个星期一的早晨才改变的。那天早晨，我正在香甜的睡梦当中，突然响起了一阵急促的铃声，我心想：“大清早，乱叫什么，扰了我的好梦。”我把闹钟拿到眼前，瞟了一眼。“呀！”真是不看不知道，一看吓一跳，已经是七点十分了。我从床上跳起来，抓起衣服就往身上穿。穿完衣服，挎上书包，就往外冲。一直冲到班门口，上课铃准时打响了。多亏了这个小闹钟，要不然，我还在被窝里呼呼大睡呢！

从此以后，我就把这个小闹钟放在我的枕头边上，和它聊天。它也用清脆的滴答声回应我。

我喜欢这个可爱的丁当猫小闹钟。

用英语介绍中国文化作文初一【三】

在我书桌的一角，放着一个存钱罐。在旁人眼中可能只是一个普通的小玩意儿，可在我眼中意义非凡。

存钱罐的外形十分别致。看起来像迪斯尼那个人见人爱的小老鼠米妮。存钱罐的颜色光彩夺目，好看极了。它的肚子圆鼓鼓地凸出来，腹部有点凹进去，曲线优美，非常惹人注意。它的腰间还有一个小枷锁，没有钥匙的证明就企图拿走它肚子里的钱币，它可会“翻脸不认人”的。

说起存钱罐的身世，还有一段美丽的邂逅呢！有一天，我到商场玩，不经意间看到了这个存钱罐。我对它一见钟情，千方百计地缠着爸爸妈妈买下它。我对它视若珍宝。

存钱罐里面装的可都是我的血汗钱。那是我做家务的报酬。它忠心耿耿地“保卫”着我的幸苦钱。

每当我需要用钱时，只要开一下钥匙便可。我喜欢我的存钱罐！

用英语介绍中国文化作文初一【四】

我有一辆心爱的小自行车，从三年级起我就每天骑着它去上学，它给我带来了许多的乐趣，在它的陪伴下我一天天长大。

记得我8岁生日那天，爸爸给我买了一辆20型黑色的横梁小自行车作为生日礼物。说它是自行车，其实更像玩具。它油亮的小车身，软软的小车座，我只看了一眼就再也舍不得放下它了。

可是，小自行车好像和我很陌生，试骑时总不听我使唤，车把摇来晃去，我骑在车上就像耍杂技。不好，前方有个排球杆，我左摆右摆，只听“砰”的一声，车头撞了上去，看看碰歪的车把，我心里好难受。

有了这次教训，我不敢再轻易独自骑车，而是请爸爸帮我扶着，这样我渐渐地掌握了骑车的要领，小自行车也终于接受了我这个小主人。

每天放学回家，我都要骑着它兜上几圈，从中体味骑车的快感。小自行车给了我展现技能的机会，使我找到了自信心，获得了极大的满足感。

四年级以后，爸爸妈妈开始让我骑车子上学。这时，小自行车的功能开始变化，它已不再只是一件玩物，还有了实用价值。有了小自行车的帮助，我每天可以独自上学、回家，再也不用爸爸妈妈接送了。每当我挎着书包，骑着车，和大人一样穿行在热闹的公路上，心里就有说不出的喜悦。小自行车给了我独立的意识和成熟的感觉。

用英语介绍中国文化作文初一【五】

Dear Mr Wang:

We are so pleased that you are willing to share our views.

In the course of the general revision,What we need is solid foundation. Methods are vital,so could you please introduce some learning keys?We think it can help us much better.

Could you please teach us slower? We should have time to understand everything we learnt .Then we can learn the nature not the surface.

We also need to practice the important and easily wrong difficulties again and again. And we won't get puzzled when we meet the similar questions.

Doing homework is a way to make sure if all of us can control the knowledge.We hope that there will be less homework in order to increase the quality.

Besides,inspire us more and we'll do better than before.

Yours,

Li hua

用英语介绍中国文化作文初一【六】

初恋50 First Dates

What would it feel if I can wake up everyday forgetting what happened for the last whole year?

Lucy in the movie “50 First Dates” told me this feeling. Every morning when she woke up, she only rememberred the Sunday of last year which was her father’s birthday, also the date she had the car accident which made her only keep memory before Sunday, so she always felt happy living the same habit as what she did on Sunday a year ago with the kind set-up by her father and brother. After meeting Hey, she could only remember who he was on the same day. But after one night, he became a stranger to her. She couldn’t even recognize he was the one she used to date and love everyday. Hey tried his best to give her a new different meeting every day so as to win her smile and regain their “First Date”. Hey made her tapes every morning to help her remember what happened the day before and the last whole year. Lucy thus felt grateful with all she had when she woke up everyday. On the same day, she always had the same deep gratitude to face Hey with her sweet smile. What a beautiful feeling it is to always feel thanksgiving and to always

appreciate each other’s effort. A touching story between a memory lost woman and a devoted man taught all of us, normal people, the essence of love. When two people can thank each other for their devotion everyday like what they did for each other on first date, love can forever be refreshed and energetic. On Lucy’s side, people with memory will ask for more than yesterday and become critical of their partners day by day, while people without memory will feel grateful for their life and the people around them everyday.

In the movie, when one day Lucy decided to break up with Hey to let him rebuild his life by burning all their diaries and tapes, I cried for Hey’s broken heart. For her, it was just one day feeling. For him, it was long-term affection and connection. It was easier for her than him to give up their love. On Hey’s side, people with memory will always remember the past happiness and

treasure it for the rest of their life, while people without memory will easily give up at the end of the same day.

What a ruthless feeling it is to end a relationship just after one minute thought. People with fragile mind would easily ruin a long-term relationship no matter what reason they have. The torture between Lucy and Hey tells us the fatal factor to do harm to intimacy between a couple is their fragile mind of

balancing emotion and reason. Thus most of couple lose their trust for each other after experiencing this weakly testing broke-up.

飓风Taken

What is the right relationship between the father and the daughter? There is no certain answer. But the love of Brain's to his daughter must be one of the best ones.

His daughter, a young pretty 17-year-old girl was kidnapped during a tour in Paris. Brain got the news and hurried to France to take his daughter. He found that the gangsters that kidnapped his daughter were connected with an old friend which made him exetreme angry. He finally found the place where was holding an auction selling young virgins and broke in successfully taking his daughter away.

No matter how hard and stressful the situation was, and how dangerous things he faced, he never went back just because of the greatest love of a simple father. In the movie, we are all moved not only his actions of kindness, but also his insistance and the greatest of all- a father's love.

魔术师THE ILLUSIONIST FACTS

When word of the famed Eisenheim's (Ed Norton illusions reaches Crown Prince Leopold (Rufus Sewell, the ruler attends one of the magician's shows in order to debunk the performance. But when the prince's intended, Sophie von Teschen (Jessica Biel, assists the magician onstage, Eisenheim and Sophie recognize each other from their childhoods, and pretty soon they're totally hot for each other. As the clandestine romance continues, the prince's best cop (Paul Giamatti is charged with exposing Eisenheim, even while the magician gains a devoted and vocal public following. Before long, Sophie turns up dead, and the logical suspect is Eisenheim himself.

一线声机"Cellular" has the setup for a solid straight-ahead thriller: A kidnap victim who does not know where she is being held phones a total stranger who must then stay connected on his cell phone to find her before she is killed. Joel Schumacher scored earlier with a similarly phone-themed Larry Cohen story, "Phone Booth." As executed by tone-deaf director David R. Ellis, however, "Cellular" becomes an unintentionally hilarious cousin to Brian de Palma's "Raising Cain" and "Snake Eyes."

Ellis seems to have unwittingly spliced together two different films with

mismatched tones: Kim Basinger as the kidnapee and Jason Statham as the kidnapper occupy the deadly-serious, straight-to-video thriller half, while Chris Evans as the rescuer and William H. Macy as a police officer seem to be in a "Saturday Night Live"-alum action comedy. Nowhere else is the disjointedness in tone more apparent than when Basinger and Evans's performances are placed side-by-side during their conversations: The scenes keep cutting between an overwrought Basinger wringing out every drop of melodrama, while a blissfully inept Evans seems to be channeling a cross between Chris Kattan/Jimmy Fallon and Ben Affleck/Keanu Reeves.

Meanwhile, Ellis pulls out tricks intended to generate thrills and surprises. He throws in out-of-nowhere "shocks," a la "Final Destination"; he throws in

flashbacks; he throws in a gun-blazing Macy in Jerry Bruckheimer action-hero slo-mo; and yet, Ellis has no handle on staging any of them competently. Case in point: "Cellular" is the proud owner of one of the most ineptly scored chase sequences ever, as if Ellis simply heard a snippet of the song's lyrics ("...where you gonna run to?" literally and paid no attention to the inappropriateness of the accompanying music (which just bop, bop, bops along. (The song is even reprised during the closing credits, which itself is misbegotten in conception.

And yet, for all of its failures as art, "Cellular" is always entertaining for those very same faults