大凡优秀文学作品,往往都会在读者的脑海中留下一个个动人的物象。比如一辆纺车、三颗枸杞豆、七根火柴,还有冰心的小桔灯、白毛女的红头绳等。这些物象在文中或是承载一种精神,或是一种情爱,或是一段经历。这些情感的载体可以说是那一篇篇文学作品的形象代言人。如作文《自行车上的空间》,为表现父女之间互让的爱,而找到了一个独特的视角,一个情感的载体,这就是“自行车座垫和后座之间的空间”。聚焦这个空间,作者先写小时候幼稚的我“总爱与爸爸争夺座垫与后座之间的空间”,而“爸爸总让着我”,浓浓父爱溢于“一争一让”之间。后来,懂事的女儿不再争抢空间,而爸爸的爱已成习惯,仍然“习惯性地朝前坐着”,努力“让给女儿更多的空间”——真正的父爱随着时间的推移常常表现得更加突出,强大的父爱也终于让女儿学会“用一颗读懂父爱的心”为父亲让出空间,爱的互动在“自行车的空间”里得到了感人的再现,怎能不让读者为之感动?
The Role of Mobile Phone in People's Communication
The popularity of smartphones has exerted great influence on the way people communicate, so much so that an increasing number of individuals contend that face-to-face communication is being replaced by texts and images on the mobile phone.
There are more than one angle to consider this phenomenon. On one hand, it is pleasantly acknowledged that smartphones shorten the distance between families and friends. Even people from different sides of the globe can share pictures, feelings and thoughts through various types of apps on the phone, thus building a long-distance connection. On the other hand, as the picture warns us, too much smartphone addiction interferes with people's real-life communication. Statistics show that over 70 percent of face-to-face communication consists of facial expressions and body language, which is why people should stay away from mobile phones when they have the chance to actually talk and communicate with others.
In a word, mobile phones act as an appropriate platform where people can always stay in tough however long the distance is, but a wise man should know when to put down his phone.
1、在记叙中抒情要由事而发,随景而生,不要生搬硬套。
2、所抒发的情要出于内心,不要无病***,不要虚情假意。
3、抒情要适当和简洁,不要大段大段地抒发而喧宾夺主。
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