泰戈尔说,日历是一把历史的刻刀,记载着岁月流逝的痕印,留下了青春衰老的年轮。日子悄无声息地逝去,蓦然回首,一路走来的点点滴滴大多被雨水冲刷变得模糊,而踌躇在心灵深处的,最感动人心的,往往却是似乎不值一提的细节。
细节是音符,只有充分把握才能演奏出最美好的乐章。一家生产手套的工厂,刚刚起步,一年之内就迅速占领了市场销售额的80%,原因很简单,这家工厂生产的手套两只大小不一样,因为正常人的右手比左手要大一点,而这种手套戴起来也更合适,更舒服。正是由于这家工厂善于把握这小小的差异,利用这个小细节,才有了后来的成功与辉煌。
细节是经纬,纵横交错编织成一张密密的网,把我们缠绕其间,让我们感叹!
现在的我们,心安理得地享受亲人的照顾,友人的关爱,甚至熟视无睹。当有一天醒来,这一切不复存在,那些曾经的点点滴滴,那些遗忘的细节,都像洪水般迎面而来,让我们猝不及防,让我们感动不已。
曾经的书桌,上面满是见证成长的书,我只知道在上面挥洒我的汗水,却不知道有时也要清除杂草,一星期,两星期,不管多乱,总有一双手来帮它们整理、归类。尽管手的主人不是书的主人,夜幕降临,桌角总会放一杯香茶,温暖了整个夜晚。
现在的我,学会了自己泡茶喝。喝起来却失却了一种味道。现在的桌角,仍有一杯水,捧起来,握在手心,却失去了温度。
回想起来,没有不安,没有悲伤,有的就只有怀念。那些以为早已遗忘的细节,却深深印刻在脑海中,如此清晰,挥之不去,留给我们细细品味。
青春是一本太仓促的书,我们拼命向前,忽视了身边的一切,却不知道路边的稻草是成功的法宝。等到失去时,才想到要珍惜。
所以,趁我们还青春年少,趁一切还来得及,努力珍惜拥有的一切,记住生活中点点感人至深的细节。我们无法拉伸生命的长度,但可以努力拓展它的宽度,用感动去装饰,用细节去填补,让我们的生命更有意义!
The war launched by drought has caused the people untold suffering. To eke out a living, Mairam, Laila, and Rasheed sell eveything. Rasheed gets fired and gives vent to his anger by maltreating Mariam and Laila. When the money runs out, hunger begin to cast a pall over their lives. Death from starvation becomes a distinct possibility.
Mariam is pushed to the wall and calls her father Jalil for help. Yet Jalil died years ago, back in 1987. Aziza is sent to a orphanage where has rice and bread and water. Laila is heartbroken but powerless, sacrificing everthing to visit her daughter as often as she can. One day, when she comes back from visiting, a man at the front door of the house surprises her. Beyond expectation, this man is no-one but Tariq.
人的一生太短暂了,历经总总磨难,没想到还能和你相遇。Laila和Tariq的爱情,纯真,直接,牢固,永恒。
想到《半生缘》里,曼桢和世钧久别重逢后说的那句话:“我们再也回不去了!”心里忽然尝到眼泪那咸碱的涩味。Laia和Tariq在这个乱世里,还能回得去吗?
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