导入:
第1段:提出一种现象或某个决定作为议论的话题
As a student, I am strongly in favour of the decision. (亮明自己的观点是赞成还是反对
The reasons for this may be listed as follows. (过渡句,承上启下
正文:
第2段:First of all... Secondly... Besides...(列出2~3个赞成或反对的`理由
结论:
第3段:In conclusion, I believe that... (照应第1段,构成"总—分—总"结构
I was born in a beautiful town with high mountains around it.The mountains are covered with all kinds of green bamboo.Through the town runs a small stream.It’s said that a new railway is going to be built to the east of the town and a bamboo factory to the west.All the children of the school age can go to school.If anyone is ill,he can go to see the doctor in the newly-built hospital.People in the town are hard-working and never take the backwardness lying down.Though they are having a richer and better life,they are not satisfied with what they have got.They are working hard to build their town into a modern one.
——《桃姐A simple life》影评
我很庆幸,在我情绪几近失控时,我遇到了《桃姐》,然后,狂躁怒吼的心因这部轻描淡写简单生活的简单电影,渐渐平伏下来,转而为戏里的点滴温情简单爱而感到小温馨小感动。
许多人都说《桃姐》是部催泪大片,可我在看这部戏时几乎没有流过眼泪,而我辩驳别人说我冷血无情的理由则是——许鞍华创作本片时应该不是刻意企图挤压观众的泪腺吧,本片基调是舒缓的、自然平实的,就像是一部关于老人院生活的纪录片(事实上本片也的确运用了大量的“类纪录”手持摄影镜头及拍摄真正住在老人院的老人家们),没有任何强烈的戏剧冲突,没有任何矫情做作的煽情戏码。然而,也许就是这种让观众能在戏里看到自己或身边人、引起强烈共鸣的生活流电影,才能做到情至深处,感人肺腑吧。
尾声结束后,关上电脑,往床上一躺,闭眼回想起那一幕幕似水流年。Roger带桃姐去看他的电影首映,散场后于街头携手漫步,一路乐呵呵地闲聊,昏黄灯光下,寂寥街道上,如母子相处的主仆俩的背影构成了一个颇具诗意与温情的镜头;经常出现的关于食物的镜头,在挑起我们食欲的同时更引发了我们对家常菜、对家人的思念,就像李安的影片所表达的那样,中国人“民以食为天”,饮食文化早已深深融入家庭文化中;老人院里,老人们寂寞孤独、眼神空洞呆滞的样子总能让我内心轻叹,待了解到某些镜头是真正在老人院取材拍摄时,则更加唏嘘不已了……我们多久没跟父母长辈一起屈膝长谈、漫步街道了,多久没回家吃暖心饭菜了,又有多久没询问关心过他们的身心健康了呢?想着想着,几滴眼泪划过脸庞,那是想念,也是愧疚,更是遗憾。
电影源于生活,戏如人生,人生如戏。许鞍华不愧是个富有经历而善于观察记录的导演,她能拍出生活气息浓厚的作品,如《天水围的日与夜》,如《桃姐》。但我想,在这个追求视觉刺激的大片时代,要经历过某些事情的观众才能被她平淡是真的作品打动吧。若是一年前看,我的感触或许不至于那么深,而现在,我止不住去将戏里人物与我及我的身边人一一对号入座,思绪回转间,懂了该去做些什么,也知道我就如Roger阻止不了桃姐的逝去那样,有些事情我永远也做不了了……
罢了,言归正传吧。许鞍华的电影总有许多影射现实的情节,在《桃姐》里亦然,所以带着探索心的观众总能在本片里找出某些或会心一笑或发人深思的情节安排。最让我觉得意味深长的莫过于桃姐住的老人院在中秋节的那段情节——女艺人唱完歌后甜美的笑容瞬间变成不耐烦;拍摄完毕后,摄制人员从老人手里收走月饼,原来那只是要循环使用的道具;老人们以为终于“应酬”完后先是松了口气,而后听到还有人要来探访时却是叹气但又不得不继续强颜欢笑。不过许鞍华可不是位爱说教的导演,她由始至终都只是用摄像机静静地拍摄记录下这些画面,不会激昂批判些什么,也不会端起架子告诉观众正确答案是什么,一切都让观众去思考、去探讨,更富有予人启发的意义(比起某些高高在上说教式的内地电影,的确更有观众缘)。
不过《桃姐》有三点让我些微失望之处,一是戏里对电影行业的描述挪揄似乎有点多了,虽然ROGER是个混电影圈的.,虽然像刘德华与徐克、洪金宝饰演的导演监制唱双簧拿追加投资这样的情节挺有趣的,但不得不说有淡化主题的嫌疑;二是结尾平淡过头,结束过快,虽然本片就是那个温情内敛的范儿,但桃姐的去世如此草草收场,大家如此平静地面对,甚至时长还及不上开头ROGER坐火车那段可有可无的戏,总让经历过类似事情的我内心有些说不出的堵;三是内地演员表现平平得来还有些“搭配不当”,看王馥荔和刘德华的对手戏时,实在是感受不到一丁点母子情啊,秦海璐算是女配角吧,但她的存在感偏弱了,跟叶德娴一比,简直连花瓶都称不上。所幸的是,影片的主心骨叶德娴演技实在了得,举手投足、眼角眉梢之间,便把一个有血有肉、情深义重的桃姐形象给塑造出来了,完全打破她在我记忆中那个《与狼共舞》《黑马王子》《新少林五祖》中大大咧咧老不正经的妇人形象;刘德华及其他演员的表演亦是洗尽铅华、返璞归真,仿佛就是生活中真实存在之人,更为这部质朴温暖的电影锦上添花了。
然而瑕不掩瑜,如此一部能够让中国乃至全世界的观众更懂得中国人传统亲情的感人佳片,《桃姐》斩获多项大奖,代表香港电影选送冲击奥斯卡最佳外语片奖,的确实至名归。关于《桃姐》,我还想说得更多,无奈时间有限,我还得去研究写出一个老人题材的剧本。总而言之,每个人都值得去观赏这部描绘简单生活简单爱的简单电影《桃姐》,因为每个人身边都有一个桃姐,有一个爱你如生命的平凡而伟大的亲人,一个你应该懂得感恩珍惜的亲人!
说句题外话:从现实角度来说,假如这部戏不是许鞍华执导,没有刘德华这个大腕坐镇,没有保利博纳公司的保驾护航,这部戏能不能拍出来都是个未知数,更无论口碑票房俱佳了。所以说啊,就算是许鞍华这种才华横溢的文艺片导演,假如没有商业搭对台,唱得再好的文艺戏总体价值也说不上多高。衷心希望,通过《桃姐》这部叫好又叫座、摆脱文艺片怪圈的电影的成功,许鞍华能更懂商业运作对电影的作用,好好利用,借此东风呈现给更广泛的观众更多有想法有意义的诚意佳片,毕竟像她这样一直坚持严肃创作、坚决不拍商业烂片的导演真是越来越少了……
导入:
第1段:Some people hold the opinion that A is superior to B in many ways. Others, however, argue that B is much better. Personally, I would prefer A because I think A has more advantages.
正文:
第2段:There are many reasons why I prefer A. The main reason is that ... Another reason is that...(赞同A的原因
第3段: Of course, B also has advantages to some extent... (列出1~2个B的优势
结论:
第4段: But if all these factors are considered, A is much better than B. From what has been discussed above, we may finally draw the conclusion that ...(得出结论 オ
导入:
第1段:Recently we’ve had a discussion about whether we should... (导入话题
Our opinions are divided on this topic.(观点有分歧
正文:
第2段:Most of the students are in favour of it.(正方观点
Here are the reasons. First... Second... Finally...(列出2~3个赞成的理由
第3段:However, the others are strongly against it. (反方观点
Their reasons are as follows. In the first place... What’s more... In addition...(列出2~3个反对的理由
结论:
第4段:Personally speaking, the advantages overweigh the disadvantages, for it will do us more harm than good, so I support it.(个人观点 オ
导入:
第1段:提出一种现象或某种困难作为议论的话题
正文:
第2段:Many ways can help to solve this serious problem, but the following may be most effective. First of all... Another way to solve the problem is ... Finally...(列出2~3个解决此类问题的办法
结论:
第3段:These are not the best but the only two/ three measures we can take. But it should be noted that we should take action to...(强调解决此类问题的根本方法
1。 叙述的人称
英语的记叙文一般是以第一或第三人称的角度来叙述的。用第一称表示的是由叙述者亲眼所见、亲耳所闻的经历。它的优点在于能把故事的情节通过“我”来传达给读者,使人到真实可信,如身临其境。如:
The other day, I was driving along the street。 Suddenly, a car lost its control and ran directly towards me fast。 I was so frightened that I quickly turned to the left side。 But it was too late。 The car hit my bike and I fell off it。
用第三人称叙述,优点在于叙述者不受“我”活动范围以内的人和事物的限制,而是通过作者与读者之外的第三者,直接把故事中的情节展现在读者面前,文章的客观性很强。如:
Little Tom was going to school with an umbrella, for it was raining hard。 On the way, he saw an old woman walking in the rain with nothing to cover。 Tom went up to the old woman and wanted to share the umbrella with her, but he was too short。 What could he do? Then he had a good idea。
2。 动词的时态
在记叙文中,记和叙都离不开动词。所以动词出现率最高,且富于变化。记叙文中用得最多的是动词的过去的',这是英语记叙文区别于汉语记叙文的关键之处。英语写作的优美之处就在于这些动词时态的变化,正是这一点才使得所记、所叙有鲜活的动态感、鲜明的层次感和立体感。
3。 叙述的顺序
记叙一件事要有一定的顺序。无论是顺叙、倒叙、插叙还是补叙,都要让读者能弄清事情的来龙去脉。顺叙最容易操作,较容易给读者提供有关事情的空间和时间线索。但这种方法也容易使文章显得平铺直叙,读起来平淡乏味。倒叙、插叙、补叙等叙述方法能有效地提高文章的结构效果,让所叙之事跌宕起伏,使读者在阅读时思维产生较大的跳跃,从而为文章所吸引,深入其中。但这些方法如果使用不当,则容易弄巧成拙,使文章结构散乱,头绪不清,让读者不知所云。
4。 叙述的过渡
过渡在上下文中起着承上启下、融会贯通的作用。过渡往往用在地点转移或时间、事件转换以及由概括说明到具体叙述时。如:
In my summer holidays, I did a lot of things。 Apart form doing my homework, reading an English novel, watching TV and doing some housework, I went on a trip to Qingdao。 It is really a beautiful city。 There are many places of interest to see。 But what impressed me most was the sunrise。
The next morning I got up early。 I was very happy because it was a fine day。 By the time I got to the beach, the clouds on the horizon were turning red。 In a little while, a small part of the sun was gradually appearing。 The sun was very red, not shining。 It rose slowly。 At last it broke through the red clouds and jumped above the sea, just like a deep-red ball。 At the same time the clouds and the sea water became red and bright。
What a moving and unforgettable scene!
5。 叙述与对话
引用故事情节中主要人物的对话是记叙文提高表现力的一种好方法。适当地用直接引语代替间接的主观叙述,可以客观生动地反映人物的性格、品质和心理状态,使记叙生动、有趣,使文章内容更加充实、具体。试比较下面两段的叙述效果:
I was in the kitchen, and I was cooking something。 Suddenly I heard a loud noise from the front。 I thought maybe someone was knocking the door。 I asked who it was but I heard no reply。 After a while I saw my cat running across the parlor。 I realized it was the cat。 I felt released。
这本来应是一段故事性很强的文字,但经作者这么一写,就不那么吸引人了。原因是文中用的都是叙述模式,没有人物语言,把“悬念”给冲淡了。可作如下调整:
I was in the kitchen cooking something。 "Crash!" a loud noise came from the front。 Thinking someone was knocking at the door, I asked, "Who?" No reply。 After a while, I saw my cat running across the parlor。 "It's you。" I said, quite released。
© 2022 xuexicn.net,All Rights Reserved.