绿川幸是我最喜爱的日本漫画家之一。他的漫画作品大多以短篇为主,构思巧妙,因而拥有众多漫迷。
Through her works, my favorite one is Xiamuyourenzhang.
在她的作品中我最喜爱的一部是《夏目友人帐》。
The comic book mainly talks about that the hero Xiamuguizhi has a special ability to see the bogies. He is unsociable because his parents are dead. And he often lives in his relatives' home when he is a little boy and his friends at his age always tease him because he has a special ability. Although he experiences many unfortunate things, he is still very kind and without complaint at anyone. Eventually he is adopted by a couple who is very friendly and let him go to high school. One day, He is pursued by a bogie and hid in a shrine. He breaks a powerful bogie‘s seal whose name is Ban. And that involves her grandmother Xiamulingzi’s relics--a contract that sigh with the bogies. Since then, this powerful bogie turns itself into a cat in daily life to stay with Xiamu to protect him with the condition that Xiamu should give the contract to it after he die. But before that Xiamu decides to try his best to give the name in the contracts to the bogies and let them get free. Thus, a loving, touching, scary story is opened up.
《夏目友人帐》主要讲述了男主人公夏目贵志拥有可以看到妖怪的特殊能力。因为父母双亡他的性格较为孤僻,并且由于他具有特殊的能力,他常辗转在于亲戚之间并被同龄人欺负。虽然他经历了许多不幸,但他依旧有好善良没有埋怨任何人。最终他被有好善良的藤原夫妇收养并进入高中。有一天,他被妖怪追赶躲进神社,不小心打破了一只强大妖怪斑的封印。并牵涉到了他祖母夏目玲子的\'遗物—一本同妖怪签订的契约书。之后,这只强大的妖怪平时便变成猫的样子待在夏目身边保护他,但是他的条件是夏目死后要把这本契约书给它。但在此之前夏目决定尽其所能把契约书上的名字还给妖怪们让它们得到自由。由此,一个个温馨、感人、惊险的故事就此展开。
In addition, yuki midorikawa has another special work called Yinghuozhisen is also really moving ,sad and beautiful. I suggest that you all can watch it when you have free time.
此外,绿川幸的另一部作品《萤火之森》同样十分治愈感人建议大家有空可以看看。
俗话说“一方水土养一方人,进什么圈子成什么人”。生活中,我们总是在人群中来回应酬,不觉已被形形色色的人群改变了本真。
起先,群居是为了互帮互助。我们的老祖宗生活在一起是为了在恶劣的环境下生存下来。久而久之,后代便将这一精神传承了下来。但如果要在人群中不显突兀,就要将自己的个性融于共性之中。若为善也就罢了,若是行恶则天下不安。
宋神宗年间,就有那么一种人群,专门排挤有才之士。留名青史的却恰恰不是那群人,相反,恶名昭彰。“乌台诗案”便算是这“组织”的杰作之一了吧。朝中以王珪为首的文人嫉妒苏东坡的美名,将苏东坡所作诗集翻了个底朝天,将春日游水硬说成讽刺修水利,冠之以谋反罪名上报于皇上。若是打仗,这帮人不一定得利,可是煽风点火可谓是将人群的最大效益发挥了出来。于是,草草定案,文化大师锒铛入狱。由此可见,人群若是行恶,力量无疑是巨大的。当然,若想在人群中不显突兀,就只能折节而行了。所以历史也不会忘记沈括大师诬陷苏东坡的事实。
这也就是为什么有节之人选择退出“群”,或者离开某个圈子的原因了。疲于应酬倒是次要,担心自己被玷污才是主要原因。因此,若想保持自己的高尚节操,便不得不选择回避。
魏晋的\'竹林七贤、隐居的陶潜、不羁的李白甚至是以死明志的文天祥,哪一个不是害怕受到世俗的玷污而选择回避?历史证明他们是明智的。鲁迅孤军奋战,舌战群儒;戴望舒痛斥内兄,忍受分居之痛,这些比比皆是的例子不都说明弃恶人之群的正确性?贤者有云“白沙在涅,与之俱黑。”选择什么样的人群不啻是一种处世态度,更是一种精神操守。风骨不会因时间而羸弱,但会因人群而被摧毁。
水土不服时,有人忍受了;有人易地了。我们不能否定忍受也是一种方法,但忍受只能扬汤止沸,不然,就得改变自己。而易地之人不仅使自己没变,而且彻底摆脱了困境。
先人早有“近朱者赤近墨者黑”的告诫。但仍有人守着贫瘠的土地,视其为乐土。
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