导入:
第1段:提出一种现象或某个决定作为议论的话题
As a student, I am strongly in favour of the decision. (亮明自己的观点是赞成还是反对
The reasons for this may be listed as follows. (过渡句,承上启下
正文:
第2段:First of all... Secondly... Besides...(列出2~3个赞成或反对的`理由
结论:
第3段:In conclusion, I believe that... (照应第1段,构成"总—分—总"结构
Last Sunday, Jim went out to fly a kite. The kite flew highly in the sky. Jim ran with it happily.
Suddenly the line was broken and the kite flew away. Soon it disappeared. Where was it?
Jim had no idea. So he had to run here and there to look for the kite. At last he saw it on the top of the tree. He tried to get it down. But he couldn’t. He felt sad.
正月十六送牛桩的习俗由来已久。那时,还不知道要计划生育,好多人家,第一胎、第二胎生了女孩,总想再生个男孩,就邀请人家给自己送牛桩,以求生一带把子的。很多时候,凡是送牛桩的,总能如愿以偿。所以,当时送桩子比较盛行。
送牛桩要八个男人参加,最好是不同姓,其中一定要有一个年轻的小伙子。这八个人是白天就约好了,晚上先到邀请的人家吃晚饭,酒足饭饱后,等大部分人家都睡觉时,这八个人就去偷牛桩了。偷的物品有砖头、碗、鞋子等。被偷的人家一定要男孩多,还要在庄上有势力,有人缘。东西偷好了用红纸包好,交给其中最年轻的一个小伙子拿,这叫抱桩子。然后就一起到主人家。到了以后,年长的就开始喊好,后面的人就应和,当然全部是恭喜主人早生贵子之类的。抱桩子的小伙子就抱着偷来的物品,爬上主人睡的床上,睡一会儿,最后还要撒一泡尿在床上。再把桩子恭恭敬敬的交给主人保管。几个人再次吃饭喝酒,一直到很晚才各自回家。各人要守口如瓶,在人家未生孩子之前,决不能提送桩子、偷桩子的事,否则就不灵验了。
等到主人家生下男孩的时候,一定要到被偷物品的人家去报喜。双方小孩互认对方为干爹,干娘,结成亲戚,这就是为什么要偷有势力、有人缘人家东西的原因。小孩的名字也十分有趣,偷什么叫什么。如偷的是碗就叫碗儿,偷的鞋子就叫鞋儿,直到长大了才改用大名。等到小孩一周岁时,偷桩子的人家要回报被偷的人家,偷什么还什么,一还十或一还百。如偷人家一块砖头,就还人家一百块砖头;偷的是一双鞋,就还人家十双鞋。习俗充满着迷信色彩,但这种习俗在偏远地区还有流行。
舞旗花的准备工作须提前几天进行,到坟林山坡拾扫柏颗,寻找来废锅用石臼捣碎,选街面中央刨冻土、修地臼。做这几样很辛苦费力,此外,还要准备好麦秸、锯末、旗杆、拴羊的铁索和凿好眼的废铁桶。
我小时候,来金是我们村的孩子头。旗花的事都是他领着我们做。天不黑就闹着叫大人烧汤,吃饱喝足了,拿着家伙到宽阔点的街面上集合。旗型铁桶里表层装的是豆秸,然后锯末,靠中心和底部便是柏颗和锅硝。旗杆约丈高,用铁索把上头和铁桶连结实后,先将豆秸点着了,来金迅速把旗杆下头插在地臼里,开始转动。随着火势,慢慢加快速度,一条吐着火舌的游龙便呈现在人们面前。随着四周的人们的呐喊声,转动者越发卖力,直到汗流浃背被换掉为止。当碎锅硝烧红之时,正是最精彩之处,火红球变成了白炽球,四射的金星噼啪作响,漆黑的夜晚亮如白昼。速度再快点,铁索拉平成水平状,迸发出的锅铁打到石墙上,再反射回来,围观人群生怕飞到自己身上,不由得往后撤了再撤。伙伴们不怕疲劳,轮番上阵,这一旗烧完了再装第二桶,把舞旗的都热成了光脊梁。一直把伙伴们累得不能再玩了为止。
明末崇祯年间,我村有个叫张大力的,力大无穷,他年青时就舞过这个,传说他一口气就能把一旗舞完,而且把整个旗杆举起来舞,拿在半空划大圈,这是咱常人难做到的,几百年了,人们只说他一人。
舞旗花,源于何年?大概是源于明朝洪永年间。大量的士兵转业到苏鲁豫皖,垦农安家。为增添节日喜庆气氛,把军队的火药成份改过了,装在铁桶里摇,后来便演变成现在这个样子。这在我们嘉祥农村,直到现在每年都有上演。这是一个充满无限乐趣而又欢快的夜晚,是孩子们的天下。
1。 叙述的人称
英语的记叙文一般是以第一或第三人称的角度来叙述的。用第一称表示的是由叙述者亲眼所见、亲耳所闻的经历。它的优点在于能把故事的情节通过“我”来传达给读者,使人到真实可信,如身临其境。如:
The other day, I was driving along the street。 Suddenly, a car lost its control and ran directly towards me fast。 I was so frightened that I quickly turned to the left side。 But it was too late。 The car hit my bike and I fell off it。
用第三人称叙述,优点在于叙述者不受“我”活动范围以内的人和事物的限制,而是通过作者与读者之外的第三者,直接把故事中的情节展现在读者面前,文章的客观性很强。如:
Little Tom was going to school with an umbrella, for it was raining hard。 On the way, he saw an old woman walking in the rain with nothing to cover。 Tom went up to the old woman and wanted to share the umbrella with her, but he was too short。 What could he do? Then he had a good idea。
2。 动词的时态
在记叙文中,记和叙都离不开动词。所以动词出现率最高,且富于变化。记叙文中用得最多的是动词的过去的',这是英语记叙文区别于汉语记叙文的关键之处。英语写作的优美之处就在于这些动词时态的变化,正是这一点才使得所记、所叙有鲜活的动态感、鲜明的层次感和立体感。
3。 叙述的顺序
记叙一件事要有一定的顺序。无论是顺叙、倒叙、插叙还是补叙,都要让读者能弄清事情的来龙去脉。顺叙最容易操作,较容易给读者提供有关事情的空间和时间线索。但这种方法也容易使文章显得平铺直叙,读起来平淡乏味。倒叙、插叙、补叙等叙述方法能有效地提高文章的结构效果,让所叙之事跌宕起伏,使读者在阅读时思维产生较大的跳跃,从而为文章所吸引,深入其中。但这些方法如果使用不当,则容易弄巧成拙,使文章结构散乱,头绪不清,让读者不知所云。
4。 叙述的过渡
过渡在上下文中起着承上启下、融会贯通的作用。过渡往往用在地点转移或时间、事件转换以及由概括说明到具体叙述时。如:
In my summer holidays, I did a lot of things。 Apart form doing my homework, reading an English novel, watching TV and doing some housework, I went on a trip to Qingdao。 It is really a beautiful city。 There are many places of interest to see。 But what impressed me most was the sunrise。
The next morning I got up early。 I was very happy because it was a fine day。 By the time I got to the beach, the clouds on the horizon were turning red。 In a little while, a small part of the sun was gradually appearing。 The sun was very red, not shining。 It rose slowly。 At last it broke through the red clouds and jumped above the sea, just like a deep-red ball。 At the same time the clouds and the sea water became red and bright。
What a moving and unforgettable scene!
5。 叙述与对话
引用故事情节中主要人物的对话是记叙文提高表现力的一种好方法。适当地用直接引语代替间接的主观叙述,可以客观生动地反映人物的性格、品质和心理状态,使记叙生动、有趣,使文章内容更加充实、具体。试比较下面两段的叙述效果:
I was in the kitchen, and I was cooking something。 Suddenly I heard a loud noise from the front。 I thought maybe someone was knocking the door。 I asked who it was but I heard no reply。 After a while I saw my cat running across the parlor。 I realized it was the cat。 I felt released。
这本来应是一段故事性很强的文字,但经作者这么一写,就不那么吸引人了。原因是文中用的都是叙述模式,没有人物语言,把“悬念”给冲淡了。可作如下调整:
I was in the kitchen cooking something。 "Crash!" a loud noise came from the front。 Thinking someone was knocking at the door, I asked, "Who?" No reply。 After a while, I saw my cat running across the parlor。 "It's you。" I said, quite released。
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