Gua Sha is a movie about the differences between American and Chinese culture. Xu datong is a video games designer in St. Louis. When his father visits from China, he performs Gua Sha (a Chinese traditional treatment on his grandson, which leaves bright red marks on the skin and causes a lawsuit of child abuse. In the court, Datong loses his mind so that finally he loses custody of his son.
I think this scene is shocking and thought-provoking to most of the Chinese audiences. But the most impressing scene to me is the ending. Datong wants to see his son in Christmas eve, he has to climb a pipe to the ninth floor which his son lives. I think the pipe is not only a pipe, but also a gap, a deep gap between American and 5000-year Chinese culture. He wants to climb over the gap and he will never succeed, perhaps no Chinese people really could succeed.
刮痧是一部反映中美文化差异的电影。徐大同(孩子的爸爸)是圣路易斯的一位电子游戏师。他父亲从中国到美国看望孙子,并对孙子进行了刮痧(一种中国传统治疗的方法),哪些留在孙子皮肤上的刮痕被认为是虐待儿童的证据,并将大同告上了法庭。在法院上,由于大同没有证据(或无所是从),以至于他最后丢失对儿子的监护权。我觉得这一幕是令人震惊的,令中国观众发人深省的',但结局给人的印象最深。大同希望在圣诞节前
夕看到他的儿子,他不得不爬钢管到九楼去看他的儿子。我想那钢管,不仅是钢管,而是美国与5000年中华文化的鸿沟。他想爬过这个鸿沟,他是做不到,也许没有中国人民真正能做得到。
This is a story about a special woman who has been exposed to a hostile
environment but struggling for her ideal life conreattionously and fearlessly.
It seems to me that many readers ‘s English reading experience starts with Jane Eyer.It is not surprising to find some differences because it was filmed and retold in a new way,but the spirit of the novel remains to be an independent person, both physically and mentally.
Jane Eyer was a born orphan,whose parents went off when she was very young,and her aunt,the only relative she had,treated her as badly as she could.At the beginning of Jane’s education in Lowwood Orphanage,she didn’t get what she had been expecting.As a reward of revolting the ruthless oppression,Jane got a chance to be a tutor in Thornfield Garden.There she made the acquaintance of lovely Adele and that garden’s owner,Rochester,a man with warm heart while a cold face outside.After Jane and Rochester fell in love with each other and meant to get marry,Jane came to know Rochester had already got a legal life .And,unfortunately,Rochester seemed under the shadow of his wife.Jane wanted to give him a hand,however,she made her mind to leave,because she didn’t want to betray her own priciples.She is Jane Eyer.
The film has finally got a symbolist end.After finding Rochester’s misfortune brought by his original mad wife,Jane chose to stay with him forever.
Life is ceaselessly changing,but our living priciples remain.Firmly persisting for the rights of being independent gives us enough confidence and courage.In the world of the film,we have found te stories of ourselves, which makes us so concerned about the fate of the dramatis personae.
It’s our spirit that makes the life meaningful.
Jane Eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl. After we close the covers of the book, after having a long journey of the spirit, Jane Eyre, a marvelous figure, has left us so much to recall and to think:
We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past.
We remember her pursuit of justice. It’s like a companion with the goodness. But still, a virtuous person should promote the goodneon one side and must check the badneon the other side.
We remember her self-respect and the clear situation on equality. In her opinion, everyone is the same at the God’s feet. Though there are differences in status、in property and also in appearance, but all the human being are equal in personality.
We also remember her striving for life, her toughneand her confidence…
When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality.
Actually, she wasn’t pretty, and of course, the ordinary appearance didn’t make others feel good of her, even her own aunt felt disgusted with it. And some others even thought that she was easy to look down on and to tease, so when MiIngram met Jane Eyre, she seemed quite contemptuous, for that she was obviously much more prettier than ‘the plain and ugly governess’. But as the little governehad said: ‘Do you think, because I am poor, obscure, plain, and little, I am soulleand heartless? You think wrong!’ This is the idea of equality in Jane Eyre’s mind. God hadn’t given her beauty and wealth, but instead, God gave her a kind mind and a thinking brain. Her idea of equality and self-respect impreus so much and let us feel the power inside her body.
In my mind, though a person’s beauty on the face can make others once feel that one is attractive and charming, if his or her mind isn’t the same beautiful as the appearance, such as beauty cannot last for, when others find that the beauty which had charmed them was only a falsity, it’s not true, they will like the person no more. For a long time, only a person’s great virtue, a noble soul, a beautiful heart can be called as AN EVERLASTING BEAUTY, just as Kahill Gibran has said, that ‘Beauty is a heart enflamed and a soul enchanted’. I can feel that how beauty really is, as we are all fleshly men, so we can’t distinguish whether a man is of nobleneor humbleness, but fleshly men, so we can’t distinguish whether a man is of nobleneor humbleness, but as there are great differences in our souls, and from that, we can know that whether a man is noble or ordinary, and even obscure, that is, whether he is beautiful or not.
Her story makes us thinking about life and we learn much from her experience, at least, that is a fresh new recognition of the real beauty.
上个星期六,我和爸爸一起去看电影:少年派的奇幻漂流。为了能买到票,我们早早地先去买半价票,然后我们再到肯德基去吃早餐。吃完早餐,电影始的时间刚刚好到了,我们快速上楼进了放映厅,坐下来,开始看电影。
这部电影讲的是一个少年人的冒险故事,它是以一种回忆的方式来进行拍摄的。有一个叫派的印度少年人,从小生活在一个温暖的家庭里,他爸爸开了一个动物园。但是随着派的慢慢长大,环境也在改变,他家的动物园无法经营下去了。派的爸爸决定全家移到加拿大去,同时把动物也运到那边去卖掉。登船日期到了,派和他的家人上了船出发了。路途中,他们遇到了暴风雨,派在这次灾难中失去了家人,他自己却被船员送到了救生艇上,但是几只动物也到了救生艇上,特别是孟加拉虎,派非常害怕。老虎吃掉了船上的所有动物,派必须冷静地面对危险,勇敢机智地与老虎一起生存下来。最后派得救了,老虎也回到了树林。
电影放完了,我慢慢走出了电影院。通过这部电影,我懂得了遇到危险要冷静,不要慌张,再想办法脱离危险。或者一开始就用聪明机智的办法尽量避免危险。
周日中午没睡午觉,特意看了动画片《美人鱼公主》,相信这部动画片很多人都看过,因为它美丽,浪漫,充满了神秘的气息,而且制作精美,设计巧妙,又尤其美人鱼形象堪称一绝。
美丽的爱丽儿是一条可爱的小美人鱼,她一心向往人类世界,每天都想尽办法游出海面,企图能够接触人类。可是接触人类世界却是人鱼法律所禁止的。她聪明、勇敢、喜欢冒险,常和她最好的朋友小比目鱼胖胖还有音乐大臣赛巴斯丁一起出去探险
个人很喜欢美人鱼这个动画角色,也许每个女人潜意识里都会有些浪漫情结吧(老公经常强调我不浪漫,太现实,喜欢斤斤计较,抓住别人的小辫子不放,虽然我一直没找到机会和辩词来进行反驳,但我心里是从来都没承认过我有这么多的缺点的。,虽然小孩都上幼儿园了,但还是喜欢看这个动画片。
最近,我看了一部极具“人情味”的动画片,它的名字就是《玩具总动员》。
它讲述的是:
胡迪是小主人安弟最喜欢的传统牛仔玩偶,他和其他玩具趁主人不在时,便会“活”起来一起玩闹。可是好景不常,最新奇的热门玩具巴斯光年来了,他让胡迪备受冷落。失宠的胡迪为了巩固自己的地位,只好处心积虑地想要赶走巴斯。最后,胡迪和巴斯不幸化敌为友的故事。
看完此片,我想到了那些以前被我丢弃的玩具,它们在黑暗的垃圾桶,废弃堆里,是否会伤心,是否会抱怨?我想是的,因为它们不仅仅是玩具,它们也是有思想的,当你的玩具被你遗忘的时候,他们也会难过的。
或许,你现在觉得那些老玩具已经不潮了,但是你在抛弃他们的时候,没有怀念过曾经与他们在一起度过的美好时光吗?
Everyone knows that Meryl Streep is the high priestess of drama, but she never gets enough credit for her comedy skills. That should change with The Devil Wears Prada, a sinfully funny, deliciously glossy take on the 2003 best seller by Lauren Weisberger, who denies writing it as a poison-pen letter to her former boss, Vogue editor Anna Wintour. The names have been changed, of course, to ward off lawsuits. Stepping up to the plate as imperious fashion editor Miranda Priestly, Streep knocks every laugh out of the park. More remarkably, she humanizes a character who was little more than a bitch in Manolos on the page.
Streep teams up hilariously with Anne Hathaway as Andy Sachs, the "smart fat girl" (she's a mere size 6 who applies for the job as Miranda's junior assistant at Runway magazine. Andy, a journalism major at Northwestern, had her eye on The New Yorker, but is told that if she can run the gantlet of Miranda for a year, there is no publishing Everest she can't climb. Before you can say "makeover,"Andy is transformed from a gawky giraffe into a swan who can trade up in lovers -- from sweet chef (Adrian Grenier to literary stud (Simon Baker -- and from cotton blends to chicest of Valentino, Chanel, Donna Karan, Bill Blass, Galliano and Prada. Guys who know squat about labels can take pleasure in the uberbabes wearing the threads.
Director David Frankel makes expert use of the light touch he brought to HBO's Entourage and Sex and the City. And screenwriter Aline Brosh McKenna leeches out the book's malice in favor of wicked sass. Does the movie bite the fashion hand that feeds it? You bet. But it also pays due respect to the artful details turning the wheels of an industry that only seems frivolous. There's no doubt Andy learns much from watching Miranda at work, even with all the insults and fool's errands. The script tries to paint Miranda into a corner -- the lonely careerist who can't keep a husband or find personal happiness -- but Streep won't wallow in the cliches of victimhood. In a party of a movie, her performance is a comic and dramatic tour de force. comic and dramatic tour de force.
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