今晚再看一遍《美女也野兽》,忽然从其中看出与基耶斯洛夫斯基的《白》有几分类似的主题——平等:如果粗鲁的王子不曾因没有爱心而被惩罚,变成野兽,那么,他可能爱上贝尔么?他们可能在一起吗?
粗鲁的王子,即使他从来不懂得善待他人,也不懂爱为何物,他仍旧有骄傲的理由——他是一个华贵显赫的王子。
可是温柔的野兽,即使他再绅士,心中充满爱,他仍然有自卑的理由——他是一只外表丑陋的野兽。
而与此相对,贝尔的身份是不变的——一个美丽善良怀抱梦想的贫家女。
然而我们可以大胆假设一点,如果王子不曾被施魔法,那么,即使贝尔再美丽再善良,王子未必会爱上她——因为我们的前提是粗鲁的王子根本不懂得什么是爱。
但是在他身份垂直下降,直到变为一只面目狰狞的怪兽的时候,他却能够以一种低姿态,甚至自卑的姿势,来欣赏一个过去可能连见他的面也不配的贫家女——而此时她正是他的救世主。
基氏电影《白》也是如此。在电影的开头,由于生理障碍,世俗的天枰和双方心理的天枰都明显偏向于女主角。
但是随着情节发展,男主角像胡汉三一样又回来了,而且还带回了显赫的资产,过去的生理障碍也一并消失,重振雄风。
此时的天枰转换了方向,慢慢向男主角倾斜。就连曾经绝情离开他的女主角,也重新爱上了他。
虽然在电影《白》中,这是一次人为的精巧的报复,但是和《美女与野兽》一样,它告诉了我们一个古老的真理:爱情并不是基于无有凭空产生的,爱情中,掺杂着太多复杂的现实因素,有关身份的悬殊,有关财富的多少,有关身体健康与否,有关相貌美丑。
换句话说,门当户对是古老智慧的结晶,它仍然能够用于指导现代生活,并且在人类本性发生扭转之前绝不过时。门当户对的婚姻和爱情实在是一种理想状态,是一种双赢的结合。
所以,与其说,是美丽的贝尔使得王子懂得了爱,变得温柔仁慈和绅士了,不如说是天枰的倾斜使得粗鲁的王子变得温柔谦卑——当然,美女的力量也不容否定,只是,这影响实在不足以使一个人转变本性。
同样讨论此主题的电影,还有金基德的《坏小子》,那是另一个貌似诡异离奇但又完全符合实际逻辑的世界。
对此主题浅显的理解到此为止,以后若有再加补充。
关于题目给出的问题,我的回答是:我要一个温柔的野兽,因为我是小弱弱,(*^__^* 嘻嘻……
Study the two pictures above carefully and write an essay entitled “On Education of China” In the essay, you should (1 describe the pictures (2 interpret their meaning (3 give your opinion about the phenomenon .You should write about 200 words neatly on ANSWER SHEET 2. (20 points
[参考范文]
The two pictures look so similar at one glance, but they are totally different. In the first picture, a peasant boy, carrying a heavy bundle of rice straw is out of breath under the great pressure. His hope is to have a school to attend. In the second picture, a student is on his way home from school, a heavy bag of books on his back. What he wishes is that he didn’t have to go to school any more. How can the two boys at the same age have such different ideas about attending school?
The two pictures show some problems in the present education system in China. In the poor countryside, especially in some western parts of China, the education is also poor. There are no buildings for classrooms, let alone good teachers. Children there cannot have regular education. They are sometimes forced to leave their studies because their families cannot afford the necessary fees. However, the situation is totally different in the cities. Almost all the children in the cities can have regular education. They can enjoy the bright classrooms and adequate facilities. But they have their own problems. What they face is the endless homework, which puts so much pressure on them that some students don’t want to continue their studies.
Given the problems above, our government has taken some measures. “The Hope Project” has been in operation to ensure that children in the poor areas can achieve education. Some strategies have also been put into force to reduce the pressure on the students. Teachers are asked not to give too much homework. Emphasis should be put on the improvement of the quality of the students. However, there is a long way to go in the improvement of our education conditions. The whole society should be mobilized to make some contributions to our education.
Study the picture above carefully and write an essay entitled “The Adaptation of the Classical Literature”. In the essay, you should (1 describe the picture (2 interpret its meaning (3 give your opinion about the phenomenon. You should write about 200 words neatly on ANSWER SHEET 2. (20 points?
The picture gives us a view of a popular phenomenon: the adaptation of the classics. Some classical literary works, such as our four great classics i.e. A Dream of Red Mansions, Journey to the West, The Romance of the Three Kingdoms and Heroes of the Marshes, are all adapted to cater to some readers’ tastes. The traditional characters become so strange and the plots are totally different. It is so ridiculous that the precious literary treasures are allowed to be ruined so much.
As we all know, the classical literature is the representation of the outstanding art of our nation. Some familiar characters such as Monkey King express the good wishes of our common people. From them, we learn many good virtues such as honesty, bravery, justice etc. However, in those adapted works named “Bantering***”or “Reboiling***”, all plots are changed and all characters become somewhat watered clown. Some readers interested in reading burlesque works have high praise for them. But they never think of the negative effects of such adaptations on the average reader, especially to children. Children are the future of the nation. They always believe that what is in the books is the truth. Those adapted works will affect their outlook on life.
Therefore, some measures should be taken to restrict these adaptations. The real classics should be presented on the bookshelves to lead people to appreciate the real art.
电影美的呈现是颇令人惊诧的,《美女与野兽》作为一部享誉世界的经典童话,时隔近七十年的返璞归真,再次被法兰西这个曾创作它的国度搬上银幕,法式电影的浪漫格调与宛若油画般的镜头质感,营造了这奇幻曼妙的光影之梦,这是一场献予大人的法式童话。
谈起《美女与野兽》最为人家喻户晓的当是迪士尼于1991年制作的动画电影,但这并不是这个童话故事第一次被搬上银幕,早在1946年法国便早已然拍摄了同名真人电影,而这次的在度翻拍,技术层面上已然不可同日而语,追求电影镜头的精致,使这个法国著作能完美无瑕的得以还原于银幕,俨然成为了其首要因素,这也是选用曾在《寂静岭》《狼族盟约》中担任导演,见长于场景画面渲染法国导演克里斯多夫·甘斯的原因,就电影成片来看,画面的美感确实达到了令许多好莱坞大片都望其项背的高度,这种独具匠心美的呈现不仅是源于特效的营造,电影中华丽的礼服、夺目的背景、还是那深谙欧式风情精雕细琢的古堡城镇,这独到的美感更在于那法国文化呼之欲出深厚的人文底蕴。
画面的致美却未能在剧情上得见经典是新版的《美女与野兽》颇为人遗憾之处,作为一部翻拍著名童话的电影,剧情创新或能让观众眼前一亮,但因有其度的把控,顾此失彼以削弱电影人物情感主线为代价,来打造一支新的前世今生的故事辅线,使得电影“美女与野兽”这个核心命题却在新版中显得异常薄弱,爱与被爱的情感渲染因前篇缺乏积淀,本因是最为真挚感人的这人兽情缘在最后的结合却给人以莫名的牵强突兀,谱写了新的故事,却未能抓住原著经典真正的精髓,这不仅是《美女与野兽》,亦是许多翻拍经名著却未能获得称赞的症结。
对新版《美女与野兽》法式童话的评价并非单纯的褒义,电影虽有其独到的`法式浪漫,但剧情的欠缺使这部电影终只是部中肯的童话,却未能成为一部胜于蓝的佳作。
Now I am in winter holiday, I am so happy, I can have fun with my friends. My friends and I make the deal that when the wind comes, we will go to the park and fly kites. Today the wind finally comes, after finishing breakfast, I go the park with my friends. We take out our kites, mine are butterfly, my friends are birds, all are so funny. I start to let my kite fly, but it could not, so I run faster and faster, then my kite flies, I go let go it gradually. A few minutes later, my friends’ kites are also flying. Seeing our kites flying, I feel so free. Today, I have a great time.
现在我已经放寒假了,我很开心,可以和朋友们玩。朋友们和我约定风来了,我们就去公园放风筝。今天风终于来了,早饭过后,我和朋友们去公园。我们拿出自己的风筝,我的.是蝴蝶样,朋友的是鸟的样子,都很有趣。我开始让风筝飞,但是飞不起来,因此我跑得越来越快,风筝终于飞起来了,我慢慢放飞。不一会儿,朋友们的风筝也飞起来了。看到我们的风筝飞着,我觉得很自由。今天,我玩得很开心。
迪斯尼于1991年全面收复失地的第一作,虽然剧情还是王子与公主的老套,其中穿***太多的音乐和歌曲,这都是老迪斯尼的特征,不过我们也看到了迪斯尼开创动画长片大片的模式,在一年之后的《阿拉丁》,我们就看到了新时代的全新的迪斯尼作品。
《美女与野兽》是经典的故事,本片人物形象生动可爱,不足之处在于剧情方面还没有完全放开想象的翅膀。《阿拉丁》就颠覆了传说中的灯怪的的形象,开创了1992年的票房最高纪录。
然而本片由Peabo Bryson和Celine Dion对唱的主题曲已然成为永恒的经典。
The Role of Mobile Phone in People's Communication
The popularity of smartphones has exerted great influence on the way people communicate, so much so that an increasing number of individuals contend that face-to-face communication is being replaced by texts and images on the mobile phone.
There are more than one angle to consider this phenomenon. On one hand, it is pleasantly acknowledged that smartphones shorten the distance between families and friends. Even people from different sides of the globe can share pictures, feelings and thoughts through various types of apps on the phone, thus building a long-distance connection. On the other hand, as the picture warns us, too much smartphone addiction interferes with people's real-life communication. Statistics show that over 70 percent of face-to-face communication consists of facial expressions and body language, which is why people should stay away from mobile phones when they have the chance to actually talk and communicate with others.
In a word, mobile phones act as an appropriate platform where people can always stay in tough however long the distance is, but a wise man should know when to put down his phone.
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