初恋50 First Dates
What would it feel if I can wake up everyday forgetting what happened for the last whole year?
Lucy in the movie “50 First Dates” told me this feeling. Every morning when she woke up, she only rememberred the Sunday of last year which was her father’s birthday, also the date she had the car accident which made her only keep memory before Sunday, so she always felt happy living the same habit as what she did on Sunday a year ago with the kind set-up by her father and brother. After meeting Hey, she could only remember who he was on the same day. But after one night, he became a stranger to her. She couldn’t even recognize he was the one she used to date and love everyday. Hey tried his best to give her a new different meeting every day so as to win her smile and regain their “First Date”. Hey made her tapes every morning to help her remember what happened the day before and the last whole year. Lucy thus felt grateful with all she had when she woke up everyday. On the same day, she always had the same deep gratitude to face Hey with her sweet smile. What a beautiful feeling it is to always feel thanksgiving and to always
appreciate each other’s effort. A touching story between a memory lost woman and a devoted man taught all of us, normal people, the essence of love. When two people can thank each other for their devotion everyday like what they did for each other on first date, love can forever be refreshed and energetic. On Lucy’s side, people with memory will ask for more than yesterday and become critical of their partners day by day, while people without memory will feel grateful for their life and the people around them everyday.
In the movie, when one day Lucy decided to break up with Hey to let him rebuild his life by burning all their diaries and tapes, I cried for Hey’s broken heart. For her, it was just one day feeling. For him, it was long-term affection and connection. It was easier for her than him to give up their love. On Hey’s side, people with memory will always remember the past happiness and
treasure it for the rest of their life, while people without memory will easily give up at the end of the same day.
What a ruthless feeling it is to end a relationship just after one minute thought. People with fragile mind would easily ruin a long-term relationship no matter what reason they have. The torture between Lucy and Hey tells us the fatal factor to do harm to intimacy between a couple is their fragile mind of
balancing emotion and reason. Thus most of couple lose their trust for each other after experiencing this weakly testing broke-up.
飓风Taken
What is the right relationship between the father and the daughter? There is no certain answer. But the love of Brain's to his daughter must be one of the best ones.
His daughter, a young pretty 17-year-old girl was kidnapped during a tour in Paris. Brain got the news and hurried to France to take his daughter. He found that the gangsters that kidnapped his daughter were connected with an old friend which made him exetreme angry. He finally found the place where was holding an auction selling young virgins and broke in successfully taking his daughter away.
No matter how hard and stressful the situation was, and how dangerous things he faced, he never went back just because of the greatest love of a simple father. In the movie, we are all moved not only his actions of kindness, but also his insistance and the greatest of all- a father's love.
魔术师THE ILLUSIONIST FACTS
When word of the famed Eisenheim's (Ed Norton illusions reaches Crown Prince Leopold (Rufus Sewell, the ruler attends one of the magician's shows in order to debunk the performance. But when the prince's intended, Sophie von Teschen (Jessica Biel, assists the magician onstage, Eisenheim and Sophie recognize each other from their childhoods, and pretty soon they're totally hot for each other. As the clandestine romance continues, the prince's best cop (Paul Giamatti is charged with exposing Eisenheim, even while the magician gains a devoted and vocal public following. Before long, Sophie turns up dead, and the logical suspect is Eisenheim himself.
一线声机"Cellular" has the setup for a solid straight-ahead thriller: A kidnap victim who does not know where she is being held phones a total stranger who must then stay connected on his cell phone to find her before she is killed. Joel Schumacher scored earlier with a similarly phone-themed Larry Cohen story, "Phone Booth." As executed by tone-deaf director David R. Ellis, however, "Cellular" becomes an unintentionally hilarious cousin to Brian de Palma's "Raising Cain" and "Snake Eyes."
Ellis seems to have unwittingly spliced together two different films with
mismatched tones: Kim Basinger as the kidnapee and Jason Statham as the kidnapper occupy the deadly-serious, straight-to-video thriller half, while Chris Evans as the rescuer and William H. Macy as a police officer seem to be in a "Saturday Night Live"-alum action comedy. Nowhere else is the disjointedness in tone more apparent than when Basinger and Evans's performances are placed side-by-side during their conversations: The scenes keep cutting between an overwrought Basinger wringing out every drop of melodrama, while a blissfully inept Evans seems to be channeling a cross between Chris Kattan/Jimmy Fallon and Ben Affleck/Keanu Reeves.
Meanwhile, Ellis pulls out tricks intended to generate thrills and surprises. He throws in out-of-nowhere "shocks," a la "Final Destination"; he throws in
flashbacks; he throws in a gun-blazing Macy in Jerry Bruckheimer action-hero slo-mo; and yet, Ellis has no handle on staging any of them competently. Case in point: "Cellular" is the proud owner of one of the most ineptly scored chase sequences ever, as if Ellis simply heard a snippet of the song's lyrics ("...where you gonna run to?" literally and paid no attention to the inappropriateness of the accompanying music (which just bop, bop, bops along. (The song is even reprised during the closing credits, which itself is misbegotten in conception.
And yet, for all of its failures as art, "Cellular" is always entertaining for those very same faults
9月28号,终于等来了盼望已久的这个学期的第一次电影课了。听说要看《驯龙高手》这部电影的时候,我更兴奋了,嗯,至少是部动画片。
当电影一开始,它一说到“维京人”的时候,我就觉得特别耳熟。原来,“维京人”就是北欧海盗,敢大胆地抢劫当时海上第一大国西班牙的商船。看完这个电影,更觉得他们大胆了,他们居然敢跟龙接触。这个电影讲的就是海盗首领的儿子小嗝嗝和一条号称龙里面最凶猛的夜煞接触,然后一起找到龙总是抢劫的原因,最后和海盗、一些龙一起打败不给它食物就要吃龙的巨龙。
我觉得这部电影的亮点有两处。一是各式各样的.龙,二是主人公和夜煞合作击败巨龙那一段。我一直都挺喜欢龙的,觉得它们挺好玩儿的,看这个电影刚好满足了我的愿望。这里面的龙不是那种普通的全都长成一个样子的,有两个脑袋的、超级无敌大脑袋的、能自己着火、没有肉、全身都是骨头、尾巴上带着锤子的……
这部电影就是借龙来说明,当你看到一个有丑恶一面的可怕的东西时,要想到这并不一定是它的本性,你要找到它变得凶猛的原因,你也许就会发现它纯真、善良的本性。好多电影都是想说明这样的道理,你不要轻易地给某种事物定性,而是要找到解决问题的办法。
⒈写景要按方位顺序,由近及远,由远及近,由上而下,由下而上,由里到外,由外到里,或由中间到四周等等有次序地描写,要主次分明,详略得当。
⒉可以按景物的类别来写,如山、水、花、鸟;瀑、石、峰、洞;亭、台、楼阁等。要写出景物的光、色、味;既要写它的静态,也要写它的动态,还可以写出它的环境气氛。
⒊要仔细观察,抓住在不同季节里景物的不同特点进行描写,不要硬编乱造,凭自己的想象来写。
⒋写景中也可以具体地写些人和事,若让人、景、事三者交融一体来写,可以使作文更为感人。
⒌写景物时不要忘掉自己与景物之间的`关系,要有意识地把自己的感情、感受写进去,这样使人读了会产生一种身临其境之感。叶圣陶老爷爷写的《记金华的双龙洞》不是具有这样的特点吗?
⒍适当地、正确地引用前人描写景物的诗词歌赋,也可以为作文增色。这就需要你平时多加阅读和积累,别等用时再去找。
《猩球崛起》这部电影,是讲述人类在动物身上进行药物试验的故事。
在剧中,有一个庞大的药物公司,这个公司为了发明好的药物推销给人们,拿猩猩做实验。
有一次,工作人员要拿一只母猩猩做实验,而母猩猩以为工作人员要伤害自己的孩子,所以到处乱逃,结果被保安人员用枪打死了。
但小猩猩还是保住了,它受母亲遗传,所以很聪明,因为它的母亲受过“GFL-112”药物的试验,这种药物可以让猩猩变得聪明,可会让人类死亡。
在这里工作的男主角,他是要务公司的“明星”。他把猩猩带回家抚养,渐渐地,猩猩长大了。男主角给他它起了一个名字叫凯撒。后来,凯撒被迫送到了猩猩禁闭所那里的管理员对猩猩们很不好,但后来凯撒逃了出来,偷到了“GFL-112”,然后它又回到禁闭所,打开了“GFL-112”,让所有猩猩变得聪明,竟然还说出了话!后来它们向管理员复仇!与警察抗争,有一只巨猿扑向了直升机,救了大家,牺牲了自己,是伙伴们回到了红山森林。
这部电影,使我感到了:人类为了自己的利益,而去伤害性猩猩,拿猩猩做实验,猩猩也有生命,它们也要自由。同时,我也感到了母爱很伟大,母猩猩为了救小猩猩,逃了出来,而且出来时它捂住肚子,而子弹却无情的穿透了它的胸膛。许多猩猩为了就自己的伙伴而牺牲自己,那只巨猿就是这样做的。当我介绍到这,你应该有所了解什么叫“猩球崛起”了吧?这种崛起,就是整个猩族觉醒了,它告诉人们,当受欺负时,不能懦弱,要想自由前进!
这部电影震撼了我的心,让我的心情久久不能平息!
⒈写景要按方位顺序,由近及远,由远及近,由上而下,由下而上,由里到外,由外到里,或由中间到四周等等有次序地描写,要主次分明,详略得当。
⒉可以按景物的类别来写,如山、水、花、鸟;瀑、石、峰、洞;亭、台、楼阁等。要写出景物的光、色、味;既要写它的静态,也要写它的动态,还可以写出它的环境气氛。
⒊要仔细观察,抓住在不同季节里景物的不同特点进行描写,不要硬编乱造,凭自己的想象来写。
⒋写景中也可以具体地写些人和事,若让人、景、事三者交融一体来写,可以使作文更为感人。《乡村的今晚》就是一个很好的范例。
⒌写景物时不要忘掉自己与景物之间的关系,要有意识地把自己的\'感情、感受写进去,这样使人读了会产生一种身临其境之感。叶圣陶老爷爷写的《记金华的双龙洞》不是具有这样的特点吗?
⒍适当地、正确地引用前人描写景物的诗词歌赋,也可以为作文增色。这就需要你平时多加阅读和积累,别等用时再去找。
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