大学英语作文dreamlife【一】
位置在下面称呼语隔一行，是信的核心部分。因此要求正文层次分明、简单易懂。和中文信不同的\'是，正文中一般不用hello!(你好!
正文有缩进式和齐头式两种。每段书信第一行的第一个字母稍微向右缩进些，通常以五个字母为宜，每段第二行从左面顶格写起，这就是缩进式。
但美国人写信各段落往往不用缩进式，用齐头式，即每一行都从左面顶格写起。商务信件大都采用齐头式的写法。
大学英语作文dreamlife【二】
低于结束语一至二行，从信纸中间偏右的地方开始，在结束语的正下方，在签完名字的下面还要有用打字机打出的名字，以便识别。职务、职称可打在名字的下面。当然，写给亲朋好友的信，就不必再打了。
大学英语作文dreamlife【三】
信头是指发信人的姓名(单位名称、地址和日期，一般写在信纸的右上角。一般公函或商业信函的信纸上都印有单位或公司的名称、地址、电话号码等，因此就只需在信头下面的右边写上写信日期就可以了。
英文地址的写法与中文完全不同，地址的名称按从小到大的顺序：第一行写门牌号码和街名;第二行写县、市、省、州、邮编、国名;然后再写日期。标点符号一般在每一行的末尾都不用，但在每一行的之间，该用的还要用，例如在写日期的时候。
其中日期的写法，如1997年7月30日，英文为：july 30，1997(最为普遍;july 30th，1997;30th july，1997等。1997不可写成97。
大学英语作文dreamlife【四】
a tale of two cities occupies a central place in the canon of charles dickens\'s works. this novel of the french revolution was originally serialized in the author\'s own periodical all the year round. weekly publication of chapters 1-3 of book 1 began on april 30, 1859. in an innovative move, dickens simultaneously released installments of the novel on a monthly basis, beginning with all of book 1 in june and concluding with the last eight chapters of book 3 in december. dickens took advantage of the novel\'s serial publication to experiment with characterization, plot, and theme. he described the work in a letter to his friend john forster, cited in rudi glancy\'s a tale of two cities: dickens\'s revolutionary novel, as \"a picturesque story rising in every chapter, with characters true to nature, but whom the story should express more than they should express themselves by dialogue.\" the novel that emerged from his experimentation is now regarded as one of dickens\'s most popular and most innovative works.
dickens\'s work was very popular with the reading public when it was first published. one review in the magazine athenaeum stated that a tale of two cities had attracted the praise of a hundred thousand readers. on the other hand, a whole set of critics, most notably sir james fitzjames stephen writing in saturday review, criticized the novel precisely for its popularity. \"most of the critics writing in the intellectual and literary journals of the day considered popular success a good reason to condemn a work,\" explains glancy. \"if the public liked it, they certainly could not be seen to approve of it at all.\" modern critical opinion, however, has given the novel an important place among dickens\'s most mature works of fiction.
