狗望月 在一座高高的山峰上,远远望去,有一块石头,像一条天狗一 样。每当月亮升起,它就痴痴地望着月亮,似乎在期待着什么。这就 是有名的“天狗望月” 。
在一座高高的山峰上,有一条“天狗” 。它伸着脖子望着月亮, 这就是有趣的`“天狗望月” 。 每当月亮升起, 人们就会在皎洁的月光中看到一只可爱的石狗呆 呆地蹲在一块岩石上, 仰着又大又圆的脑袋, 出神地望着天上的月亮。 这就是有名的“天狗望月” 。
有人说每当夜幕降临时,有座山峰上的几块巨石就变成了一只 银光闪闪的天狗。天狗抬着头翘着尾巴,一动不动地蹲在山头,望着 洁白的月亮,好像在想:哇!这又白又亮的东西好像一个大月饼噢! 到现在那只天狗还蹲在山头呢! 另有人说,每当月亮升起,有座山峰上的一块巨石,就变成了 一只银光闪闪的天狗。它抬着头,张着大嘴巴,对着圆圆的月亮“汪 汪”地叫。 还有人是这样描述“天狗望月”的。
每当月亮升起,一座山峰 上的几块巨石就成了一只“天狗” ,它蹲在山头,望着月亮,好像在 和嫦娥说话。 更有人看见黄山奇景“天狗望月”是在远处山峰的另一侧,有 一只“老黄狗”伏在山腰上,望着天上圆圆的月亮,好像要把月亮一 口吞下,真是惟妙惟肖。 他们说得都有理,但我总觉得“天狗望月”是,每当月亮升起 的时候,一只可爱的天狗静静地趴在石头上,微微地抬起头专心致志 地望着月亮。好像在说: “今天晚上的月亮真美啊! ”
狮子抢球 在一座陡峭的山峰上,有两只威风凛凛的狮子,它们中间有一 块滚圆滚圆的岩石,就像一个石球,这两只狮子张牙舞爪,争着抢那 只球。这就是有趣的“狮子抢球” 。
黄山奇石栩栩如生,瞧!那“两只狮子”好像正比赛抢球,一 只狮子正往上跳起接住了球, 而另一只趴在下面正准备向那只跳跃的 狮子进攻。这就是黄山著名的奇石“狮子抢球” 。
有人雕刻了一个赫耳墨斯的木像,拿到市场去卖。因为没有一个买主上前,他便大声叫喊,想招揽生意,说有赐福招财的神出售。这时旁边有一个人对他说道:“喂,朋友,既然这样,你自己应该享受他的好处,为什么还要卖掉他呢?”他回答说:“我要的是现在马上能兑现利益,这神的利益却来得很慢。”
这故事正是说那种不择手段地求利,连神也不尊敬的人。
光明的,李天狗成了植物人,很多年后,他的儿子也成了一名军人并来到他的病床前,我们的英雄流下了泪水。
从内容上看,《天狗》讲述的是一个伤残战斗英雄对抗地方恶势力的简单故事。此类故事在影视艺术中屡见不鲜,“战斗英雄”与“地方恶霸”是正邪分明的两极,如果仅仅描述正邪的对立,那么影片无疑会落入俗套。《天狗》的成功在于避开了剧情上的陈规旧俗,在正邪之间注入广阔的人性空间,强调对处于正邪、黑白之间的人群及其思想的刻画与表述。张平以现实的笔触,深入又无情地剖析了当代中国民众身上的痼疾。《天狗》对此实现了影视化的完整表达,以“群像”的方式让观众看到中国人的自私、怯弱、偷生、蝇营狗苟等特点。
从人物刻画上看,这部片子中,富大龙饰演的李天狗做为正面的英雄,他信念的源泉来自于战场,他的职责就是护林,就是保护国家的财产。作为父亲他疼爱儿子、做为丈夫他深爱妻子,但为了国家的财产,他宁愿家人和他一起受苦。朱媛媛演的妻子桃花顾小家而又明大义、泼辣而又精明的一面,在村长家和村长老婆打起来并逼出村长后,终于将上次没还的红包扔给了村长。虽然最后因为无法忍受村里的环境选择了离开。但他一直深爱这他的丈夫。孔家3兄弟,以长年累月盗伐国有山林大发横财而富甲一方、称霸乡里。上接官府、下压百姓,视村民如鱼肉。以村长为首的村民,长期在孔家3兄弟的压迫下,不敢怒、不敢言,只有在得知老3最后没抢救过来也一命呜呼的情况下才敢说出真相。全村人都满足于“吃国家公林”,安逸于自己的生活,甚至乐意活在孔家三兄弟的“地方王权”之下。村长最后“大
爆发”,说出了心中积了多年的怨气,也从侧面反射出他的敷衍、苟活之道;看水房的“老板筋”,好色轻义,唯利是图,为挣小钱而不顾公平良心;小卖部的“厚眼镜”,当狗子被断水断电时,乘机哄抬价格,为了蝇头小利,不惜趁火打劫;刘全德受天狗帮助,老实巴交却又胆小怕事。除了这些“有头有眼”的人物外,几处全村性的群众场面也将国民性中的人云亦云等弱点暴露出来。
除了思想的深刻之外,《天狗》成功留下了李天狗这一铮铮铁骨的男子汉银幕形象。就形象而言,富大龙与李天狗这个伟岸的人物有所差距,但已有的“军人”经历(他曾出演过《紫日》、《少年彭德怀》等片)使得他具有了军人的气质,让他完全融入到影片之中,将一个落难英雄的无奈与坚强演绎得淋漓尽致。李天狗并无宏图大志,只是战争的生死考验让他知晓责任与良知的意义。在孔家兄弟请客摊牌之后的回答极具真实感与冲击力,言行举止符合一个真正经历过炮火洗礼的军人形象。他在万般无助下打了不理解的妻子,站在门口呆呆地看着妻儿离开时,嘴角在轻轻嗫嚅。那欲言又止欲说还休的无奈让我感动不已,真可谓“此时无言胜有声”。朱媛媛在片饰演李天狗的妻子,这一角色最接近中国广大农村妇女的形象,一方面尽力维护家庭的和谐团结,另一方面又免不了世俗之气。她为了生存而不顾一切与村长妻子打架的一段,将一个蛮劲泼辣的村妇形象刻画得栩栩如生。影片的农村生活气息浓厚,片中大多的群众演员的表演不落痕迹,配合青一色的山西方言,营造出一个真实的偏远山村。
从台词上来看,我印象最深的是:在孔家的酒宴上,天狗豪爽的一口吞下一杯酒,直着眼说:好酒我喝过,茅台!好烟也抽过,红塔山!那是上战场前师长给的,师长说了,弟兄们,对面的山是国家的山、林是国家的.林,你们给我上去守住了,那怕只剩下一个,全连128个弟兄啊,只回来54个,我丢了一条腿,可我捡了条命。林子,是国家的,这是国家的文件,以前的不说了,现在开始按国家的办。导演通过对这段台词的设计,反映了天狗的决心与无奈。以及天狗的儿子秧子对天狗说过的一句话:爸爸,那我以后做连长,帮你管着排长。记得当时看到这的时候非常感动,小孩子的话最真诚,秧子对于父亲天狗似乎有着一种天生的崇拜,这段台词既反映了孩子对父亲的崇拜与维护,体现了父子之间深厚的感情,同时似乎也为结局中秧子去当兵埋下了伏笔。秧子在病房里对着沉睡的天狗叫了一声:一班长。我觉得这是台词中最妙的一句之一,一句一班长既勾起了人们对前面那段感人对话,那个小小的承诺的回忆,同时似有若无的再次点出了天狗军人的身份,同时又有着秧子对这样英雄父亲的崇拜,敬仰以及鼓励。一句“一班长”包含了许多,许多……
最后,我想用桃花的一句台词对天狗说一句:天狗,你比他们都牛!
" Les Miserables " (1862) is representative works of Victor Hugo,as one of the most famous novels in the French literature.
The novel basic plot is Ran A Rang pitiful life history. He originally is one poor family background worker, because the income insufficient family member gets by, by one time stole the bread is arrested is put in prison. Passed 19 years firm prison and the bitter service life. The punishment completely after also has the larceny behavior, but benevolent bishop in the rice the sorrowful influence, the transformation is one shed oneself manner person. He uses an alias is Madland, works as the entrepreneur, and is pushed for mayor. But soon and further because exposed the status is arrested is put in prison, after escapes rescues the deceased female worker Fantin's daughter Cosette match from one bastard hand special, went to Paris. Afterwards again unceasingly encountered police's pursuit. The Ran A Rang entire life fills is imprisoned the pain which the bitter service and drifts about destitute, this is the novel main clue.
" Les Miserables " is the work which one realism and the romanticism unifies, the very many chapters glitter the realism glory, such as , in 1832 Paris's street barricade war all wrote is quite real. But the romanticism technique quite was also obvious in the plot arrangement, writes the many extraordinary events. If Ran A rang lets lie down is lifted in the coffin the monastery, he rescues from the street barricade Marilius, all is strange, molds, environment description, symbolic and contrast technique aspect and so on utilization in the character image, also manifests the romanticism the characteristic.
Be a Woman Be a Human
Little Women is an autobiographical novel published in 1868 and written by American author Louisa May Alcott. She wrote from the heart, and wove into the story incidents from the lives of herself and her three sisters at Concord. It was based on author’s own experiences as a child in Concord, Massachusetts with her three sisters. Little Women is the story of the Marches, a family used to hard toil and suffering. Although Father March is away with the Union armies, the sisters Meg, Jo, Amy and Beth keep in high spirits with their mother, affectionately named Marmee.
The novel hasn't got fantastic plot, but the author described the happy family life with the simple language. However, this is the story of their growing maturity and wisdom and the search for the contents of family life. It has become a much loved classic tale and many of the trials of the sisters are all too relevant today as evidenced by its continued following.
One of the prominent themes in Little Women is the coming of age or maturation of the girls. During the course of the novel we see them grow in many ways--physically, intellectually, and especially emotionally. After certain happy times winning over the Laurences, their friendly rich neighbor, dark times arrive as Marmee finds out about her husband's illness. Worse is to come as Beth contracts scarlet fever in her Samaritan efforts for a sick neighbor and becomes more or lean invalid. The novel
tells of their young womanhood with the additional strains of romance, Beth's terminal illness, the pressures of marriage and the outside world.
When I read the book, the comfortable feeling and the sense of growing up both strike me as reasonable. These are some most impressive plots to me.
All of the characters who earlier wish for genius and success—Amy, Jo, and Laurie—now realize that they merely possess talent, not the genius for which they earlier hope. These realizations are the results of growing up and learning to accept small defeats. Even Jo’s writing style changes. She no longer writes tales of adventure and intrigue but, instead, write in simpler style that sounds similar to that Little Women itself. Tough one can argue that this change in writing style reflects a loss of independence for Jo, one can also argue that it demonstrates an ability to adapt her creativity to the world around her.
Another plot appeals to me a lot is the end of the story. In contrast to the stormy, childish encounter between Laurie and Jo, Bhaer’s proposal to Jo is touching and more grown-up. Jo goes out to seek Bhaer, demonstrating that she has some agency in the affair; when he proposes, the rain and mud prevent him from going down on his knee or giving his hand, so they stand literally on an equal footing. Jo, furthermore, looks nothing like a romantic heroine; she is bedraggled with rain and mud, but it makes no difference. This marriage, which begins with equality andprimacy of the heart rather than primacy of appearance, is promising.
There is also some foreshadowing in this book. For instance, when Laurie parents the March sisters with a postbox, the writer hints that love letter will pass through the box in years to come. Laurie promise to kiss Amy before she dies foreshadows their future marriage.
The old story brings me some contemporary thinking. Women’s struggle between familial duty and personal growth; the danger of gender stereotyping; the necessity of work; and the importance to be genuine. No matter what age you are in, you need to keep equality concept in mind. Just as the poem If by Joseph Rudyard Kipling goes:
If you can talk with crows and keep your virtue,
Or walk with kings---nor lose the common touch.
Then you’ll be a woman, and be a human. The book teaches me how to be a woman, or rather how to be a human.
春秋时期有一个很高明的画家,这天被请来为齐王画像。画像过程中,齐王问画家:“比较起来,什么东西最难画呢?”
画家回答说:“活动的狗与马,都是最难画的,我也画得不怎么好。”
齐王又问道:“那什么东西最容易画呢?”
画家说:“画鬼最容易。”
“为什么呢?”
“因为狗与马这些东西人们都熟悉,经常出现在人们的眼前,只要画错那怕一点点,都会被人发现而指出毛病,所以难画,特别是动态中的狗与马难画,因为既有形又不定形。至于鬼呢,谁也没见过,没有确定的形体,也没有明确的相貌,那就可以由我随便画,想怎样画就怎样画,画出来后,谁也不能证明它不像鬼,所以画鬼是很容易的,不费什么神。”
画家的高论证明:如果没有具体的客观标准,就会容易使人“弄虚作假”和“投机取巧”。唯心论最省力,因为它不受客观实际检验,可以瞎说一气,而唯物论则要接受客观实际的检验,所以很费工夫。
后羿因为射死了天帝的九个儿子太阳,激怒了天帝,所以和妻子嫦娥被贬到人间做凡人,后羿因为在人间做了很多好事,所以王母娘娘决定让他们夫妻二人重新回到天宫,于是就给了后羿两颗仙丹。
当时后羿正带着他的猎犬黑耳,在深山里围猎豹子,王母娘娘把后羿喊到跟前,令红衣仙女捧出一个光彩夺目的匣儿,取出两颗灵药及一枝人蔘精,嘱咐后羿说:「回家用人蔘煮熟吞服,可以成仙.」后羿接了灵药,谢过王母娘娘,便带着他的猎犬,驮着一只射死了的金钱豹,高高兴兴地回家去。
后羿忠厚老实,决定与妻子嫦娥有福同享,一起升仙,於是他把事情向妻子交代一番,便留下猎犬黑耳,带着豹子作礼物,前往乡亲父老处向他们道别.嫦娥遵照后羿的嘱托,把仙药放在人蔘汤里煮熟,等后羿回来一起吃.但馋嘴的她闻到仙药煮熟的香味,便忍不住用勺儿掏吃一粒,吃后只觉浑身舒泰,好味非常,不禁把最后一粒仙丹都吃下。
天黑了,嫦娥见丈夫还未回来,就出来看看.谁知刚出门儿,身体便随风飘动,门外的猎犬黑耳眼见嫦娥偷吃仙丹,独自升天,就吠叫着扑进屋内,它闻到香味,便一爪抓翻了锅,把剩下的人蔘汤舔尽,然后朝天上的嫦娥追去.嫦娥听见黑耳的吠声,又惊又怕,慌忙闯进月亮里.而黑耳毛发直竖,身体不断变大,一下子扑上去,把嫦娥连月亮吞下。
当时玉帝及王母娘娘正在赏月,忽见天色昏暗,连忙派夜游神一探究竟.夜游神回来报告月亮被一条黑狗吞吃了,玉帝便下令天兵天将去捉拿那只黑狗,当黑狗捉来后,王母娘娘认得它是后羿的猎犬黑耳,就大发慈悲,封它为天狗,让它守护南天门.黑耳受到恩封,便吐出了月亮和嫦娥,而嫦娥自此居於月亮上。
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