导入:
第1段:Recently we’ve had a discussion about whether we should... (导入话题
Our opinions are divided on this topic.(观点有分歧
正文:
第2段:Most of the students are in favour of it.(正方观点
Here are the reasons. First... Second... Finally...(列出2~3个赞成的理由
第3段:However, the others are strongly against it. (反方观点
Their reasons are as follows. In the first place... What’s more... In addition...(列出2~3个反对的理由
结论:
第4段:Personally speaking, the advantages overweigh the disadvantages, for it will do us more harm than good, so I support it.(个人观点 オ
导入:
第1段:提出一种现象或某个决定作为议论的话题
As a student, I am strongly in favour of the decision. (亮明自己的观点是赞成还是反对
The reasons for this may be listed as follows. (过渡句,承上启下
正文:
第2段:First of all... Secondly... Besides...(列出2~3个赞成或反对的`理由
结论:
第3段:In conclusion, I believe that... (照应第1段,构成"总—分—总"结构
时光匆匆,还记得曾经路口的那盏灯和灯下的人。
——题记
时光早已不如往昔,我们的生活也渐渐在变化着,曾经的孩子已成为了如今的少年,但唯一不曾改变的却是那份不曾离去的感动,那个回家路上等我的人。
那时的我才10岁,接送我的爸爸因为单位工作忙,没时间接送我上学,于是我走上了一个人上学的路,那时那条路上总有那个等我的人,等我的那份爱和感动,那便是妈妈。年轻的她,漂亮的白裙子,站在路口等着回家的孩子,记忆里那时的妈妈很美,那个等我回家的妈妈好漂亮。她总是跑来将我拥入怀中,用温柔的眼神看着我。
当我已不在是个小孩子,搬了新家,我也迈入了初中的大门,进入青春期的我,总爱和妈妈吵嘴,但不曾改变的依旧是那份小感动,因为那个等我的人从未离弃,我爱她。她总在回家的路上张望着,直到我的出现,她微微一笑,那年妈妈爱穿紫色的裙子,脸上却悄悄爬上了几条岁月的痕迹,不过路灯下的妈妈,依旧那么美,我心里依旧洋溢着小小的感动。
时光转眼已逝,我已成为高中生,每天早出晚归,见到星星的次数比见到妈妈的次数还多,但不曾改变的是哪个回家路上等我的人。第一天开学,还是哪个地方,我看见了妈妈的身影,我的心猛然的抽动了一下,妈妈高高的个子,那盏灯的光洒在她的头上,拉长了她的影子,发丝在微风中轻轻浮动,却也看到了妈妈额头上那时光走过的痕迹。虽然不明显,却也深深刺痛了我的心,我已不再是那往日的孩童,我心中更多的是感动,是爱。那天,妈妈穿着黑裙子,裙摆不时晃动,路灯下的她看到我松了口气。妈妈的年龄也随着时光在长,原来“不老时光”只是虚幻。不过,那个等我的人依旧那么美,那个路灯下的妈妈还是那么漂亮,我爱她。
不曾何时,时光已悄然流逝,连它的尾巴我们谁都看不到,妈妈在变年老,时光摆动着尾巴嬉闹而去,留下了我们。虽然我在长大,但依旧记得那个等我的人,那个路灯下的妈妈,那灯光里的爱,和唯一不变的风中的感动,将使我回家的路上多了那么一份牵挂和感动,我爱她。
1。 头绪分明,脉络清楚
写好记叙文,首先要头绪分明,脉络清楚,明确文章要求写什么。要对所写的事件或人物进行分析,弄清事件发生、发展一直到结束的整个过程,然后再收集选取素材。这些素材都应该跟上述五个“ W ”和一个“ H ”有关。尽管不是每篇记叙文里都必须包括这些“ W ”和“ H ”,但动笔之前,围绕五个“ W ”和“ H ”进行构思是必不可少的。
2。 突出中心,详略得当
在文章的框架确定后,对支持故事的素材的选取是很关键的。选材要注意取舍,应该从表现文章主题的需要出发,分清主次,定好详略。要突出重点,详写细述那些能表现文章主题的重要情节,略写粗述那么非关键的次要情节。面面俱到反而使情节罗列化,使人不得要领。这一点是写好记叙文要解决的一个基本问题,也需要一定的技巧。如:
One night a man came to our house and told me, "There is a family with eight children。 They have not eaten for days。" I took some food with me and went。
When I finally came to that family, I saw the faces of those little children disfigured (破坏外貌) by hunger。 There was no sorrow or sadness in their faces, just the deep pain of hunger。
I gave the rice to the mother。 She divided the rice in two, and went out, carrying half the rice。 When she came back, I asked her, "Where did you go?" she gave me this simple answer, "To my neighbors — they are hungry also!"
3。 用活语言,准确生动
记叙文要用具体的事件和生动的语言对人、事、物加以叙述。一篇好的记叙文的语言既要准确、生动,又要表现力强,这样才能把人、事描写得具体生动,其可读性才强。试比较下面一篇例文修改的前后效果。
原文:
One day Xiaoqiang was wandering away。 He was soon lost among people and traffic。 He could not find the way back home and started crying。 Just then, two young students who were passing by found him standing alone in front of a shop and crying。 They went up to Xiaoqiang and asked him what had happened。 Xiaoqiang told them how he got lost and where he lived。 The two students decided to take him home。 Mother was pleased to see Xiaoqiang come back safe and sound。 She invited the two students into the house and gave them some money, but they didn't take it。 She served them with tea but they left。
修改后:
The other day, five-year-old Xiaoqiang left home alone and wandered happily in the street。 After some time, he felt hungry so he wanted to go back home。 But he found he was lost among the crowded people and heavy traffic。 When he could not find the way home, he started and crying。 Just then, two young students who were passing by from school found him sanding crying in front of a shop。 They immediately went up to him。
"Little boy, why are you standing here crying?" they asked。
"I want Mom, I go home。" said the boy, still crying。
"Don't worry, we'll send you home。"
And they spent the next two hours looking for the boy's house。 With the help of a policeman, they finally found it。
When the worried mother saw her son come back safe and sound, she was so thankful and she invited the students into her house。 Gratefully, she offered them some money, saying it was a way to express her thanks, but the young students firmly refused it and left without even a cup of tea。
导入:
第1段:提出一种现象或某种困难作为议论的话题
正文:
第2段:Many ways can help to solve this serious problem, but the following may be most effective. First of all... Another way to solve the problem is ... Finally...(列出2~3个解决此类问题的办法
结论:
第3段:These are not the best but the only two/ three measures we can take. But it should be noted that we should take action to...(强调解决此类问题的根本方法
为纪念改革开放30周年,我决定创作一幅作品,主要表现自党的十一届三中全会以来,农村在加强“三农建设”和“社会主义新农村建设”中所取得的成就。在明确了主题后,我想出了“人寿年丰”的题目。并且,在创作中,我始终都围绕着这个主题。
首先,在大的构图上,我采用古代壁画那种层层垒高式的构图,力求给人一种纵深感。而且,我将所有物象都集中放在北方的一个农村中加以表现。为什么要选择北方农村呢?理由有三点:第一,我是北方人,对北方的山川、树木、河流、房屋及那里的风土人情都非常熟悉,且有很深的乡土情结。如山西北部,农民过去穿着用红花布做的红祖腰,配以铜疙瘩扣,再配一条大裆裤,这是当地极具特色的打扮。第二,在荒凉的北方,每当我看到冒着炊烟的村落,就有一种家的感觉。只要和当地人围坐在土炕席上,在那盏摇曳的油灯下,看着拱形窗棂上贴着的红色窗花,闻着屋里那混合着酸菜味和脚汗味的空气,吃着瓜子,聊着天,都会感觉十分亲切。第三,我曾当过知青,种过田,掏过粪,垒过石坝,平整过土地,熟悉农村生活,对农民有一种特殊的感情。
为了说明农民生活水平的.逐步提高,我决定从画面左下角画起,用螺旋上升的构图,表现改革开放以来农民生活的巨大变化。我在画面左下角表现了人们用肩挑的方式收获庄稼的场景;再往上,画的是人们用车拉庄稼。在表现人们的物质生活方面,我画了满树的桃子、丰收的稻谷、肥硕的牛羊,以及照相馆、美发厅、煤气罐、太阳能热水器、小汽车、大卡车、摩托车、推土机、公用电话、手机等;在表现文化生活上,有广场电影和村民自娱自乐的文艺演出,有街头载歌载舞的古装表演、震天动地的锣鼓表演,还有卡拉OK厅里的轻歌曼舞等;在表现教育方面,有学生朗朗读书的场景,有幼儿园儿童们欢快玩耍的场景;在表现医疗方面,则有“新农合”医务所……
为了营造民间的浪漫、吉祥气氛,我在画面上画了麒麟送子、和合纳福、刘海戏蟾、金猪献寿、喜报三元、抓髻娃娃、金猴奉桃等喜庆图案,力求画面更有民间装饰性和观赏性。为了体现军民之间的鱼水之情,我还在画面上表现了解放军送医疗、文化、科技下乡和为百姓抢险救灾的场面。
在人物选型上,我吸收民间剪纸的造型规律,尽可能地将人物夸张。如在扭腰器上锻炼的姑娘,竟让扭腰器旋转了360度,把腰扭成了麻花,极具夸张效果。在时间表现上,我运用民间艺术的理念,打破了一般规律。如表现人物的服饰,可以四季不分;表现人们看电影的场景,可以昼夜不分。我认为,只要画面需要,就可以大胆地画上去,虽看似不合理,但实际合理。在整体色彩上,我主要选用绿色,辅以赭石,用赭绿色调来表现这里一片生机盎然的景象。在赭绿色这种主色调下,我又用其他一些色调来丰富画面,以免画面色彩过于单一和呆板。
向民间学习,向积淀深厚的传统文化学习,并融入当代的一些新理念,从而画出自己的风格和特色,这是我创作《人寿年丰》的主要思路,也是我多年一直追求的绘画目标。
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