Story started in 1866. Aronnax, a natural historian, was studying for a large monster under the sea. At that time, the monster’s massagers were traveling around the world. After the investigation, he would return from aboard. And then he received an invitation from sea forces of America. So he was going to make the monster die out.
陈述句语序,就是主语在前,谓语动词在后。
错误: He is wondering when can he finish this difficult job.
正确: He is wondering when he can finish this difficult job.
注意:宾语从句的否定转移
主句的谓语动词是think,believe,imagine,suppose,consider,expect,fancy,guess等,并且主句的主语是第一人称而且为一般现在时,从句的否定词一般要转移到主句上来,其反义疑问句一般与宾语从句一致.例如; I don’t think he will come to my party.而不能说成I think he won’t come to my party.
1.主句是一般现在时,从句可以为各种时态。
2.主句是一般过去时,从句要用相应过去时态。
注意:从句描绘客观事实、真理、自然现象等,从句时态不受主句时态限制,仍用一般现在时。
例句:He answered that he was listening to me.
Father told me that practice makes perfect .
举出实际事例来说明事物,使所要说明的事物具体化,以便读者理解,这种说明方法叫举例子。 运用举事例的说明方法说明事物或事理,一要注意例子的代表性,二要注意例子的适量性。
作用:使文章表达的意思更明确,读者更能理解,具体地说明了说明对象的特点。
例句:云能预示天气。比如,在新疆地区,出现云就代表将要下雨。——《看云识天气》(根据大的范围列举相应的例子)
举了......例子,真实具体有力地说明了......使文章更具有说服力。
基本概念定语:用于修饰名词或代词的成分就叫定语。 定语从句:如果修饰某个名词或代词的定语是一个完整的句子,这个句子就叫定语从句。定语从句所修饰的名词或代词叫先行词。定语从句放在先行词后面。定语从句的引导:定语从句的引导词代替的是先行词。
1、当定语从句所修饰的名词是事、物时,用that/which引导,且that/which在定语从句中作主语或宾语。e.g:a.Thisisthepenthat/whichIboughtyesterday.
2.当定语从句所修饰的名词是人时用that/who引导,引导词再从句中做主语或宾语。
3.定语从句修饰的'名词时地点时用which/that或where引导:若地点名词在定语从句中是作主语或宾语就用that/which引导,是作地点状语则用where引导,可与“介词+which”互换。作visited的宾语作介词in的宾语作work的地点状语
4.当定语从句修饰的名词是时间名词时:若在定语从句中作主语或宾语用that/which,作时间状语则用when,同样可与“介词+which”互换。
5.当定语从句所修饰的名词在定语从句中表示原因时用why。’tcomeisstillamystery.
6.当定语从句修饰的名词和引导词后面的那个词之间是所有关系时,用whose引导。女儿已经出国的那个人是位医生
7.一些特殊情况:
1.从句为陈述句,常选择引导词that,that引导宾语从句无意义,不充当句子成分常省略。例句:He told us (that they would help us through the whole work.
2.从句为一般疑问句,常选择引导词if或whether,表示“是否”。在whether … or not结构中不能用if替换。例句:I don’t know if there will be a bus any more.
3.从句为特殊疑问句,常选择what,when,where,which,who,how等的疑问代词、副词作引导词。例句:He didn’t tell me when we should meet again.
This "celebrity biography" is about the tribulations and difficulties of the three famous men on the road to fame, from the power of persistence to the disintegration of power even to despair. They abandoned a lot of love and friendship on the way to fame. Finally, they set foot on the road to success.
The first is a belief that, suffering from pain, still does not put down music -- Beethoven. Although he was deaf, he said proudly, "listen to my heart music, you don't understand how I feel! A band can only play music that I expect to write in a minute!" Yeah! His music set of classicism is the beginning of romanticism, and its creation reflects the progressive thoughts of the rising period of the bourgeoisie.
Then a tragic, still sculptural belief - Michelangelo. His pain came from human malice. He was born to fight, to conquer! It is precisely because of this that his artistic creation has been deeply influenced, often with the realism of the civil class at the time of the patriotism and freedom of the struggle of the spirit of the painting. This kind of cup is presented in grand and magnificent form, and his hero is both an ideal symbol and a reflection of reality.
The last is a mirror that Lenin once called "the Russian revolution." Looking around Tolstoy's life, he was not only a literary giant, but also the narrative of life, religion, and society that made him a world-leading thinker. Tolstoy never laid down his obsession with the meaning of life.
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