清明过后,几场小雨潜入细无声。晨曦,方才发现房屋清晰,树木苍翠。
杨花榆荚无才思,惟解漫天作雪飞。那些经年的往事总是在似曾相识的情景中重现,那些散发着青春光彩的照片早已泛黄。人过了四十岁,也就有了一些阅历,一些生活的感悟。喜欢怀旧了,也是心态变老了。对待世事沧桑的淡定,命运坎坷的从容,练就一份豁达和平静的心怀。
黄庭坚云:春归何处?寂寞无行路。若有人知春去处,唤取归来同住。诗人的一片伤春悼春之心深切流露。繁华春事自是留劝不住,人生的青春何尝不是华丽的烟花。多年前的青衫少年已蜕变成沉稳若定的中年男子,纤细文弱的女孩演化作善解人意的中年女人。多少傲人的容颜都已是皱纹纵横,鬓角星星。岁月的沉淀,赋予了中年人独特的神采,如一杯酒,甘醇浓郁,饮后微醺,散发着生命的厚重,那是青春的积淀,青春的延续。
一望无际的麦田,就要迎来收获的季节。金色的麦浪翻滚着希望,千里沃土迎来夏播的喜悦!
宝玉说道,男儿是泥做的骨肉,女儿是水做的骨肉。然而,浩浩汤汤历史中记载的却是被人们称为“妖孽”、祸国殃民的妲己,大臣口中“狐媚惑主,谋朝篡位”的武则天,有倾国倾城色去误国灭朝的陈圆圆。读完《美人何处》,才知事实并非完全如此。柔情似水的女儿也有男儿般的铁骨铮铮,命运多舛的女儿也有男儿的执着坚韧,只得问一句“铁马金戈天下,改朝换代江山。成王败寇尽男儿。因何将祸水,长与女儿担?”
一句偈语“成住坏空,人生长短,并无别事”落在书的'封面,让人沉思片刻,人生的“成住坏空”男儿如此,女儿亦如此。褒姒、小龙女、杜丽娘、鱼玄机这些传奇的女子都在《美人何处》里出现过,而我想提及的却是让我为之心悸的王宝钏和林徽因。都说人生禁不住等待二字,而宰相千金抛却荣华苦守寒窑十八年,只为当年山盟海誓,只为见心爱的人一面。一份执着的信念,一颗坚定的心,让一个从前的金枝玉叶不得不背负整个家庭的重负。即使年岁渐加的她不再粉面含春,即使她飘逸的青丝早已成为白发,但一个有情至此的女子如何不让人感喟。都说:“情不知所以起,一往而深”,宝钏的至深情意也算是终有所获,平贵与她的再度重逢便是最好的见证。林徽因,那个从人间四月天里走出来的女子,才情横溢,堪称美貌与智慧并存的奇女子。但让人们真正记住她的不是她那动人的容貌和曲折的爱情经历,而是她建筑师的身份。为了保护北京及其他地方的建筑,她和她的丈夫四处奔走,为了国家利益,她坚韧独立地去对抗顽固蒙昧的现实,即使四处碰壁,伤痕累累她也在所不惜,因为一盏忠贞的爱国明灯始终照亮在她的心头指引着她前进。
“谁说女子不如男”,在男权社会中女儿们尚如此有情有意、忠贞爱国。而今男女平等的社会中,我们必将迈步从头越,学习和汲取她们身上优秀的品质和精神。我想《美人何处》里的美人若只是外貌美未免太过于肤浅单薄,她们真正的美应该是那更为闪烁的女性的光芒,也许她们的传奇不再,但散发的精神却历久弥新。
无论何时何处,情谊之深,爱国之重,男儿有,女儿亦有,天下之事,匹夫有责。
This is a story about a special and unreserved woman who has been exposed to a hostile environment but continuously and fearlessly struggling for her ideal life. The story can be interpreted as a symbol of the independent spirit.
It seems to me that many readers’ English reading experience starts with Jane Eyer. I am of no exception. As we refer to the movie “Jane Eyer”, it is not surprising to find some differences because of its being filmized and retold in a new way, but the spirit of the novel remains----to be an independent person, both physically and mentally.
Jane Eyer was a born resister, whose parents went off when she was very young, and her aunt,the only relative she had,treated her as badly as a ragtag. Since Jane’s education in Lowwood Orphanage began, she didn’t get what she had been expecting——simply being regarded as a common person, just the same as any other girl around. The suffers from being humiliated and devastated teach Jane to be persevering and prize dignity over anything else.As a reward of revolting the ruthless oppression, Jane got a chance to be a tutor in Thornfield Garden. There she made the acquaintance of lovely Adele and that garden’s owner, Rochester, a man with warm heart despite a cold face outside. Jane expected to change the life from then on, but fate had decided otherwise: After Jane and Rochester fell in love with each other and got down to get marry, she unfortunately came to know in fact Rochester had got a legal wife, who seemed to be the shadow following Rochester and led to his moodiness all the time ----Rochester was also a despairing person in need of salvation. Jane did want to give him a hand, however, she made up her mind to leave, because she didn’t want to betray her own principles, because she was Jane Eyer. The film has finally got a symbolist end: Jane inherited a large number of legacies and finally returned. After finding Rochester ’s misfortune brought by his original mad wife, Jane chose to stay with him forever.
I don’t know what others feel, but frankly speaking, I would rather regard the section that Jane began her teaching job in Thornfield as the film’s end----especially when I heard Jane’s words “Never in my life have I been awaken so happily. ” For one thing, this ideal and brand-new beginning of life was what Jane had been imagining for long as a suffering person; for another, this should be what the audiences with my views hoped her to get. But the professional judgment of producing films reminded me to wait for a totally different result: There must be something wrong coming with the excellence----perhaps not only should another section be added to enrich the story, but also we may see from the next transition of Jane’s life that “Life is like a box of chocolates, you never know what you would get.”
What ’s more, this film didn’t end when Jane left Thornfield. For Jane Eyer herself, there should always be somewhere to realize her great ideal of being independent considering her fortitude, but for Rochester, how he can get salvation? The film gives the answer tentatively: Jane eventually got back to Rochester. In fact, when Jane met Rochester for the first time, she scared his horse and made his heel strained, to a certain extent, which meant Rochester would get retrieval because of Jane. We can consider Rochester’s experiences as that of religion meaning. The fire by his frantic wife was the punishment for the cynicism early in his life. After it, Rochester got the mercy of the God and the love of the woman whom he loved. Here we can say: human nature and divinity get united perfectly in order to let such a story accord with the requirements of both two sides. The value of this film may be due to its efforts to explore a new way for the development of humanism under the faith of religion.
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