这是我读的第二本东野圭吾的小说。
如第一本《解忧杂货铺》一样,读的最快的书,这次是三天,其实昨天晚上剩下几十页原本可以读完,可是胆小的我真的不敢读完,因为最后真正的X4出现了,只是一些文字就可以让我浑身起鸡皮疙瘩,赶紧转移注意力,看看其他轻松的东西,关机手机睡觉,白天接着读完。
东野圭吾的这部《假面饭店》不像《解忧杂货铺》那样烧脑,可是依然令人佩服作者缜密的逻辑思维,和细腻的人物形象,人物的一个动作,神态描写都是细致入微,带入感强烈。
前面出现的所有人物,各类层出不穷的事假,看似不相关的入住的客人,其实都是为最后的X4出场做铺垫。回头看来正是因为前面强调赘述山岸尚美优秀的职业素养,以顾客至上,为了保护入住客人的隐私而拒绝长仓麻贵找人的要求,而埋下怨恨。新田正是因为学生时期为了维护同学而让老师蒙羞,从而受到心灵伤害,严重影响今后的工作与生活。当再次相遇,激起心中所有的怨恨从而发泄报复……
东野圭吾的作品魅力还在于直击人心,引人思考。书中是一间高级饭店,顾大局利益的管理者,优秀的饭店员工,掩饰身份卧底的刑警,形形色色的客人们。还有现实中的我们何尝不是在不同的环境场合扮演着不同的角色。因为那层面具是我们的保护色。像是我们看似开心快乐其实孤独的心。看似强大独当一面其实脆弱的心。看似话来开口侃侃而谈其实匮乏的心......
回归现实,我们何尝不是想展示最好一面的自己。摘掉面具,我们还是我们,我还是我。
A simple dcussion about Up
Pixar Animation Studios a superior about talking story at all times: Toy Story a story about deeply fraternal affection. Finding Nemo a story about a father’s introspection about h education road. The Incredibles a story about middle-aged man and wife’s life cr. Cars a story about moralities in physical education’s world by telling a star’s experiences. Ratatouille a story about a spirit that never gives up and you can realize your dream. Because of those wonderful cartoons, Pixar makes itself become an excellent symbol in cartoon sphere.
Therefore, Up worth being expected. And the truth that it’s a fantastic cartoon. To my mind, dream, commitment and responsibility the key of Up’s successful.
Children’s dreams are the easiest and the most romantic, on account of they always have deeply interest and passion for new things and strange world. But sometimes it’s difficult to realize their dreams by themselves; they usually need adults’ help. And those behaviors are not only their promes, but their commitments and responsibilities.
Russell and Carl’s relationship a key of Up. They have many differences: age, characters and background. And Up explains the relationship between adults and children by them.
Though Carl and Ellie’s love story just a few minutes, it impressive
and affecting. And it’s my favorite part in Up. Every man and wife wants to live a happy life, but true life usually makes it difficult to realize. But it doesn’t mean dream unpractical, prome untrue. Through Carl becomes unsociable and eccentric, he still remember h prome to Ellie. In my opinion, the thing which flies not the house, but a heart which brave and insts on its dream and prome.
And the adventurer, Charles a special role in Up. I think he stands for the people, who just care about their own benefit, totally forget social benefit and their roles in the society. There are so many kinds of dreams, so there are some persons make fame and wealth to be their goals. In fact, it reasonable, but it’s wrong to damage the social benefit. Th way of doing things terrible, shameful and lamentable. In the film, Charles forges sample at first, then kills many innocent men, and tries h best to get the animal, a kind of big bird. Everything he does for h own fame and wealth. The film has hit the right and wrong on the nose. In the final battle, empty-handed Charles fell down into a so deep cliff. It’s not only a punhment to him, but a satire to th kind of people.
Dream likes a check, prome likes an acceptance. Once you prome, you must try your best to make it come true for it your responsibility and duty.
这本书和东野圭吾的其他书不太一样,没有那种阴鸷的氛围,读起来也很流畅,大概是因为有俊男靓女的常规言情,读着太对胃口了吧。哈哈,我果然是肤浅的只适合读小言呀,哈哈哈…主角感情线明朗的不像东野圭吾的小说世界,连作案手法、推理过程节奏什么的,都仿佛被这明朗给点亮了,很清晰干脆。
但毕竟是东野圭吾的书,一如既往的关注人性,没有十足的恶,也没有纯粹的好。心理阴暗扭曲的凶手,作案动机却让人心疼不已,曾经也是为爱奋不顾身的勇敢美人,却被生活逼得偏执残暴,可恨却也可怜;善良美丽如尚美,却也无意中给X4造成了巨大的伤害,于“X4”们来说,也是可恨至极了吧;新田心存大义,正直善良,主要还帅气,但他也实在给那个当年的实习老师的人生带去了挥之不散的阴霾;那个实习老师蛮横无理,但背后的因由也令人唏嘘。当然,X4、实习老师之流玻璃心,自身不阳光不强大,这毋庸置疑;但这些与尚美、新田犯了错、伤了人的事实也并不冲突。我不***伯仁,伯仁因我而死;没有单一的因果,也没有纯粹的善恶。
现在想来“假面”这个说法就很有意思了,也许不只是书中讲到的在饭店里人们主动戴上“假面”,也许还有被戴上“假面”而不自知,主动给别人戴“假面”…有点凌乱了。有点庄周梦蝶的飘忽感了,假面是假,还是真面是假呢?好多事不能多想,想多也没用主要是。抱以善意去看他人的“面”吧,管他真假!
小时候,因为单纯,认为所有人都是好人,平衡起见,就被各种教育,“不要和陌生人说话”,“不要太相信别人”…现在,同样为了平衡,心上长了一层厚厚的老茧的我们,是不是也应该时常剃下茧,让心重新柔软,开始学着相信,学着用善意的眼光去看世界。
Up a slightly-left-of-center masterpiece. The emotional impact of the beautiful, wordless summation of Carls life that opens the movie the bass note that resonates through the whole film and at least as affecting as the scene in Wall-E when he holds h own hands while watching Hello Dolly. The rest of the movie, of course, breathtaking on just about every level, especially the tactile quality of all the characters and textures and the completely realized weather effects and action scenes. With no "new" technical milestones (fur in Monsters, Inc., water in Finding Nemo, realtic camera effects in Wall- E, the design the main focus, from the hilariously stylized characters to the amazing setting of the tepui.
I know----thats a interesting trip!
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