是写信人对收信人的称呼用语。位置在信内地址下方一、二行的地方,从该行的顶格写起,在称呼后面一般用逗号(英国式,也可以用冒号(美国式。
(1写给亲人、亲戚和关系密切的朋友时,用dear或my dear再加上表示亲属关系的称呼或直称其名(这里指名字,不是姓氏。例如:my dear father,dear tom等。
(2写给公务上的信函用dear madam,dear sir或gentleman(gentlemen。注意:dear纯属公务上往来的客气形式。gentlemen总是以复数形式出现,前不加dear,是dear sir的复数形式。
(3写给收信人的信,也可用头衔、职位、职称、学位等再加姓氏或姓氏和名字。例如:dear prof. tim scales, dear dr.john smith。
位置在下面称呼语隔一行,是信的核心部分。因此要求正文层次分明、简单易懂。和中文信不同的'是,正文中一般不用hello!(你好!
正文有缩进式和齐头式两种。每段书信第一行的第一个字母稍微向右缩进些,通常以五个字母为宜,每段第二行从左面顶格写起,这就是缩进式。
但美国人写信各段落往往不用缩进式,用齐头式,即每一行都从左面顶格写起。商务信件大都采用齐头式的写法。
其实这个英语课程也挺不错的,每天上午40分钟的电脑学习和40分钟的教师拓展。我个人认为,这个方法非常好,第一节课摆脱了教师的整体知道,自己根据自己的漏洞来学习;而第二节课则是阅读理解拓展,正好也是我的漏洞,所以这380元花得值。最令我难忘的则是第一天,并不是因为电脑的事。 在上敏特英语的第一天,我起晚了,7:15才起的床,我以最快的速度洗漱完毕,穿好衣服,以豹子舨的速度飞奔向学校。虽然速度快,可还是迟到了,晚了5分钟。我想到学校的老师基本上都很严厉,迟到一会就会“没命了”,我不由得紧张起来,我只听到咚咚的声音,原来是我的心脏跳动的声音。我不由得放慢了脚步,反正已经迟到了,早受罪不如晚受罪。我走到机房门口轻轻地敲了一下门,我只见到一位和蔼可亲的'老师,她对我说:“今天迟到了,下回不要这样了,去开机吧。”我没想到我竟然奇迹般的躲过了一劫。我打开了电脑,班长坐在我旁边,他笑呵呵地对我说:“咱们真够幸运的,遇上了和蔼的老师,否则你就……”电脑打开了,我认真地学习初三的英语单词,不知不觉中,35分钟过去了。 第二节课我也必须要提一下。进入了第二节课,老师发给了我们一张卷子,让我们先做,这里面的题对于我来说不算太难,但依然有难题。尤其是完型填空,最让我头疼。这位老师在学生中漫步,看到了我就剩一道题,她面带微笑地对我说:“又遇到难题了?自己仔细想想,你肯定能想出来。”我同时似乎吃了信心丸,努力想,终于在老师讲题之前想出来了。
时间如流水,敏特英语已经学习了8天,这就预示着过完年了,要开学了,英语学的怎么样不是说就能所表达出来的,别人不知道,自己却心知肚明。开学了,你准备好了吗?
a tale of two cities occupies a central place in the canon of charles dickens's works. this novel of the french revolution was originally serialized in the author's own periodical all the year round. weekly publication of chapters 1-3 of book 1 began on april 30, 1859. in an innovative move, dickens simultaneously released installments of the novel on a monthly basis, beginning with all of book 1 in june and concluding with the last eight chapters of book 3 in december. dickens took advantage of the novel's serial publication to experiment with characterization, plot, and theme. he described the work in a letter to his friend john forster, cited in rudi glancy's a tale of two cities: dickens's revolutionary novel, as "a picturesque story rising in every chapter, with characters true to nature, but whom the story should express more than they should express themselves by dialogue." the novel that emerged from his experimentation is now regarded as one of dickens's most popular and most innovative works.
dickens's work was very popular with the reading public when it was first published. one review in the magazine athenaeum stated that a tale of two cities had attracted the praise of a hundred thousand readers. on the other hand, a whole set of critics, most notably sir james fitzjames stephen writing in saturday review, criticized the novel precisely for its popularity. "most of the critics writing in the intellectual and literary journals of the day considered popular success a good reason to condemn a work," explains glancy. "if the public liked it, they certainly could not be seen to approve of it at all." modern critical opinion, however, has given the novel an important place among dickens's most mature works of fiction.
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