The story includes three parts. They are respectively talking about: Gulliver in Lilliput, in Brobdingnag, and in Houyhnms.
Gulliver travels to the South Seas. On their way to the East Indies, a strong wind carried them to the wrong way. Most of the people died. Some days later, he comes to Lilliput, everything is small there. Three days later, he comes to Brobdingnag. This country is opposite from Lilliput, the thing are huge, very huge! Then he travels to a place called Houyhnms, which is also very interesting.
列夫托尔斯泰是俄国著名的作家,思想家,19世纪末20世纪初最伟大的文学家。他被称颂为具有“最清醒的现实主义”的“天才艺术家”。
可是,列夫托尔斯泰两岁丧母,九岁丧父。青少年时代的列夫托尔斯泰,不仅常为思想苦恼,还为自己丑陋的相貌感到绝望。但1851年,列夫托尔斯泰来到高加索,群山环抱的清明环境才使他纷乱的大脑清醒过来。第二年,他创作出了《童年》、《少年》、《青年》和《一个地主的早晨》等优秀作品。1862年列夫托尔斯泰结婚了,幸福的家庭生活使他有足够的时间与精力创作出了震动19世纪整个小说界的巨著:《战争与和平》与《安娜。卡列尼娜》。
但是,列夫托尔斯泰是苦恼的:他本人拥有地位和财富,但他时常为自己的富裕的生活感到羞愧难安;他同情下层民众,又对他们缺乏信心。在列夫托尔斯泰晚年的时候,他站在了农民的`立场上。但是他却没有得到家庭和社会的认可,甚至于被开除了教籍。在精神上,他一直是孤独的。八十二岁的时候,他选择了出走,并病死于一个小火车站上。虽然别人都说他是“天才“”,但是《名人传》里他自己说到:我只是个普通人,我不是天才,我是在后天的生活中,凭着自己不懈的努力,拼命追求,才登上世界文化顶峰的。 每个人的生命中都有属于他自己的一份精华。
我们要了解自己,选定方向,认真去追求。”如果每个人都能意识到开掘“智慧之门”的可贵,并且都有勇气和决心,能踏踏实实,以自己的方式,认认真真完成自己的工作,我想我们有朝一日也可以骄傲地宣称:我不是天才,但我成材了!
答题分析:
1.还原情境
“杨柳岸,晓风残月”一共才七个字,乍一看,给人无从下手的感觉。其实,要求扩写的诗词名句一般都出自同学们非常熟悉的课本,题目本身已经给了同学们解题的隐性已知条件——诗句的情境因素。
做题时首先应该还原诗句的情境,通过回忆全诗或全词弄清该情境包含的三项内容:时间、地点、人物,然后就可以确定解题的切入点,根据自身的爱好和特长扩写了。
此外,还原情境还可以避免张冠李戴、自相矛盾的错误出现。比如,有的同学把“杨柳岸”扩写得春光旖旎、春意盎然,如果在还原情境时,想到词中写的是深秋清晨的景物,就能避免这样的'失误了。
本题在还原情境后可得出如下结果:时间——深秋清晨;地点——某个泊船的渡口;人物——离别情人的“愁人”。
2.构设画境
古诗词中的很多名句,如“明月松间照,清泉石上流”“日暮苍山远,天寒白屋贫”等都具有强烈的画面感。“杨柳岸,晓风残月”虽仅七字,但七字中包含一近一远两个画面,极有层次,且符合情理。作者由近及远,先描摹岸边“杨柳”,后绘写天际“残月”,完全符合人视物的顺序及习惯。
扩写时,应充分尊重作者的构设,将画面一个个有序展开,突出景物描写的顺序感、方位感、画面感。依据作者思路来布设写景的顺序和画面,不仅可以减少答题构思的时间,而且能使答题更准确更到位。
3. 表现意境
古诗词非常强调意境。要使有意境,就要在诗中的景物描写中融入或明或暗、或隐或显的感情。而扩写题往往都有“不得改变原诗(词)意境”的要求,因而首先要原诗所蕴涵的感情,然后将这种感情融入扩写中。原诗感情为悲;扩写文字感情即定调为悲;原诗感情为喜,扩写即定调为喜,二者绝对不能冲突、矛盾。
对例题,同学们应该细心体会“残”字所蕴涵的丰富情感,挖掘出作者借此表达的情愫,并在扩写中表现出来。
参考答案: 秋日清晨的寒意,唤醒了因畅饮离情而酩酊的词人。渡口已不是昨日的渡口,情人的身影也早已不见。杨柳依旧是昨日的杨柳,只是少了被柳枝牵萦的裙裾。飘零的衰黄柳叶,带着如泪的清露,沾上词人的衣襟,也沾上词人的心魂。晓风微起,似纤纤玉手分开密密的柳烟,一弓残月映入词人的眼帘。那是离人苍白的面容和孤寂的眼?
最后,我认为同学们应该在复习时熟读乃至背诵教材中的诗词,并试着翻译诗词中的经典写景名句,以增强文言、现代语言之间的转换能力,从而提高自己扩写古诗词名句的能力。
Open the biography of the famous, in the introduction of the first paragraph: "the air around us is heavy. The old man's Europa was unconscious in a climate of turbidity and corruption, and the vulgar materialism repressed the thought and obstructed the actions of the government and individuals. Society dies in a perverse, self-serving selfishness, and mankind breathes and breathes. Open the window! Let the free air come back! Breath the breath of heroes."
It is obvious that Roman Roland should use heroic spirit to correct the age bias. The real hero, the true greatness, is the pain and solitude, the struggle of the self with the invisible. In the same quote he added: "I am not a hero, I am a hero; And just by the great soul." He was the one who grasped the anguished mind of the hero and the great man, and took the triumph of overcoming adversity as a shining ruler of the hero. And his celebrity biography is revealed three suffering the heart of the hero biography in human history, they are great musician Beethoven, 19 th-century German Renaissance Italy famous sculptor Michelangelo, the Russian literary giant Leo Tolstoy.
"Resurrection" is another masterpiece, Tolstoy twilight Roman Roland said: "the wife, children, friends, and did not understand his enemy, all think that he is a Don Quixote, because they can't see him fight the enemy, in fact this is his own enemy."
"Tolstoy, do you live according to what you preach?" He answered painfully, "I am ashamed to die, I am a sinner, and I should be despised." Finally, at the age of 82, Tolstoy escaped from his home on a cold winter night and was ill in an unknown town. As he lay dying, he wailed and said to the people who were standing around him.
"Thousands of millions of lives are suffering; Why is everyone there taking care of Leo Tolstoy?"
In fact, Tolstoy's answer to the question of the living is also a response to the pain of the soul, where we have clearly heard Beethoven's joyful singing of life.
This is the eternal spirit of romance that romain rolland left us in the biography of the famous.
Opening the biography of the famous, in the first introduction, there is a saying: "the air around us is heavy. The old man's Europa is unconscious in a climate of turbidity and corruption, and the vulgar materialism represses ideas, hindering the actions of F and individuals. Society dies in a perverse, self-serving selfishness, and mankind breathes and breathes. Open the window! Let the free air come back! Breath the breath of heroes."
Obviously, romain rolland would calibrate the time warp with heroism. For romain rolland, the true hero, the true greatness is pain and solitude, the struggle of the self with the invisible. In the same quote he also said, "I am not a hero who is a man of thought or power, but a man of great heart." He is a soul, captured the hero is pain to overcome hardships as a shiny scale to measure the hero, and his celebrity biography is revealed three suffering hero's mind in human history biography. They were the great German musicians of the 9th century, Beethoven, the famous Italian sculptor Michelangelo and the Russian literary giant Leo Tolstoy.
He wrote at the end of the Beethoven revolution: "an unhappy man, poor, crippled, lonely, a man of pain, the world does not give him pleasure, but he creates joy to give to the world; He USES his suffering as a joy, as he tells it with his words, the motto of all the brave souls: "joy in pain." "Indeed," for joy with pain "romain rolland tracking of Beethoven's life view of fate, the words make up the" Beethoven turn "internal tension and fascinating ideological appeal.
What supports Beethoven is the quality that does not bow to the imperial power, is not the determination that is bought by money, it is the courage to strangle destiny's throat! It is with these extraordinary mental powers that Beethoven has reached the most sober grasp of life, over the myriad of life's perilous peaks.
This is the eternal spirit that Roman Roland left us in the biography of the famous!
我无法像他们一样,那么深切的去歌颂《百年孤独》。任何一本书,在我这里,就是一面镜子,照见自己的同时,也照见了我们习惯漠视不见的事实。我在想,那些人他们悲戚的命运。他们曾经那么努力执着、那么夺目,却有一个那么荒诞和无聊的晚年。我由此又产生了害怕,怕我有生之年,来不及真真切切的保护我的父母,在物质上满足他们,在精神上支撑他们。
我也深深的了解到一个现实。一个人,在有了爱和理想的时候,就有了孤独。我们愈爱,便愈发孤独。
那么,今天这个日子,于我,虽然是一年中的唯一,但终归不会圆满。《百年孤独》的布恩迪亚家族的每一个人,他们的人生全部由童年决定,某一幕某一瞬间,就已经影响到了他们这丰富而漫长的一生。走到最后,能忆起来的,也不过是那一瞬间的景象,只不过那一刻,已不带任何情感,就好像,那一刻一直跟在他身边,而他,才是一直迷失的人。
我希望我能不像他们一样,在生命的进程中,执着于最初的不圆满,一直迷失下去。
打开那颗心,拥抱这世间的好,做个注定不圆满,却满足幸福的人。
这就是生日的感言吧。不祝自己生日快乐,却祝自己豁达知足。
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